same,thank you 👍

Happy to hear that!

You are very welcome!

Sure they will ;-)

It's a good one indeed!

You are so welcome

Lol Thanks!

Hello Isabella, here's a playlist with videos related to home mastering, one of the videos is "Simple Mastering". I will make more mastering content in the future for sure. Let me know if you have ant questions after watching this one :-) kzfaq.info/sun/PLHfS_0liDLINy-gMAAlx4u4-o-E5tb-NO

Pro trick: watch series at Kaldrostream. I've been using it for watching lots of of movies these days.

@Crosby Lennon Definitely, have been using kaldrostream for since december myself :D

You're welcome!

💪👍

Here's a video I did on vocal saturation... This will give you an idea that you can then use with the Kramer kzfaq.info/get/bejne/brGTlsmqma7Fd6c.html

Hey Billy, I don't use an external mixer... With the Apollo converters, I wouldn't worry about AD/DA - DA/AD. They are good quality converters... Yes, stereo wav mix kzfaq.info/get/bejne/m69dqJmQv9ebdoU.html

​@@mixdownonline Awesome Chris, Thanks so much for your response very helpful info!!!

I tend to keep Multiband Compression to the Mastering guy. I personally don't use it on my Mix buss

@@mixdownonline Thank you Chris!

Hey Rosen, check my mastering playlist, I already have some in there. kzfaq.info/sun/PLHfS_0liDLINy-gMAAlx4u4-o-E5tb-NO

There you go my friend kzfaq.info/get/bejne/sJpdhtybsKm8Ymw.html

If it's only a different way of naming your channels, there's no problem with that. Unless I'm missing something

Actually Chris’ template uses a kind of “pre” master bus, called ST OUT, that gets the whole sound of the project and is routed to the master bus. The reason to do so (or at least one of his reasons) is following: if you have only the master bus and want to apply some general processing to the mix (light eq or comp), this processing would be applied to a reference track, too, if you have one. On the other side, if you have this ST OUT group, you can apply your processing there and then route it to the master. So, the master bus can have only monitoring plug ins. As the reference track is routed to the master, but not to the ST OUT, the processing on ST OUT doesn’t affect it.

@@korkenknopfus Yes, you explain it well. I'm just saying that for me, it is confusing to call to have ST OUT be the 2nd last item in the chain and call the very last one MASTER. If it was up to me, I would reverse the NAMES so that the 2nd last bus is called Master where we put the limiter etc. and THEN it goes to ST OUT (with monitoring only plugins) because the ST OUT is actually the signal going OUT of the DAW. Not sure why but to me, labeling things this way makes more sense to me. The only reason I don't is so that I can follow Chris' videos without getting confused.

YEAH! Bienvenue mon chum!

Welcome on the channel, Anton :-) I made an entire video series on mixing Vocals in Cubase kzfaq.info/sun/PLHfS_0liDLINA3IGXMHEGIgU4BqpuRRHy Hope that helps!

@@mixdownonline Thank you I could able to get some ideas now I have some issues with recording when I add the delay I am also getting delay as feedback on music track as well why ? how I can apply delay only for vocal track if you can reach me via email as well joyofjesusmusic@gmail.com

Quick answer is yes, the compressor will react differently if you bounce stems. I will elaborate on a Q&A video :-)

Thanks, Stephen :-) Nope, never happened ... I don't overkill the limiter when bouncing for a client.

I work with cubase 11

You can create a Main Stereo Out by creating an Output in AUDIO Connections, that will automatically create an Bus Output on the Mix Console

What do you mean?

@@mixdownonline I mean what plugins are the most important to use in a stereo bus track?

I really like working with the BX Console N. Better than the old Neve from UAD but probably the same as the Neve 88RS except that on the Console N , all channels of the console is modeled which is pretty nice. Also very low on CPU. I used it across the board on my 2 last mixes and I was pretty pleased :-)

@@mixdownonline Chris, better than cla mixhub?

@@MrRuhavik Didn't try the CLA Mixhub yet

I never "Print" a mix unless I want to get out of "the box" to send my mix in a summing box or a preamp to add some color but even then, It's been a long time since I did that. I do export in Real Time since I'm using an external Bus Compressor. I don't know if there's a difference in sound when bouncing offline vs Real Time. I'll have to test it. Honestly, I would worry too much about this.

Sure, why not!

Chris Graham (www.chrisgrahammastering.com/) Ian Shepherd (mastering-media.co.uk ) and Jordan Jackiew (tailormademastering.com) are my go-to Mastering engineers.

Join the club! Lol. I like to mix in a Limiter for Pop, Rock and stuff. For jazz and acoustic mellow stuff, I tend not to. I always remove the limiter before mastering though

I have Multitracks available for FREE mixdown.online/free-downloads . But if you're looking on a Mixing Guide, I'm actually working on a Mixing in Cubase Premium Course that will hopefully come out in April.

For sure, as far as you don't clip you're fine. But I always advise to leave headroom of around 3-5db just for protection more than anything else cause if I don't, chances are that I will receive a mix that clips a bit and that happened to me more than once ;-)