what's the name of the software that you're using bro? thanks.

@@ericsonlattao9321 ugly ass looking pro tools, lol

:D

This is the best comment ever made on KZfaq, thank you so much for this.

Is that Graham's song? It sounds pretty cool. Makes me wanna hear full version.

Genius kkkkk exactly so complicated

@@samanthamills6922 really?

Shit bro. 1 year for this much of knowledge. That's crazy

hahah totally what I was looking for! thanks!

thanks

Haha thank you 🙏

You’re a beauty. Thank you 🙏🏻

legend

I was watching this in full screen, drifted off for a little bit and then tried to empty his trash can.

In the future, "viewing on the internet" will include the software bundled with the experience, and the presenter will be an AI that can react to the changes you've made on the fly.

lol you're an asshole

Yeah same this is very inspiring without loosing me in too complex things. This just lacks the "vintage" color tips i would like in my recordings

"Give me more than I can handllllle..."

i wanna see your wilder side

Me too mate 🤣

i'm the same!! I already fail at recording something and make it play in a software D;

Hey bud I write and play too. I spent about a year watching videos and experimenting with GarageBand. I think it's a great DAW to learn with.

I wouldn't record in a bathroom unless you enjoy the sounds of the room's flutter and plan to use that in your recording. As far as recording in a bedroom, I believe Graham has done a few videos on something similar in the past. The best advice I could give you is stay away from walls, if you can help it. I set up my mic as close to the center of my room as I can with the mic pointing to my open closet (a closet full of hanging clothes absorbs a decent amount of sound) and I also have an sE Reflexion Filter. Short of the occasional weird resonance I have to eq out, the recording quality is very usable, even for a more intimate song, i.e. just vocals and guitar. All the same mic techniques he's showed in this series are applicable to any room, really. The Rode NT-1 and Shure SM57 (which were used in these videos) are great "budget" mics in their own regard. SM57 can be had for ~$70 used and an NT1 used for ~$150. Both very inexpensive but very usable mics!

Kyle Volpeil Good advice. You should do a video on what you just said. I'd watch it and thumb it up!

Please search Graham's earlier videos from about four or five years back. He has a series where he shows himself recording in a number of non ideal situations. it really is pretty amazing what he can do and by association what we can do

Actually no. By doing this the sound on the left and right would be the same, so you'll hear like a mono guitar still. To sound like two guitar you could play with the pitch and time to make them sound differently.

Record it twice, then pan.

Yo, select the audio region. Go into the menu on the tool bar called audio suite I believe -Invert-click render. Should reduce likely hood of phase issues if both tracks are very similar waveforms.

If you are recording this yourself the thing to realize is that the time to look and deal with phase issues is before recording. After the fact just flip the phase button and see which sounds better or if it still sounds off either way and you know that the mics were supposed to be the same distance from the source, then you can nudge one of the tracks to get the peaks of the waveform to align. This becomes quickly tedious and also my ear gets tired quickly doing this sort of thing. It's much easier to move the mic while tracking. If you struggle with this, you can always flip the phase switch while tracking and play guitar and then move the mic until both mics together sound as thin as you can get them, and then flip the phase back to normal and the bass should come back and everything should be in phase (in phase enough anyways). Having said all that, phase is one of those topics that I think everyone needs to remember the old saying " if it sounds good, it is good" and perfectly in phase isn't always 100% of the time the best sounding. Plus it isn't possible IMO to get 20 mics all perfectly in phase on a drum set anyways. All the mics are different distances from the kit and all the individual drums are different distances from the overheads and room mics. For this reason engineers usually choose either the snare (or kick sometimes) to be the drum that is perfectly in phase in every mic. If you are super technical and only have a couple mics on a guitar cab, you can send a sin wave through the amp and capture that in the mics and then move the far mic until the peaks align. Keep in mind also that sound moves at about 1ft per Ms so it won't reach the mics at the same time, and we need to hear that difference in time to be able to hear the distance illusion were often trying to create with 2 mics of different distances. 😀 Have fun. Steve Albini has a good video out there on phase showing the 2 mics on the guitar cab thing, nerding out with his oscilloscope. A guy after my own heart. He's a great engineer. Hope this helps. 🙏

kzfaq.info/get/bejne/b7yDdddnprGvc4U.html i use zoom h1 in this video

GaroFrawley thanks appreciate it