be careful matching the volume of the sub frequencies of a finished reference track to your own sub, when you're using the levels of a track that has been mastered and limited to compare to your own unfinished mix, it can cause distortion issues down the line when you go to mix and master your own track. Using the EQ matching technique to edit and mimic harmonic ratio as you guys did is a great tool, but lowering the reference tracks volume, and mimicing the ratio when the volume is lower, will allow you to raise and lower the total volume later to fit your own track better.

you guys are seriously amazing. The amount of FREE content Danny and Parker provide is top tier.

cool guyz💙💛 please do the video remaking Odesza style next time🙏

the bass in the intro is so heavy OMG!

lmfao dude you guys are awesome. blew me away about the vst 3. thank you so much . u guys are hilarious

Tear out sample pack is fire and so is this channel , big ups !

lmao yall are a funny duo i love it, also great video i had no idea you could do that

Как же я обожаю ваши туториалы! Вы лучшие)) Каждый раз, когда я начинаю испытывать творческий кризис, я просто смотрю ваши видео и получаю так очень много идей для моей музыки. Я буквально заряжаюсь вашей энергией и начинаю снова творить! Спасибо вам)

Need an edit of this video with the nug of knodge music. because this video was filled with nugs throughout. Great video as always. Can't wait to see what you boys come up with next! parker, hair's looking strong my guy!

Just bought the pack. Amazing stuff guys!

If you really want to make it simple, zoom in on the waveform first and see if it's a sine or a triangle wave. A lot of these guys are using triangle waves like Danny says, with pitch envelopes for tearout subs. You can see the pitch envelope in the Fabfilter spectrum, and on the waveform... that's why it's dropping down a bit sort of like a kick on the analyzer, probably an octave. Then, if you want to make it more tonal so it comes through on smaller speakers, boost somewhere between 500-2000 hz to bring up some of those harmonics.

Wow what an acNice tutorialevent! Best of luck for the rest of your future, I’m looking forward to being able to invest when I turn 21 in November!

Killer video guys! I've experimented with tilting a sine wave towards a saw or square wave (like with a smooth-morph on a basic shapes wavetable) but drawing harmonics in with the wavetable editor is some next-level precision. Any idea what the typical method is when it comes to using pitch modulation is? I've found that using the pitch envelope really helps give a heavy punch to machine gun basses, but it doesn't quite sound right when I use the same sub under other basses in a track. Would you guys use separate subs, automate the pitch envelope on and off, or just use the same sub throughout?

Yup. This is the key thank you

I am getting back into production after so ti and tNice tutorials makes it so easy to understand. Thank you so much for making these videos.

🎺🦍

Wouldn't it be easier to lowpass the track and recreate the waveform in serum by drawing it in?

Do you guys gainstage? I think it’s an avoidable extra step

XLNT! is gang shi

Hahahaha you made my day

LOVE THEEEEEEM

Nice

DANNY IZ THE GOAT

thank you

Danthony

Great nugs! You'd want to do this in linear phase mode right? Or does it matter as long as its not phasing with the kick?

DADDY LIKE

"Producers don't want you to know this trick"😅😅

Simplicity soft

Is that click normal cause its driving me into depression? does it not translate when you render?

XLNT always bang🔥🔥❤️ Love ur videos Can I get free sample 😂Just joking

I want my 21 minutes back