Bruh, ikr? The xoxos plugins only take a person so far. I put out a call on reddit to see if anyone is doing this but the concensus was that there's not a huge market for that, which sucks.

good idea

Hah well I can say I've definitely never tried that. And so I should!

lmao... Dude... I just spewed coffee everywhere

@@sympholiloquist7404 and SeamlessR should now try to resynthesize that! Coffee spewing!

The most basic description of "physical modelling" is just picking a parameter and assigning it to a real "parameter" and trying to treat it with the same constraints as real life. So it applies to a super wide field of stuff to do. For example: based on observing waveform shape, I've noticed that where you pluck (or bow) on a string is exactly the same as pulse width modulating. If you pluck near the edges, it'll look like a shorter pulse square, but with minor harmonic differences, if you pluck near the center, it looks like a balanced square, but with minor differences. So now, when I "physically model" a plucked string, a parameter I have is "pluck location" on the "real thing" but linked to the synthetic parameter "pulse width". Purely as a method to create that same behavior in a way I can control like you could on the real thing. ie: using harmor, which does not have a pulse width modifier because of it's additive nature, I have to use the phaser set to the specific mode that does the thing to all the harmonics in the way that, somehow, generates the result of pulse width modification. So I get to have that parameter that way, despite not using a literal pulse generator. After that it's all about those remaining "minor harmonic differences". The biggest ones being, if you just go as far as I've said, you'll hear no "motion" applied to the sound, the way you do the real thing. Any way at all you can think to represent that behavior in a way you can convincingly puppet to sound like you control like the real thing, is effective "physical modelling". I'm trying to go full "hard mode" about it where I wanna go all the way down to the nittiest gritty to achieve the result by way of having allll of it be real. Pure brute force. Unlike, for example, how they did the Matrix UE5 demo with city SFX happening. They "physically modeled" a city, but those sounds aren't being generated by every literal visible interaction, it's actually a smear of plates being mixed via AI based on what's around the player in real time. The part where that's still the same is because the changes are still based on parameters that are linked to what would be the real thing in the real environment. In that case, it's more about that things move when you move than it is the sources are perfect. Which is a serious savior of processing resources vs hard brute forcing do the thing mode like I'd wanna ;p

A fine day to you, sir! ;D

That would be a challenge haha. I’d love to see it done though