It's like that. It doesn't require more effort for that. You just need to study the daw you are using

That's called sampling bro. That's why anyone worth anything in music does their own sound design.

@@Fink-id6yg you have a point... but he did make these samples himself.. muerte can cook

​ Exactly bro. And to be honest, I'm a little sad to see he's a sample producer I thought bro is making all his own stuff. Like in all the videos I've seen him showing how to produce, I haven't once seen him make his own sample from scratch. Always seemed just grab someone elses answer that's already made.

@@EDM-Jigger He’s messing with the sample so much it would basically be the equivalent of bouncing down a random note using a basic wavetable in Serum. After hearing the end product you would never assume that was a KSMHR one shot bass sample. At least I wouldn’t.

🤯

🤯🤯

real

But just so you know, moonboy’s packs are mostly ghost produced. He’s sling other producer’s sounds made for him. I’m pretty sure most of them are made by Nasko

@@gabethelegend2007 Wow. That’s ridiculous. There are so many people faking things it’s unreal. How did you find out his shit was ghost produced? That really far out because when I looked at a specific pack it was selling he would have racked up about $80k after all 500 downloads were complete so this makes me wonder how much he paid to have a whole sample pack ghost produced or if he just split the profit with the kid that actually made the sounds.

@@gabethelegend2007 the amount of fraudulent activity within electronic music is ridiculous. It’s ridiculous. The majority of American fans are out of touch and it seems the majority of producers are faking it. I hate this shit because if you can’t make your own tracks (especially out of sample packs) you shouldn’t be involved in this shit if you can’t do it without a ghost producer.

This. One reason I got into producing. The passive income from streams, YT tutorials and sample packs is nuts. Once you know what you are doing, hit the gas, make some content, then sit back 😂 Touring and playing shows is cool but the real money is online. This is coming from someone who moved to Denver for dubstep too, so I've been in the local scene for a hot minute. If money is something that interests you, online is the way to go.

@@gabethelegend2007 Moonboy also does ghost production for people as well, i heard he makes all of Jessica Audfried's music (idk how to spell her name) plus others behind the scenes but as long as people are getting paid thats all that matters i guess. but Moonboy is definitely capable to make the sounds himself, ive seen him produce just about every genre from scratch so hes legit imo

click on the transpose dial and then go to the envelope section and select transpose and the line will apear ove rthe sample

Pasta Mr MR MR MR

Who tf are you?

Vilmfilm shut ur ass

Sorry...

Ableton Live.

Lol just saw the same thing

fr, but thats the real sauce. I doubt he'd do that

@@poyospirit7727 Yeah, definitely, the only reason why I’m asking is because I learned, while watching a muerte forbidden Society tutorial, that everything the man does is re-sampling, he literally said he does not use VST, so with that in mind, I’m wondering who actually made these samples, because it probably wasn’t him. If it was, though, that’s super awesome, if it wasn’t it’s pretty cool too. Either way. It would just be nice to see the original source.

@@alexanderkeffer2107 hey orion with avant samples here to confirm that he did make the samples in this pack. do i know how, no. its literal witchcraft imo

@@orionsheahe used serum and resampling

lots of layering of non-dubstep sounds and recordings, synths from various vsts, all being processed to make one of the bass sounds in most cases. Some of the sounds in the pack are live recorded instruments as well. Lots of work put into this, hope you like it :)

Yes all our samples are 100% royalty free! You can grab them from: AvantSamples.com

just have the kick and clap play at the same time on two separate tracks

@@kyju7093 no no no, Im asking about transient spiking for mixing and mastering purposes.

@@tubeo94 if it sounds good it is good imo layering claps and kicks is legit how you make house or most 4/4 style dance music. layering kick and snare is usually a harder challenge and you dont see that often because usually the genres that use a snare (trap / dnb etc) have it isolated and in its own pocket because its a much fuller and punchier sound than a clap and if youre a nerd, ideally you want to tune the snare and the kick to the key of the song to lock everything in but a clap typically doesnt matter because its not really as tonal as a snare

Correct. I am pretty sure he uses a Gclip on the master chain.

Can't remember exactly what he did but nost people use some sort of soft clipper, limiter, or something like G Clip to limit the final out from the master. I've even seen some people even just let the master clip and it adds to the sound but much harder to do in a clean way.

The ableton channel delay (not an audio effect)

It's playback delay. It offsets the entire track by the amount you choose (in milliseconds). That's what gives riddim its iconic bouncey/swingy energy that makes you wanna do high knees 😂

He’s actually just using a clipper. i believe it was gclip. it gives you a little bit more control over what and how it clips compared to letting ableton chop everything off on the master. majority of the sound comes from hard clipping and knowing/having an ear for the levels going into it

@@orionshea Yee I was just saying maybe let your viewers know that first before going ham with samples lol

@@skwurl5376 This was originally supposed to be used for short form content/ad content but there was tons of useful info that he was dropping that we edit to edit out. So we turned it into a full video. Some things are missing from his process but we thought it'd be useful regardless. He has a complete start to finish tutorial included in his sample pack where all this stuff is covered in depth over a hour+ long video.

Tearout is real aggressive I think

Because it the sounds are being torn apart haha

Tearout was the more aggressive version of dubstep in the UK, it focused on sounds that would lie in the high-mid frequency unlike its deep bass counterpart. Now how this transitioned to the United States with that dubstep and tearout. I can only speculate that they used the idea of a more aggressive dubstep as the most logical way to transfer that title.

@@Multi-Waves_Sketchbook Yo. I understand the lineage of the music I am just curious on why the chose the name ‘Tearout’ specifically for what people were calling brostep. To be very specific I’m wondering if they chose that name because people were tired of the ‘brostep’ jargon.

@@aarons2632 pretty sure tearout is actually as old as brostep or even older