That’s Amazing 🤩

Elvis Wairia Art Glad to hear it.🙂

Thank you. Glad to hear it helps. :)

Thank you, Rodney.🙂

Geahk Burchill Thanks. Glad to hear it helps.

You are very welcome.

Thank you. Appreciate your kind words.🙂

Thank you very much. :)

Thank you. Glad to hear it helps.

Your welcome.🙂

Thank you. Glad to hear it helps.🙂

Your welcome :)

LOL...yes it is supposed to. I made a mistake. :)

Thank you.🙂

Glad you like it. Thank you.🙂

You are very welcome.

Your welcome and thank you.🙂

You are welcome. Glad to hear it helps. 🙂

You're very welcome and that a good question. As I looked back on the video, I realized I had put some drag on the right hand on #15. Yes, that part of the drawing would be considered a breakdown because it's not a direct inbetween. ( my bad, I should have made that point clearer), but everything els is a direct inbetween. What I would do in this case, would just draw the hand and arm that is dragging, numbered it and sent it on to the assistant with a note to let them know to drag the hand but inbetween everything else as charted. Hope this is clear and don't hesitate to ask me more if it isn't. :)

@@1on1Animation thank you! Do you have an online program? Like Skype lesson 1 on 1?

@@nogabendor5805 Yes I do. You can contact me at '1on1animation@gmail.com'

You are very welcome!!

I’m so SORRY for the very late response. I had not seen your question. Sorry again. No, all the drawings in this demonstration are INBETWEENS. The EXTREMES (KEYS) and BREAKDOWNS were done beforehand. The BREAKDOWNS are the drawings that describe the action, meaning the way the character will move from one key to the next. At this point, I am putting in just the INBETWEENS. When I start the character's movement from a starting pose, this will be a SLOW OUT. When the character is in the middle of a movement, this will be a Consistent movement meaning it will be on halves or thirds or whatever your chart will describe showing it’s not a sow in or a slow out. (hope that made sense) When your character comes into a pose that you want to have the audience see, it will slow in and then slow out. Also, remember there is no set rule as far as how long to hold a pose from one to another. It will vary on what you as the animator want to express with that particular action. As far as your question, "what are the difference between half and thirds...", there isn't any difference. It is just showing that the movement is constant. The loops on the side of the chats are what indicate what the spacing is. I should have explained that in more detail in the video. I will make another video to explain it more clearly. I hope this answers your question and if you have any more, please don't hesitate to ask. Wayne🙂

Who is Jay?

Glad you enjoy the channel.🙂

Your welcome.🙂

You're very welcome. Glad to hear they help. :)

Thank you, glad it helps.

You dont understanding timing chart?

The technique is like that

Hi, Because traditional animation can be shot on what is known as 1's or 2's. 2's is 1 drawing per 2 frames of film. 1's mean 1 drawing for every frame of film. The basic rule is normal to slow actions are done with 2's. Fast actions are done with 1's. All animators use this system differently. Some put everything on 1's (Richard Williams) and others do it on 2's. Most animators use both. Hope this helps.

@@1on1Animation thanks for the answer, but I meant something else. Let's say you want to slow out from 1 to 17, as in your example. So you in-between the 15, then 13, 11, 9 and so it's on two's. But the thing that I don't understand is, why you didn't created the in-betweens 7, 5 and 3? Why did you stop on the 9th? Probably it's me haha but I really would like to understand this

@@FedericoSchiavoneArt Oh, now I see what you mean. (lol)... I just held the fist pose for 6 frames because I didn't feel the need to put in the rest of the in-betweens. Drawings 9,11, 13 were close enough to drawing 1. I defiantly could have put them in and that would have made it fuller, but I just chose to hold it for 6 frames.

@@1on1Animation ohh ok!! I thought it was a kind of technique haha. Anyway in that case, if you wanted to put also those frames in the timing chart, you must create a new chart? Because you can't write smaller and smaller right?

Yes.

16 frame is just a basic slow out. Not to fast and not to slow. I could have done it in 4, 6, or any number I wish to. So it just depends on what type of timing you’re trying to express. The main thing I’m trying to show here is the basic slow out and slow in. I recommend that you create 2 poses and tryout different timing with those 2 poses, meaning faster slow out and slow in and slower ones. This is a good way to start to get a feel for timing. Hope this helps.

Don't understand?

😚 Thank you.

Yes. When someone refers to 1's, that mean there is a drawing for each frame of film. Anime usually uses 4 frames of film for each drawing. This is why it does not look as fluid as a Disney type of film. It's just a matter of personal preference.

I highly recommend that you make thumbnails in the beginning. When you're done with your thumbnails, you should have a sense of timing. Then when you do your animation, do a pose test of what you imagine with your thumbnails.

Yes.

You can hold a drawing for as many frames as you want...be it 4,10, 24, or 100 frames. It's up to you.🙂

@@1on1Animation thanks

@@1on1Animation are you have tips for that technique

@@ilikedrawing4371 Not really understanding your question. Tips on drawing or how to hold the drawings?

@@1on1Animation hold the drawing

I used TVPaint for this demonstration.

Hi Thomas, Yes, you are correct.🙂

@@1on1Animation These sessions are so vital for me, This is real teaching, coaching and essential in my Animation University drive Wayne are my 'key principle animation videos I use to run through with the books etc. 'I am in the Animation Studio' at home. Thanks.

@@thomasfurlano4461 Your welcome Thomas. 🙂

Yes.

@@1on1Animation thanks for the respond Mr. Wayne....I will keep in touch to your channel so I can learn more.... It is so professional... Thanks

Sorry, I don't know how to make translations. I will try and figure it out.

No idea what you are asking me. All the best.

HI, thanks a lot for your comment. I really going to try to keep it in mind. It is a habit but it is good that you pointed it out so I can pay attention to it! ;) Thanks for visitiong too!!

I don't understand your question?

@@1on1Animation Pardon, didn't mean to cause confusion. Chef John is the cook from "Food Wishes" and they start their episodes with the same/similar tune as you did this video

Whats your question here?🙂

The charts are a bit different than the timeline. Charts are specific to the spacing of the drawings, meaning that the in-between drawing could favor the first drawing instead of being directly in-between or vice versa. Hope that makes sense.🙂

You determine the first pose basically like the rest of the poses in the pose test. But I do understand why you ask this. Let's say you hold the first pose for 24 frames and you don't want to do all the in-betweens slowing out, (That would be a total of 24 drawings on 1's) and you just wanted to slow out with 6 drawings. You would hold drawing 1 for 18 frames and start to slow out on frame 19 to frame 24. The reason for this is because the first pose is held for a bit. But understand, if you wanted, you could slow out on every drawing. The drawings would basically be tracebacks if you put your first inbetween in the middle of the chart and there is nothing wrong with this. This would be considered completely full animation. It's up to the animator what kind of effect they want. Both ways work. It's just a matter of taste. This is the same principle with 2's also. Hope this helps. :)

I just picked this number at random. You could have the movement right out from the start of the scene and not hold it at all. I could hold the first drawing for 4 frames or 48. It's about what you are trying to convey. The main thing to understand is animation is not a formula. It is an art form, and whatever the animator (or director) wants, is up to them. After you learn the principles, you can do whatever you want. If you look at a Tex Avery scene, it much different than a Milt Khal scene. It's up to you. Let me know if I am being clear. :) If need be, we can Skype and I will explain it more clearly.

@@1on1Animation Thank you for replying. Honestly, what really confuses me is determining what numbers of my keyframes. I know it varies based on the action being animated, but I still can't determine how long my scene will be. I'll have an idea in mind, but I'm not really sure how to determine the length of time it will take to complete the action. It really gets confusing with me using flash because when I add inbetween frames, it changes the number of my keyframe drawings. I understand the concept of slowing in/out etc. It's honestly just the determining the number order that confuses me. Sorry to bother you with such an amateur question.

@@neimyx1 If I am understanding you correctly, are asking about how to time out your scene in a pose test before putting in the rest of the breakdowns, (more poses)? Or are you talking about the numbering of the drawings and how they correspond with the rest of the scene? I have never used Flash, so I’m not sure how the interface works, but I would imagine it’s the same as the other softwares. If you want, you can DM me on 1 on 1 Animation/InstaGram and we can try to figure it out on Skype. :)

@@neimyx1 Sorry, I wrote you back a couple days ago but forgot to hit the reply button. If you want you gan DR me on my InstaGram account and we could have a Skype conversation to clarify.

Thank you for the positive feedback. Glad to hear it helps 🙂

You're very welcome.

Your very welcome and thank you for letting me know it helped you out. :)

thank for the oc comment :)

You are very welcome.

Elìa1995 Lets say you 24 frames that is allotted for the character to cross the bridge and you created 4 key drawings. Put your 4 key poses within the 24 frames on your time . That would be every 6th frame on the timeline. This well tell you how many drawing you have to put inbetween your keys. This will be true in any pose test. Hope this makes sense.

@@1on1Animation thanks, I think I got the idea. So the very first thing to do when making an animation, is to freely draw the key poses anywhere in the timeline and then move them around until I get a good duration of the scene, with the last key pose corresponding to the last frame ?

@@EliaForce1984ita Yes, this is how you will start to get a sense of your timeing. Especially when your first starting out.

Yes, the tick do represent the spacing of the drawings.

Your welcome. Glad to hear it! :)

TVPaint on my Cintiq and RoughAnimator or FlipBook on my iPad Pro.