How to use the mixolydian mode to make chords and progressions

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Write A Song

Write A Song

Күн бұрын

FREE Major Key Chord Guide : majorkeychords.com
Watch this to learn how to use the mixolydian mode to make chords and progressions.
The Mixolydian Mode is one of 7 Modes of the major scale. The notes of the Mixolydian Mode can be used to create 7 different triads.
This video will show you how to construct these Mixolydian Mode chords and then use them in a variety of chord progressions.
Your songwriting will thank you for having this explained to you!
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Modes Explained: • What are modes?
Timestamps:
0:00 - The Mixolydian Mode Explained (Chords & Progressions Guide)
0:10 - What Are The Scale Degrees Of The Major Scale / Mixolydian Mode / Dorian Mode? (+ Sound Examples)
1:34 - What Genres Of Music Is the Mixolydian Mode Used In?
1:52 - How To Construct Mixolydian Mode Chords / What Chords Are In The C Mixolydian Key?
3:04 - Common Mixolydian Mode Chord Progressions & Why They Work
7:07 - How To Use Different Chord Types In Mixolydian Mode Chord Progressions (Including sus Chords!)
#Mixolydianmode #musictheory #writeasong

Пікірлер: 43
@WriteASong
@WriteASong 2 жыл бұрын
7 Modes Of The Major Scale : kzfaq.info/get/bejne/eZ9jn7B82KuVlmw.html
@syedbukhari6578
@syedbukhari6578 Жыл бұрын
I watched so many videos for which chords to use in mixolydian mode. This is the BEST!!!
@WriteASong
@WriteASong Жыл бұрын
Thank you! I'm glad the video helped.
@celinamello2996
@celinamello2996 2 жыл бұрын
Great video! There's just a little mistake: At 0:48 , when the piano plays the escale, it plays #4 ( F# ) , not 4 .
@WriteASong
@WriteASong 2 жыл бұрын
Thanks for the comment Celina! Yes I'm aware of the mistake, I will issue a correction soon.
@colinliaubass1712
@colinliaubass1712 2 жыл бұрын
@@WriteASonghe actually played the Lydian dominant
@celinamello2996
@celinamello2996 2 жыл бұрын
@@WriteASong thank you for the great videos !
@celinamello2996
@celinamello2996 2 жыл бұрын
@@colinliaubass1712 yes .
@dbruzzlawesome9452
@dbruzzlawesome9452 9 ай бұрын
@@colinliaubass1712its actually just lydian. It never played a Bb
@sieranto
@sieranto 10 ай бұрын
Awesome lesson, thank you! :)
@WriteASong
@WriteASong 10 ай бұрын
You're welcome!
@GuitarguyRichard56
@GuitarguyRichard56 10 ай бұрын
Very good lesson. Thanks alot
@WriteASong
@WriteASong 10 ай бұрын
You're welcome, glad you liked it!
@bobsmith12345
@bobsmith12345 Жыл бұрын
amazing video!
@WriteASong
@WriteASong Жыл бұрын
Thanks!
@downhomekitty
@downhomekitty 2 жыл бұрын
Thank you for this. Can you get a strong resolution with mixo, or do you always gotta fade out to end?
@WriteASong
@WriteASong 2 жыл бұрын
Yes if you play the IV - I change you will get a strong resolution to end on. I could have made some of the examples end like this without repeating and fading but realise now I forgot to!
@downhomekitty
@downhomekitty 2 жыл бұрын
@@WriteASong Thank you so much!
@golden.k0rral
@golden.k0rral 2 жыл бұрын
🙂👍 nice
@WriteASong
@WriteASong 2 жыл бұрын
Thanks!
@colinliaubass1712
@colinliaubass1712 2 жыл бұрын
The note of intrest is the 7th degree
@colinliaubass1712
@colinliaubass1712 2 жыл бұрын
Aeolian, phrygian and locrian has a b3
@colinliaubass1712
@colinliaubass1712 2 жыл бұрын
At 3:35 he meant bVII NOT VII
@nicksimons7391
@nicksimons7391 5 ай бұрын
i think in the context of a mixolydian scale it’s just the VII! if we were in regular C Major it’d be a bVII but in C mixolydian, Bb is the natural VII chord
@RealPartySongs
@RealPartySongs Жыл бұрын
What about the I iii !? C major E diminished.
@WriteASong
@WriteASong Жыл бұрын
I left out the diminished chord because a lot of songwriters don't like the sound of them. Feel free to experiment, I'd start by using some of the basic progressions like I VII IV and mixing in the iii chord. Hope that helps.
@toonthehumble
@toonthehumble 2 жыл бұрын
0:52 #4 ?
@raidensama1511
@raidensama1511 2 жыл бұрын
I heard that too!
@WriteASong
@WriteASong 2 жыл бұрын
I think you're right, not sure how I missed that in the edit!
@raidensama1511
@raidensama1511 2 жыл бұрын
@@WriteASong it happens sometimes. A ♯4 never hurt anyone.
@sergiom5907
@sergiom5907 2 жыл бұрын
Yeah I heard something off too
@user-gq2tb2em9m
@user-gq2tb2em9m 2 жыл бұрын
guess he "mixed" it up with the lydian scale
@soumendasgupta2272
@soumendasgupta2272 2 жыл бұрын
isn't Dorian is the minor of the same key?
@ChowdMusic
@ChowdMusic 2 жыл бұрын
Dorian is a minor mode, yes, but built from the 2nd scale degree. It is not the same 'natural minor' (Aeolian), which is built from the 6th degree. The difference is that Dorian has a natural 6th instead of the flat 6th of the Aeolian scale.
@soumendasgupta2272
@soumendasgupta2272 2 жыл бұрын
@@ChowdMusic help me to understand this, if you build a minor scale starting from 2nd of any major scale which will include b3, b7 and natural 6th then it will be Dorian ? .. but let's take an example of A minor where the 6th is natural right?
@colinliaubass1712
@colinliaubass1712 2 жыл бұрын
@@soumendasgupta2272 Dorian is less sad because of it 6th is natural.
@Josh_Fredman
@Josh_Fredman Жыл бұрын
@@soumendasgupta2272 You have the right idea. Yes, any major scale with a flattened 3rd, flattened 6th, and flattened 7th becomes the parallel natural minor scale (e.g., C major becomes C minor by flattening those scale degrees). The natural minor scale is also known as the Aeolian mode, mode 6 of the seven modes of major. Dorian is mode 2 of major, with only a flattened 3rd and flattened 7th, with a natural 6th. Don't mistake this with key signatures that already have sharps or flats in them. If you're taking a minor key like A-sharp minor and converting it into its parallel Dorian key (A-sharp Dorian), you would raise the 6th degree (F#) and this note would become FX (F double-sharp). If you find yourself in this situation, there is usually going to be an enharmonically equivalent key that can help you avoid any double sharps or flats if you don't want to deal with them. (Enharmonic equivalence means assigning different letters to the same notes. The note E# is enharmonically equivalent to the note F.) In the case of the key of A-sharp minor, the enharmonic equivalent key is B-flat minor. If you rescored your music for this key, then when you modulated into the parallel Dorian key you would no longer have to deal with the double sharp. But personally I find it more natural to just think about the double sharps and double flats as such when they come up.
@soumendasgupta2272
@soumendasgupta2272 Жыл бұрын
@@Josh_Fredman I would rather say Bb minor for starter 😅😅 .. music is simple and would love to keep it that way 😃
@bathrobeman66
@bathrobeman66 Жыл бұрын
whoa there's not a dominant chord
@bathrobeman66
@bathrobeman66 Жыл бұрын
hey can I ask you with modes let's say I'm useing a chromatic mediant chord C> A instead of am would that affect the aoelean modes notes into something new like a whole new scale .I hope I got the meaning through I'm still new to this
@WriteASong
@WriteASong Жыл бұрын
As far as I understand it will not change the notes in the Aeolian/Natural minor scale. The chromatic mediant is in relation to the existing notes in the key, it doesn't change them. I plan to do a video on this at some point. I hope that helps.
@bathrobeman66
@bathrobeman66 Жыл бұрын
@@WriteASong whew that's a sigh of relief I thought on top of having to know the modes ud also have to slightly alter them to account for the out of key note which maybe is not a bad idea ? edit : I just tried it with G major but instead of a major 3rd I swapped it out for B minor and the only diffrence is the f# so I tried thoes 2 chords over major F# and it sounded really bad so but minor F# aeolian works just fine
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