"I don't have to sound good when I'm warming up" *sounds fabulous*

I love her!!!!!! She has been amazing since 1999 when she was only 19 years young singing Barbarina in Le Nozze at the MET.

She is so incredible.

I adore Danielle!

Thank you and thanks so much for your opera performances which have cheered me during these tough times. With love....

Incredible voice and technique! People with negative comments - please I would like to see your performances...

This is so smart. She will definitely have a fine teaching career one day.

What an outstanding and amazingly beautiful voice she has!!

hi thank you for this video. im not a trained singer by any means, but have had a few lessons and over the yrs and ive been doing a lot of the things you mentioned in this video. thanks again

What a great suggestions! Thanks a lot for sharing!

Always interesting to see how people maintain and prepare their voices. Liked the point about stabilisation and blending consonants.

Great clarity! I have been checking quite a few of these (top tier) videos, and this was the most helpful, at least for my voice (mezzo.)

This is amazing!

Very good advice

I'd love to see more videos like this one!

Great tips.

really helpful, thank you

I love everything about her. Such a beautiful sweet lady

Excellent tips!! Thank you so much!!

thanks for sharing

wow. thsi is was soo helpful! thank you!

Thanks this is great!

Thanks 4 this video

Warm up your voice with Danielle de Niese . . and a great way to start the day anyway!

Could you do a clip of your entire warm-up from beginning to end? Also, I would love to hear your perspective on whether you do certain exercises for your particular voice type that are different to other sopranos that need to do other exercises for their fach?

What a gorgeous smooth silky polished voice...the rrrrr...nope. but the tone timber resonance nice very very nice projection and clean sound very nice controlled vibrato not at all warble just quick very nice..

I began with Siegrieds high C . The C in falsetto for placement . 10 times. The my pasaagio.To remember it where it is , and the trouble it gives me . The rest I just take my time with . Don't push , or force.

Oh My ! How did She do the tongue lip trill at 2:18

Good method

she is so beautiful

Girl from Melbourne!!

*Because of COVID-19, my man and I watch movies all weekend long! We watch so many movies, I get the stories and plots all mixed up! Anyways, I think I saw this singer in Tom Cruise's Mission Impossible: Rogue Nation? During the opera scene? Am I right?*

Anyone know how to tongue to lip trill?

The muscles do not open.

Briljant

Next to Angel Blue sexiest woman in opera ever!

mauvaise pensee I guess you sing? what do you sing?

Hmmmmmm ! -------------Well !! ----------------I NEVER needed all of this when I sang PERFECTLY to every song on MY CAR-RADIO ! -------------WolfSky9, 73 y/o

Try ma may me mo moo

Some really strange exercises - but I guess if it works for her. I was never convinced by the quality of her voice, particularly in alt. I suppose it helps to be married to the owner of Glyndebourne!

I hate that we have to wake up the voice

Hello: I am contacting you today because there is a considerable discussion about true bel canto and how it is done. There are four components of true bel canto: the lift of the throat, the mask of the face, the inhalation of the voice, and the holding of the breath. It is the inhalation of the voice that is causing all the discussion--some people do not believe that people can sing by inhaling thier voice. Of course, many people know a little about this way of singing and that it is called "Inhalare (Inalare) La Voce" or Inhaling the voice) to sing. I would like you to confirm that bel canto uses inhalation of the voice to produce sound. The second issue is regarding the way that inhalation of the voice occurs. In true bel canto, the voice is continuously inhaled into the mouth to create sound and air exhales through the nose which creates a swirling confluence of air...and it is an actual inhalation of the air into the head and NOT just an imagined act--is that correct. We need you to tell us if these two above mention components are how true bel canto produces sound. Thank you James LePage

This is complete nonsense. These kinds of things have destroyed opera and voices if not just severely limited them. They things she does are absolutely ridiculous and do not help the voice whatsoever. They cause constriction and imbalance.