記得1979年中國廣東省潮劇院一團，假獅城國家劇塲，演出《井邊會》與《回書》兩錦出戲，唱腔扣人心弦，百聽不厭。👍👍👍👏👏👏🙏🙏💕

盛典和健英是一对绝配的角色，他兩的唱腔和演技，是沒人代替🎉🎉😂

三位精英😂💐💐

Superb, nothing like the old operas and actors and actresses. Saw this performed at the old National Theatre, too.

健英一開金口，全場鴉雀無聲都屏息静听她的唱腔，生怕走漏一音半句。

百听不厌

❤❤❤❤😊😊😊😊🎉🎉🎉🎉🎉🎉

thank you

百聽不厭👍👍👍

good

Good, best

👍👍💯💐💐🤩❤

Me too, National Theatre, 1979

Good professional actor and actress they sing very well and clear wording and thank goodness they don't wear shining fringe and received ang pows from audience that spoil the whole show

此戲使鄭健英唱腔特色佔領了潮曲高峰：清麗、委婉、標準、食弦（貼樂），善於贴近弦樂中两音間滑上、滑落不断特色來唱，加上她標準潮州話，故成為百听不厭金嗓子奠定了她在潮劇的名伶地位。

盛典音色宏亮、高吭，是名老生本色。一句三娘呀，震撼心扉，催人淚下。井邊會、回書與評劇李三娘比：潮劇細膩、曲盡委婉；評劇精煉感人，結局合理。

ประวัติ

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