Without straying from her natural sense of fragility and humour, Aszure Barton takes on a large cast and its' corresponding power in this piece. The dance harkens to a different time in the past, and the movements' held (but sometimes affectingly, strikingly unbound) nature connects well with the era that music, romantic costumes and dark lighting allude to. I found Barton's repeated use of holding one part of the body still as another part of the body moved freely to be an arresting visual

I really liked it