Of course. But a lot of people do. A lot of people only want to have one camera. This video is more a guide for people who might want to step up their business and doesn't know the troubles you get in with this camera ;)

@@damiencooper oh absolutely, and I certainly feel you’ve presented endless valuable data over the past year - especially for me. But when things escalate to the level you are shooting, this is a horrible option. Hopefully the rumored R5C will be able to expel many of the issues you’ve had. For me, I’m photo first and video second and even then I have run into my own issues. I’m not in ‘owning a cinema camera’ territory yet, but have worked with them briefly on productions. An R3 is on order for its significantly improved video features and because it will bring a lot to the table in my main avenue of income, motorsports. But as the video projects get bigger and bigger, renting or buying something better suited to this role of video makes more sense for everyone.

@@kevindiossi absolutely. For the no R camera makes sense. But a lot of people are exactly in that in between place.

why the hell would he have to rename his OWN video? the title is true in regards to his own experience. Cmon man lmao

I won’t buy anything that overheats. I won’t buy a $5K Nauticam underwater housing for R5 plus $2K strobes , book a $10K liveaboard and find that my camera overheats after the first 20 min into my dive.

Haha, just don’t watch the video then 😉

​@@damiencooper🌚 I'm depressed now. Thanks for this video.

Full frame c70 with updated AF sounds like endgame. Or at the very least something that will have no problem holding its own for a decade

Well, you can get the speed booster. It’s actually a great option

The Atomos recorder still produced overheating in 30 minutes recently on a shoot with my R5 in 4k hq...i am confused and ninja is working on a response.

yes, R6 and R5 are pretty much the same in this regard. Thanks for the kind comment :)

It can still overheat in crop 4k60

@@photographyRI it can't. I've tried it under summer heat. Show me one person who overheated in 4k cropped

@@onlysublime sadly it has overheated for me. I’m pretty sure Canon actually published the expected run time for crop 4k60 to hit thermal limit - somewhere in the 40m range. My use is anything but scientific though; moving between FF modes and crop modes and frame rates.

@@photographyRI oic. You specifically mentioned 4k60 where I missed the 60hz. I was referring to 4k30 cropped since he normally records at 30 or 24 because 4khq doesn't have a 60 fps mode.

Absolutely

why?

Jared Polin has like 5 R5’s for his KZfaq channel

I did a multi-day shoot in the nuclear bright Florida Sun outdoors in the Keys using the Shinobi. Worked great WITH THE HOOD! Without the hood, totally agree, 1,000 nits isn't nearly enough. But the hood wasn't that bad to use, a little inconvenient but got the job done. I'd rather use the Osee at 3,000 nits but the I have the Ninja V and Shinobi and they are fully usable in crazy bright sun with the hoods.

@@danbrockettDOP Dan good point re the hood. I have two of them and have only used them once. Tried to use in Yellowstone this past winter, but too difficult to deploy with heavy gloves on (it was -20 F). For most shoots that would work though - just gotta stop being so damn lazy lol. I picked up the Ninja V+ and hope to shoot some 8K raw with it, but C300iii and C70 are our primary cameras. Thanks.

@@dglatz01 Yep. agreed. I wish Atomos would make an updated Nina V besides the V+ (who needs to record 8K RAW!). Really pretty happy with the Ninja V and Shinobi, just wish they had 2,500 nit versions. The hood is bearable though, it's pretty small and good design, unlike most detachable hoods, it stays on and is velvet like material lined to reduce reflections.

Meine Empfehlung wäre einfach die R5C zu nehmen

@@damiencooper Lieben Dank für deinen Input und den Tipp mit der R5C. Die wäre es, wenn sie mit IBIS gekommen wäre. Als Travel Kit wollen wir nicht immer 'nen Gimbal dabei haben, wieso der IBIS der GH6 - alternativ eben EOS R3, (bei uns) schon sein muss.

Intel with quick sync?

you mean the C70? I replaced the R5 with a C70. But there was no C70 when the R5 came out. And I didn't want to buy a second C300III as a b cam

the R5 was pitched as an 8K camera more than it was pitched as a photography camera. The idea that people are wrong for having considered it for video, when it was almost exclusively marketed as a video camera is revisionist history.

@@TizOnly1 The Bugatti Veyron was marketed to go to 400km/h. If you buy one, are you going to be mad and complaint that it can't do 400km/h for 1 hour long?

@@RandomActsOfWil, I think both replied to your “I just don’t get people” with the reasons for their buying decisions: 1) R5 came out before C70; and 2) Canon marketed the hell out of R5 as a video camera first, never even mentioning the strong photo features or photo first camera As for Monkeypixel, I don’t think it’s complaining when he was the first to mention all these issues on YT a year ago, if not one of the few and got roasted in that video by all the Canon fan boys. And yet he stuck with it for a year and stated it clearly in this video why as a paid professional, it just doesn’t work for him. I see this video not as complaining but rather sharing the limitations of the R5 for long form corporate videos and/or for cinema/film work which I is true and I can appreciate. I have the R5 but I don’t use it long form, nor am I a paid professional so it’s good to learn what a pro filmmaker needs to consider. I’m testing out the Tilta fan and I get longer recording times as I also don’t prefer using Atomos 5 unless it is long form. But the 30min recording limit is annoying. For bright daylight, I use the ef to rf variable drop in filter adapter. And Kolari Vision and Breakthrough Photography has more filter options For lowlight, I still use the Metabones speedbooster and after firmware update 1.4 in March and onwards it allows R5/6, C70, and Red Komodo to be used in crop mode. Making the 1.6 crop down to 1.136 (=1.6 x 0.71). And with this mode (it’s not 8K oversampled down to 4K but 5.1K DCI or 4.8K UHD oversampled down to 4K), I can record without overheating and only have a crop factor of 1.136. Just need to deal with the 30min recording limit that shouldn’t be there anymore. For audio, I use the InstaMic for time codes and synching. Need to try out the Tentacle products. For color matching, Cinematch does a decent job. But all this is a lot of work to manage and remember so if I was getting paid, definitely a cinema camera is the way to go.

@@nomad0714 yes.. THIS. And holy moly did I get shat on for that very first video I made :D

Probably the R5C

Oh.....lol

yes, the AF is amazing. However, the C70 is good enough for me for gimbal work after the latest fw update

Thanks for the nice comment! :)

The M1 doesn’t struggle with any of the files actually. The intel iMac does

@@damiencooper Thanks for clarifying!

I think I made clear why I’m not using it 😉

you mean the talking head?

And yet you ordered the R3 😂

@@damiencooper 😂 ya but I think the same about the 1dx iii, r3, r5, r6, etc…none of them are great cameras for DP’s that work for production companies which is what most of my work is. That’s why I use the c500 and c70 all the time

@@GriffinConway absolutely agree! Still thinking of getting a C500II but feel it's too late in the game :D

Doesn’t change most things. Too small, not bright enough, still hdmi

oh yes, that is! I'm pretty good at manually focusing though :D #brag :D

@@damiencooper Even when using the Dji RS2? :)

same as the R5 I assume. Same DR, Same handling, huge and hard to edit file sizes. I don't see any benefit other than slight overheating improvements from the R3

Me being a hybrid shooter with all my previous investment done on Ef glass, have a better upgrade option available? Having a smaller sensor won't make much difference on file handling?

I have those and am selling them actually 😀

is it though? Same DR and it has an overheating warning etc

@@dna8269 it's full frame, AF improvement and 6K60fps raw recoding with this price range.

I have the R5C. Verdict coming soon. This was a comparison shot between both cameras so I exposed the same for both

@@damiencooper I have heard the R5c addresses everything you didn't like about the R5. I home you like it.

@@contentm3893 except for the ND filters, ergonomics and Dynamic range. But it adds another big problem. Batterylife :D

@@damiencooper Dynamic range on the R5c is improved over the R5. Are you seeing this also? Reports are the dynamic range is improved.

@@damiencooper Battery life is not good, you are correct. Built in ND's shouldn't be an issue since you cine-rig everything. Really, if you needs to take stills also then you need a hybrid. You seem like you're caught in the middle and don't want to lose credibility with the cine-world by going all in on a hybrid camera. Get a A1 or FX3 and report back. Cine cameras are not run and gun and need to be rigged out. Rigging out a camera is not an advantage. You can do the same with the R5. Have you done a test with the R5 dynamic range with clog3? You used a controlled scene that you shot to prove the R5 has poor dynamic range but that doesn't show how the final scene would look if you protected the highlights and lit that scene properly. Meaning, you need to show what the camera can do in a controlled environment. I could give you 10 reasons why the R5 out performed the C70 on a real world shoot.

Agree

well, the camera still overheats when recording externally although faster.. Lots of other hybrids don't. As for buying and replacing, I am not buying this for youtube but for my production company. The C70 wasn't out yet and I needed a b cam to my C300III. I have outgrown the R5 and now had to step up because of the shortcomings. And I am making a video like this EXACTLY so people don't purchase new gear they quickly outgrow in the future by pointing out shortcomings like this

@@damiencooper I hear you but once again it isn’t the camera that overheats it’s the card. Mainly because the bitrate that the R5 shoots at is much higher than other similar cameras at 4K. I do understand needing a B-cam for the C300MIII but again we are now talking about a Hybrid camera vs. a cinema camera. We will forever want smaller gear to fit our shooting needs and that’s fine but I think the expectations for the R5 were a bit unrealistic. I still stand by my comment about KZfaqrs. Like it or not y’all have a lot of influence on your viewers about equipment to use or not to use. You might not be guilty of this but a lot of KZfaqrs will run to new gear only to change it out in a years time. Where as most of the viewers simply don’t have that luxury. You feel me? Nothing against you just my observations.

👋🏻

Oh nooo 😂

@@damiencooper exactly some people must have a pretty big ego if they think unsubscribing will even be noticed, bye bye.