This one you will enjoy - 40 years old. Vince Clark, genius kzfaq.info/get/bejne/r6yZoKt42Ziyk6M.html

​ I concur with your statement regarding Vince Clark founding 3 successful bands in Depeche Mode, Yaz (Yazoo) and Erasure. The man is a legend!

@@xoxxobob61 don't forget Alison Moyet was yazoo singer!! What a voice!*

Try Duran Duran look up Rio and save a prayer Andy Taylor the lead guitarist of Duran Duran is my cousin

@@rozpickering1239 Absolutely not forgetting her ! What a Voice!

Hookie chimed in! No way! Saw Peter hook and the light last time you visited SLC, UT

Peter Hook replied.... Love it...

Oh man your video just got bombed by the legend himself 🇾🇪👍

It's an ALL TIME CLASSIC ! thank you for making this...and many happy memories

Clint Eastwood rift. Happy days from Manchester. And United won the cup same year

Me too

Top of the pops,

same age in Oz

I’m 52 (Southern America girl) who danced the late 80’s away and this song was always a favorite! The 80’s were like nothing before and nothing after will ever come close to how magical it was to come of age in that decade! I have a 20+ hour Spotify playlist of all that dance music from back then! Hit me up if you’d like me to share it with you! You can email me at soulquirk@gmail or look for the playlist under my name on Spotify Kerri Barnes Johnson and the playlist is titled 80’s Dance

The good ol days

52 here, I was in the clubs in 88

Exactly.

57 - and yes, they're right up there with the best.

I'm only 51 Ha! They've been my favorite since 1988.

@You Like It Dark , I'm guessing your parents were fans.

Im 40, and i love them.

Music keeps you joung and can kill hate. Rock on 🎵🔊😊🕪🎶

You could follow up with more New Order ("Perfect Kiss") or from here dive into Pet Shop Boys "West End Girls;" or perhaps Depeche Mode "Everything Counts," or for something a little lighter "Perfect Way" by Scritti Politti.

That's what it is! I wonder sometimes why I watch these when I already know and love the song--it's seeing people enjoy it for the first time. That, and sometimes someone who's seeing it for the first time can point out something you always missed

And loud.

Only one club....our club. Their club that new order owned . The place I spent from 16 to about 24 years old. And never missed a Friday between mid 87 to 1990. The hacienda... Fac 51.🤘

@You Like It Dark really.. And your 39 🤔 The hacienda closed in 97. That would make you 15. Maybe I'm thinking not... Because those last few years it was dead and full of Paul Massey and the Salford crew killing the place over control of the drugs. And I doubt by then a 15 year old would have had a membership card, which we all had to get in 1992 with a picture of your face on... Nice try...👍🏻

@@antonytheolddog8626 No offense but maybe his comment was a reply to the first post. What do you think?

Exactly that! This takes me back to Friday nights at the State, which was the club in Liverpool where Frankie filmed their infamous Relax video

black ppl created nearly every genre of music so ofc they're gonna vibe to it

@@Carlos-ix5cv Discriminating music based on "Black" music and "White" music is ridiculous. It’s an aberration based on faulty Anglo-American and Western European constructs. What is defined as African-American music was developed from West African drumming and singing techniques mixed with Scottish, English, Irish, Spanish, and German instrumentation. The jazz you hear developed after the newly manumitted African slave, French Creole, and free black communities picked up the brass and percussion instruments left behind by the Confederate troops after the Civil War ended. The piano and guitar soon ended up into the ensembles due to their widespread availability and many musicians incorporated European classical music into their sound due to the music being played in their vicinity and the advent of formal schooling for African-Americans. At the same time, the poor white communities living in the Appalachian Mountains, the rural South, and the newly settled western frontier who were of Scots-Irish, Scottish, Anglo-American, Irish, and German extraction had their traditional music, largely based on Scottish, Scots-Irish and Northern English folk music, adapted to the new realities of the Reconstruction and Guilded Age. This blending of this traditional American folk music would become old-time and bluegrass music, both of which laid the groundwork for country music. The effects of World War One, Prohibition, and the Great Depression caused jazz and blues to become popular with swing music, jug bands, big band and country blues leading the charge. After World War Two, swing and big band gave way to bebop, blues became electrified to become Chicago Blues as Delta Blues found its way up North as part of the Great Migration, and country became rockabilly, honky-tonk, and eventually rock’n’roll after fusing with swing-infused jump blues. This got carried across the pond where the South Asian and Caribbean immigrant communities of the UK would have an influence on the local blues and trad folk scenes to become British Blues and blues rock. This got carried back and forth between the US as the Celtic-influenced Merseybeat sound, the jazz-influenced sound of the Canterbury sound, and the Indian and classical influenced sound of psychedelic rock became garage rock, progressive rock, and eventually heavy metal. As blues passed on into the white-dominated rock canon, blues mixed with jazz as the African-American community urbanized to become R’n’B, the sounds of Gospel and rhythm’n’blues morphed into soul music, and psychedelic rock mixed with soul and R’n’B to become funk and disco. However, the evolution and racial politics described here only applies to Anglo-American music as many other key developments took place outside of the UK and North America. Reggae music would evolve out of a mixture of blues, R’n’B and soul with mento music and Rastafarian culture in Jamaica while West Germany would produce what is known as Krautrock, which is a rock-based musical form that capitalizes on the sounds of free jazz, classical music(esp. from Romantic and Modern periods), and Western European folk music. Reggae and krautrock would exert a profound influence over punk rock, new wave, post-punk and eventually, EDM and hip-hop music with the key players being Toots & The Maytals, Kraftwerk, Tangerine Dream, and Can. What must also be considered is that environmental factors, class differences, and national identity also plays a role shaping the identity politics behind the different music genres. Here are some examples: Mexican Americans fusing the sounds of Latin, Tex-Mex, Afro-Cuban, and Tejano music with soul, rock, country, and R’n’B to create Chicano and Latin rock. Puerto Ricans and Dominicans taking the production of hip-hop and the rhythms of reggae music to create reggaeton. Kwaito music emerging from a mixture of 80’s house and electronic garage music with hip-hop and South African folk music in the black townships of Johannesburg and Cape Town. Tichoumaren music forming from having Middle Eastern and West African folk music mixed with Tuareg folk music by bringing electric guitars into their traditional ensembles. Afrobeat forming after a Nigerian by the name of Fela Kuti took highlife, Yoruba and Akan music, and blended it with elements of jazz, funk and soul music. Country music getting co-opted by Indigenous Australians to the point of attaining immense popularity among them. This is atypical for a traditionally working class white music genre. As Kyle Phoenix has just mentioned, many African and Hispanic Americans did not have the same instruments, opportunities, and teachers that White Americans and middle-to-upper class Americans and Europeans had so the music they make ends up reflecting this as well. Integration and suburbanization also caused heavy metal, rock, blues, and hip-hop to get fully integrated into middle and upper class life to the point of having jazz and classical displaced in certain areas. In some cases, the distinction between “black” and “white” music becomes blurred due to integration and immigration causing both groups to co-opt their music styles and cultural outlook with their immigrant counterparts at a rate unseen in previous generations. This has been seen in the EDM, heavy metal, pop, hip-hop, classical, R’n’B and to a certain extent, progressive and art rock genres especially. This is very true for North America and most of Europe. The Third and Second World countries are also beginning to co-opt their cultures with that of the West and the First World to create new styles of music and therefore, cause the traditional Anglo-American ethnic lines to become irrelevant. I can go on and on but when push comes to shove, the factors behind the introduction and formation of the genres happen in relation to the cultural and economic groups involved and not the genres themselves. That is where the identity politics of race and music starts to emerge as people tend to adopt what is most familiar to them regardless of actual background. The idea of “black” and “white” music remains flawed as many aspects of the sociopolitical mores and constructs cannot be applied outside of the USA and the UK, let alone the Anglosphere. Now, the inherent institutional racism of the music industry at the very top level (record labels, executives, choosing what to promote etc)......that's definitely not up for debate, and there is still a long way to go before we ensure every artist, irrespective of who they are or what background they come from, are properly compensated for the art they create. The fact that signing a record contract means you lose the rights to your music and only earn a small percent of royalties and are allowed to play those songs when you tour.....that's absolutely shocking. Maybe setting up a grace period......X amount of years pass, and then the rights to your music gets sent back to you. The record label makes the majority from record sales/airplay whilst you're an active band and touring, after say, 30 years or whatever, the rights pass back to the artist for the music released for the duration of that contract.

@@Carlos-ix5cv Whether or not someone or their past family created a style of music doesn’t mean the individual(s) hearing it or a particular song are going to like it. To include genres/styles they like of others'.... But then everyone knows this and I’m left assuming this was some unskilled troll effort.

I was thinking about the same exact thing !

@@danielprudhoe647 Umm ma'am this is a wendy's

Yes indeed danced to this one so many times

Does anyone remember lovers rock. Fat Larry's band? 🎵zoom, just one look and we were on the moon....🎼🎶 ??

and RUN OR RUN2 also credited to John Denver ,,,,, DOH

vanishing point

Perfect Kiss was my favorite New Order...great stuff.

Now that deserves to be included in an official documentary

LOVE THE WAY THE MUSIC FLOWS MOST DEFINITELY

@@DeanBros fr all the songs I listed are done by the same people but a stunnin sound

Yes! My favorite song from them.🥰👍

@@buster3448 for real age of consent is genious

Great choice. Love Joy Division

WILL DO BROTHER DOING LOTS OF REQUESTS

And Bizarre love triangle!

I L-O-V-E True faith!!!!!!!!!!!!!!

Enjoy the silence!!!!!

They make great use of it on the soundtrack to Atomic Blonde which is set in Berlin just before the wall came down.

lt's definitely hard to believe given that it's just 35 years old.

@Trust Jesus Alone Thats right 👍

It's In my loft.

Both my copies get played often!! 😲

It came on last night while I was driving with my wife. I mentioned this fact to her and she responded, "What's that?" I'm a failure of a husband. 😄

@Trust Jesus Alone Yes i have a copy. In the style of a 1.5mb floppy disk. Very cool

Depeche Mode also has Just Can't Get Enough, Master and Servant, and Somebody. They have many more hits.

@@marshsundeen Enjoy the silence. Never Let Me Down. Stripped. So many..

@@marshsundeen too many to name that goes for the Cure The Smiths Pet Shop Boys the Cult I can go on forever and ever and ever

Blue Monday and Personal Jesus are my two favorite songs. They hold up very well over time.

Blondie? The Police?

@@henrywallace7996 I Love both bands but they weren't true "New Wave" in their styles. Blondie had Disco overtones & The Police had Ska/Reggae overtones.

@@xoxxobob61 I guess it depends upon what you mean by “New Wave” then.

The Walk! soo good

80s 😊

1983.

One of the best Bands ever I have seen the cure five times over the years absolutely brilliant Also saw Queen but with Freddie mercury he had the CROWD eating out of the palm of his hand probably the best concert I have ever been to at st James park football ground not soccer as us football you use your hands 99.9%o of the game unlike proper football hence the name football ball to foot

@guido, I thought that too: maybe you bros would like to know how every layer was built, check this out: kzfaq.info/get/bejne/hrV8dNKr1biak30.html

Excellent walking song!

Bizarre Love Triangle (EXTENDED version) and Blue Monday were HUGE dance club hits.... you guys should take Mark's advice and react to BLT, you won't regret it. I actually liked Bizarre Love Triangle a tad bit better than Blue Monday, and Blue Monday was one of my favorites too!

Sheps mix

He never took heroin. Just combinations of medication for his epilepsy.

I like 1963 quite a lot

HEYY WASSUPPP LULU APRECIATE EVERYTHING YOU DO MAN MUCH LOVE!!!

Those same ladies are still gorgeous, but now they're 'experienced' too!

My cousin is Andy Taylor the lead guitarist of Duran Duran seen them first when they were touring with hazel o'connor

@@THEBORGRESISTANCEISFUTILE Awwwww will he be my cousin too?!

Lol

Lol

One of the coolest songs ever made

Not really. The loss was around 5p per die cut cover. The cover was swiftly changed to to non die cut and silver inner sleeve to printed silver replacing the previous die-cut. Even at thousands the loss would have been hundreds of pounds not thousands as by the time of repress the alteration would have taken place for obvious reasons.

Techno music was created by Juan Atkins in 1982 with a track called 'clear'.. Way before new order. Because they were joy Division first. And Juan Atkins played/DJ'd in the hacienda club, that new order owned. I know this because I met Juan that night as he was a hero and legend to us acid house generation who lived in the hacienda.. Just the facts. kzfaq.info/get/bejne/jJmBe81o0cfNaX0.html That's techno music...by the inventor of techno music..👍🏻😁