유미쌤, 강의를 들으면 자신감이 생깁니다, 이해를 시켜주시는 강의라서 최고입니다, 쌤!♡♡♡♡ 멋진분♡♡♡♡♡

귀에 쏙쏙들어와서 피아노가 재미있게 느껴집니다 감사합니다 ~~

유미샘의 가르침이 없었다면 아마도 전혀 알지 못했을 것입니다. 감사합니다 ~

감사합니다~!!

유미쌤 너무 잘 가르쳐 주십니다 그런데 광고가 너무 많이 나와서 좀 그렇습니다 늘 고맙습니다

화성학 고부80일 만에 속시원하게 답을 알았습니다. 늘 궁금해서 스트레스였는데 십년묵은 체증이 다 내려가는 기분입니다 고맙습니다

노래시작하는 첫 음은 그 노래의 키가 결정되면 3화음 세개 음중에서 어느 한음으로 시작하는게 맞습니까? 그리고 끝나는 음은 반드시 그 곡의 으뜸음으로 끝나는게 맞습니까? 가령 C키라면 도미솔중에서 그중 한 음으로 시작하고 끝나는 음은 반드시 도로 꿑나는게 맞습니까? 당최 헷갈 려서 이런 질문 드립니다/

선생님~ 화성학 강의는 안하시는지요!

이 모든 일이 파와 시는 반음이란데서 (도레미솔라는 온음이고) 시작됩니다. 이것 부터 이해시켜주어야 왜 샵과 플랫이 등장하는지 이해됩니다. 50년간 헤맨끝에 스스로 알아냈습니다.

한국에서 어린이들을 노래를 가르칠때 도레미화쏠라시도 를 흔히 사용 하기 때문에 이동 도법에 세뇌 되어 있는 것 아닙니까? 예를 들면 장조의 경우 미화/시도 사이가 반음 으로 귀에 익혀 있지만 단조의 경우는 레미/ 쏠라 사이가 반음 이라서 이동 도법이 성악의 경우도 혼돈을 줍니다. 미국에서는 어린이 에게 노래를 가르 칠때에 도레미화솔라시도의 이동 도법을 사용 하지 않는 것 같습니다. 이동 도법이 성악에도 도움이 되지 않기 때문 인것 아닙니까? 특히 한국의 유튜버들이 왜 이동 도법이 필요 한지 그 장단점을 시청자 에게 설명 하지 않고 대부분 장조의 악보를 가지고 설명 합니다. 왜 단조의 악보를 가지고 이동 도법을 설명 안 합니까?

한국의 유튜버 들이 시청자 들을 혼동 시키고 있읍니다. 1. Do Re Mi Fa Sol La Si 를 고정된 피아노의 건반의 위치로 가르치기도 하고 또는 이동 도(DO) 법이라는 제목 하에 기본음 (Key) 의 solfège syllables 로도 가르 침니다. 2. 장조의 solfège syllables (미/화, 시/도, 반음) 은 귀에 익숙 하지만 단조의 solfège syllables (레/미, 쏠/라, 반음) 과 화성, 가락 단음은 기본음에 따라 음이 변하기 때문에 음악이 전문 이 아닌 사람에게는 귀에 익히기가 어렵습니다. 보통 사람이 이해 하기 힘든 교육 제도는 시정 되어야 합니다. 특히 취미용으로 하모니카를 배우는 시청자에게는 숫자보가 애용 되고 있는 이유 가 아닙니까? 아래에 AI 의 Chatbot 와 대답 한것을 첨부 합니다. 유미쌤의 정성 스러운 답변에 감사 합니다. User Translate music scale "C D E F G A B" into Italian! ChatGPT The C major scale, when written in Italian, is called "Do Re Mi Fa Sol La Si." Here's the translation: C - Do D - Re E - Mi F - Fa G - Sol A - La B - Si User Do they represent positions on piano keyboard? ChatGPT Yes, the Italian names for the notes in the C major scale ("Do Re Mi Fa Sol La Si") are often used to represent the positions of the notes on the piano keyboard. In this context: Do (C) corresponds to the white key immediately to the left of the group of two black keys. Re (D) corresponds to the white key immediately to the right of the first black key. Mi (E) corresponds to the next white key to the right. Fa (F) corresponds to the next white key to the right. Sol (G) corresponds to the white key immediately to the right of the group of three black keys. La (A) corresponds to the next white key to the right. Si (B) corresponds to the next white key to the right. This naming system is commonly used in many countries, including Italy, to teach music and represent the notes of the scale. User Do "Do Re Mi Fa Sol La Si" change according to key notes? ChatGPT No, the solfège syllables "Do, Re, Mi, Fa, Sol, La, Si" do not change according to the key of a musical composition. These syllables represent the degrees of the major scale and are relative to the tonic or root note of the scale, which determines the key. For example, in the key of C major, "Do" represents the note C. In the key of G major, "Do" represents the note G. The relationships between the solfège syllables and the notes in the scale remain consistent regardless of the key. This is why solfège is a helpful system for teaching and understanding music, as it provides a relative framework for understanding the structure of scales and melodies in different keys. User How about minor scale? ChatGPT In a minor scale, the solfège syllables are typically used with a slight modification compared to the major scale. The natural minor scale is based on a different pattern of whole and half steps, and the solfège syllables are adjusted accordingly. Here's how the solfège syllables are adapted for the natural minor scale: Do (Tonic) Re (Supertonic) Me (Minor Mediant) Fa (Subdominant) Sol (Dominant) Le (Minor Submediant) Te (Leading Tone) The solfège syllables "Do" and "La" remain the same, but the other syllables are adjusted to match the specific intervals of the natural minor scale. Keep in mind that there are different types of minor scales, including the natural minor, harmonic minor, and melodic minor scales, and the use of solfège syllables may vary slightly for each type based on the specific scale's interval pattern. User When major or minor scale is changed to different key, is the method different according to major or minor scale? ChatGPT When you change a major or minor scale to a different key, the method is the same for both major and minor scales. In both cases, you are transposing the scale to a new key, and the relationships between the notes remain the same, whether you're working with a major scale or a minor scale. For a major scale, you would follow the pattern of whole and half steps (W-W-H-W-W-W-H) and apply it to the new tonic or root note in the desired key. For a minor scale, you would do the same, but you'd also take into account the type of minor scale (natural, harmonic, or melodic) and its specific interval pattern. The solfège syllables, "Do, Re, Mi, Fa, Sol, La, Si" (or their minor counterparts as mentioned earlier), are used to represent the degrees of the scale, and they are applied consistently regardless of the key. The relationships between these syllables and the notes in the scale are always the same. User Is there any benefit to sojfege syllables system? ChatGPT Yes, there are several benefits to using the solfège syllables system in music education and practice: Ear Training: Solfège helps develop a musician's ear by associating specific syllables with musical notes. This improves a musician's ability to recognize and reproduce melodies, intervals, and harmonies by ear. Relative Pitch: Solfège encourages the development of relative pitch, which is the ability to identify and understand the relationships between different notes in a musical context. This is valuable for sight-singing, improvisation, and understanding music theory. Vocal Training: Solfège is often used in vocal training and choral music to improve singers' pitch accuracy and intonation. It provides a consistent framework for vocal exercises and warm-ups. Transposition: Solfège makes it easier to transpose music into different keys, as the relationships between the syllables and notes remain the same, regardless of the key. Teaching Tool: Solfège is a useful teaching tool, especially for beginners. It provides a clear and systematic way to introduce music theory concepts and sight-singing to students. Music Theory: Solfège can aid in the understanding of music theory, as it helps musicians recognize and remember key scale degrees and intervals. Multilingual: Solfège is a standardized system of notation that is not tied to a specific language, making it accessible and consistent in music education worldwide. While solfège is more commonly associated with classical music and vocal training, its benefits extend to various musical genres and instruments. It provides a versatile and practical framework for musicians to improve their musical skills, including pitch recognition, sight-reading, and singing. User Is there disadvantage or confusion in the solfege syllablles method, for example, "C D E F G A B" and sofege syllables, "Do, Re, Mi, Fa, Sol, La, Si"? ChatGPT While the solfège syllables system is widely used and beneficial for many aspects of music education and practice, there are some potential disadvantages and points of confusion to consider: Language Variations: In different countries and musical traditions, there can be variations in the solfège syllables used. For example, some systems use "Ti" instead of "Si" for the seventh degree of the scale. This can lead to regional variations and potential confusion. Fixed vs. Movable "Do": In some teaching methods, the "Do" note is considered to be the tonic of the key, and the solfège syllables are aligned with that key. In other methods, "Do" is a fixed reference point (usually corresponding to the note C), and the syllables are adapted to the key. This difference can be confusing when students encounter both systems. Limited Application: Solfège is most commonly associated with vocal training and sight-singing. While it's helpful for these purposes, it might not be as essential for instrumentalists, especially those who do not rely on their voice to produce music. Use in Non-Western Music: Solfège is primarily designed for Western music and may not be as relevant or appropriate for the music of other cultures, which use different scales, modes, and tonal systems. Incomplete Representation: Solfège is based on the diatonic scale and does not cover chromatic or non-diatonic notes. This can be limiting when working with more complex music that includes accidentals. Learning Curve: Some students may find it challenging to learn solfège syllables and their relationships to notes, especially if they are already familiar with letter notation. Despite these potential disadvantages and points of confusion, solfège remains a valuable tool for many musicians, particularly in the context of Western classical music and vocal training. Its benefits often outweigh the drawbacks, and it's a useful system for improving ear training, sight-singing, and overall musical understanding. However, its application may vary depending on the specific needs and goals of the musician or music educator.