In Réhahn’s “Memories of Impressionism” series, reflections serve as portals to deeper contemplation and artistic exploration, echoing the techniques of the masters-Monet, Degas, and Caillebotte-who revolutionized the use of reflections, water, and ephemeral inspirations in their works. The artist achieves diverse moods through reflections in his compositions. Whether shooting on salt flats, in wet sand, flooded rice fields, or lotus gardens, he captures reflections directly, obscuring reality to focus solely on dreamlike images shimmering in water.
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