So this is like a mix template or something ???

I’m glad you like it! Thanks for watching! 🤘

@@JeremyFoxMusic I have to thank you! I wish had that 10 years ago when I started using logic!

My pleasure! Hope you find it useful/helpful 🤘

Haha, you bet! Hope you find the template and info in this video helpful. Thanks!

Nice, I’m glad you found this helpful!

Haha, you’re welcome! 🤘

Thank you! I’m glad you found this helpful. 👍

Thanks! Glad you found them helpful.

No problem! Glad you found it helpful. 🤘🏼

You’re welcome! 🤘

Glad you found it useful. Thanks for watching!

+ 1 sub !

You bet! 🤘🏼

Thank you! 🤘

I’m down! Send me the details.

Hey! This support page from Apple has a ton of great info on the additional sound libraries and should help with figuring out how to install these for whichever version of Logic you're using: support.apple.com/guide/logicpro/manage-logic-pro-content-lgcpf77e757d/mac

Thanks! No, the two panned channel strips are meant to be two separate takes. Meaning, you record a complete guitar track twice, one for each the left channel and one for the right. This is what helps give your mix that wide stereo sound.

@@JeremyFoxMusic oh very cool! Thanks!

Yeah for sure. The main goal of this video was to focus entirely on stock Logic plugins. I’ll def be doing more Logic template videos in the future where I use other, more premium, plugins. 👍

I do this because I usually have other buses like “Vocals”, “FX”, etc that sum in the main bus. That’s where I can then do whatever is necessary to ensure things are sitting together nicely.

Thanks! I actually have a video that teaches you how to build track stacks, as well as a few other things. Here it is, kzfaq.info/get/bejne/eZ2bYJur167Zj2Q.html

@@JeremyFoxMusic thanks jeremy

I actually don’t anymore. At the time I was experimenting with different configurations, trying to find what gave me the absolutely best and cleanest DI signal. Since then, I’ve found that the DI box is just not necessary in most situations. The only time I might use a DI box nowadays is if the signal coming from the instrument is too hot for whatever audio interface I might be using. In this case, it’s helpful because it allows reducing the signal before it hits the interface. But yeah, I rarely use a DI box these days.

@@JeremyFoxMusic Thanks for your reply ! Keep it up

No, because I created it using Logic Pro X. I’ll have to try and update Logic and see if I can reproduce the issue. If you have any specific error info, please let me know. Thanks.

It’s called a Track Stack. I show how to create them in this video; kzfaq.info/get/bejne/eZ2bYJur167Zj2Q.html

Thanks! I start with the top down stuff mostly in place and than after things get further along I make slight tweaks as needed.

Hey bruv .. if you are tracking, you aren't mixing yet. Now you can mess with sounds and whatever, but it's usually this order... Learning from Joey Sturgis. Pre pro: (Organizing and solidifying writing, arrangements, tempo and overall sound for song ) Tracking: high quality takes, high quality playing, new strings ect... Try and cut the best, most mix ready tones possible. The best producers have songs that sound good before mixing even starts. Editing: finish ALL EDITING! Finalize all writing, fx (explosions, bass drops) bounce tracks to audio files. Try and eliminate as much midi instruments as possible... Obviously some may be needed for drum samples or whatever... Organize the session, color code, ect Start basic, broad stroke mixing on tracks, then bring in your buss processing... Everyone mixes into buss processing... Mix boyo

@@rickneibauer1 preach! I do try and follow these guidelines already. Although, I do find myself getting carried away with trying to mix like half the track before I finish recording certain things (sometimes keys, guitar lead overdubs, noise, or feedback swells etc…) I am working on having more discipline so thanks for the input. 🤘

The likely cause is the level of processing being done in the template and your system not being able to process everything in real-time. I personally use “Low latency mode” whenever I’m tracking because I don’t care about the processing while tracking. After I’m done tracking, I’ll turn off the low latency mode and continue mixing. So I wouldn’t expect an answer that’s going to allow you to continue hearing all processing being done while also using input monitoring. It’s just too much for a lot of systems to handle.

@JeremyFoxMusic thank you for the response! Seriously appreciate it.

I would start by freezing as many tracks as possible. If you ever need to make changes to them, just unfreeze, make the changes, and freeze again. This will greatly reduce the load on your system. Other than that, try turning on Low Latency Mode. That will disabled the plugins using the most cpu while it’s turned on. You can turn it on while tracking and turn off while mixing. Hopes that helps.

@@JeremyFoxMusic that did the trick, thanks so much!

It’s still active. Maybe try the download again? I haven’t changed anything to the download so it should still be exactly the same.

Cool cool. This is the first time I gave bg music a try, possibly a bit too loud. Will try a bit softer next time.

@@JeremyFoxMusic I would get rid of it actually. Easier for you to edit as well :)

I actually noticed the background music and wondered for a minute if it was part if the track you were editing 🤣 (I liked it but maybe down a smidge while you are talking) . Great video mate! This guitar sound is not in my usual lane but you have given me a great place to start experimenting looking for that sound. Thanks so much for the template!

Word! Overall A-grade video! Thanks!