From his studio in 2011, Chuck Close discusses his artistic process, his obsession with photography and his technique of recycling imagery with Tim Marlow.
Close reveals how his personal face blindness drove him to make portraits from flat photographs as a method of preserving and cataloguing the faces of his friends and family. Close considers how his painting has evolved, with each picture providing a starting point for the next, and how a sense of 'personal urgency' drives his work.
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