Straordinario!!! A 70 anni una forza, una potenza di pensiero e di profondità inarrivabili !!!! GiC
@stefanocerato69312 жыл бұрын
❤ "Monsieur Compte Benedetti Michelangeli tu es un digne et GENIALE descendant di Jacopone da Todi . Grazie per l'Agathos delle Vostre interpretazioni DIVINE : sinolo di Bellezza e Grazia.
@alessandrodelmonte57653 жыл бұрын
ABM il mio Mito. Mi lascio avvolgere dalla sua interpretazione ( musica) ogni volta stupito e .. grato.
@jean-francoislanneluc16432 жыл бұрын
Un sommet... Michelangeli n’a donné que cinq sonates de Beethoven en public. Dont la 32eme. Qu’il nous livre ici avec une aisance et une détermination qui conviennent parfaitement à ce morceau de bravoure. Avec rudesse, mais une rudesse que j’imagine conforme à l’esprit de l’auteur à ce moment de sa vie. Une merveille ! Peu consensuelle, comme l’illustrent quelques commentaires, mais engagée.
@paulo35644 жыл бұрын
Arturo Benedetti = The best!
@luisamenegus9624 Жыл бұрын
Magic!
@alfredlamotte9844 Жыл бұрын
I've heard this played much more softly, and it was much more powerful that way.
@thomgeo80732 жыл бұрын
Какое Выстраданное лицо у АРТУРА МИКЕЛАНДЖЕЛИ, Святой Человек, Обожаю Его Величайший Талант, Он Посланник Бога Всему Человечеству.
@notaire26 жыл бұрын
Der Schwanengesang von diesem genialen und echt unvergleichlichen Pianisten. NIchts mehr zu sagen!
@MultiMD875 жыл бұрын
Definitely an interesting Michelangeli op.111 performance, new to me. He makes it real "Maestoso" here, as perhaps it should. His 1964 recording, wonderful too, seems to more focus on technical perfection.
@giorgiosalmaso59033 жыл бұрын
Grande! Inarrivabile.
@nicolamastrangelo82805 жыл бұрын
Sublime interpretazione al di sopra di tutti
@yaelpalombo4093 Жыл бұрын
Unico!!!!!!!!!!!!
@teresaritasammarco43013 жыл бұрын
Semplicemente unico
@prinzparsiphal7777 жыл бұрын
Arturo, please send us your op. 106 from up there.
@canman50604 жыл бұрын
This is what I have been waiting for since childhood many years ago.
@TheElenabranick9 жыл бұрын
"More than just an interpretation, this is a narration." Yes, this is passion, rage, high anxiety, violent struggle between mind and soul. “Magisterial and powerful playing” BBC Music Magazine, April 2010 ** “Michelangeli's explosive but flawlessly controlled force and energy are frightening in their perfection and I doubt whether a more masterly interpretation exists on record...[his] agility in the last movement of Beethoven's Sonata No.32 has to be heard to be believed.” Gramophone Magazine, July 2010 Read more
@idesof9 жыл бұрын
TheElenabranick Sorry, but your quote of the Gramophone review is not on point at all as it refers to Chopin's Second Scherzo and Beethoven's sonata Op. 2 no. 3, not Op. 111: "Michelangeli's explosive but flawlessly controlled force and energy are frightening in their perfection and I doubt whether a more masterly Second Scherzo exists on record..." "Michelangeli’s agility in the last two movements of Beethoven’s Sonata No 3 has to be heard to be believed..." But what follows, and you fail to quote, is exactly my point regarding his lack of sensitivity, especially when it comes to music with any depth to it (Beethoven, Mozart): "...though here and in one of Mozart’s most delectable concertos you will need to look elsewhere - to Kempff, Barenboim and Perahia - for warmth and affection. The Mozart in particular can be chilly and unyielding, dressed, as it were, in stiff brocade." So, my point stands.
@Neldidellavittoria9 жыл бұрын
idesof I prefer Richter's. How do you like it?
@idesof9 жыл бұрын
Neldidellavittoria I do like Richter a great deal, one of my favorites, and I have several recordings of his Op. 111. My personal favorite for this piece is Arrau, followed by Schnabel.
@epicaunleashed87644 ай бұрын
@@idesof Claudio Arrau was mythological level for Beethoven man. It was unbelievable.
@kaliyugavideoentertainment40663 ай бұрын
Why does it only have two movements? I want to hear a lecture on this
@floriangeiss33312 ай бұрын
You'll find that lecture in Dr. Faustus by Thomas Mann
@canman50604 жыл бұрын
Why he didn't get to record the Op 106 ? He is the ideal pianist for the Hammerklavier.
@dianoites7 жыл бұрын
his eyebrows tell it all
@SBHollingsworth7 жыл бұрын
This is recording of a live performance that has some problems. Michelangeli really owns this piece for my taste but this isn't a performance that was worth saving. Try this one instead: kzfaq.info/get/bejne/bcWPa8WcmNKcoY0.html
@albertoemiliani7797 жыл бұрын
I completely agree.
@alessandrodelmonte57652 жыл бұрын
Ma conosce di musica?
@ruggerodalpozzolo43637 жыл бұрын
Steve Holligsworth : lo stesso discorso rivolto a idesof vale anche per te !!!!!!!
@JEANVIPERE Жыл бұрын
C'est tellement beau que même les fausses notes sont justes...
@danielemalinconico28192 жыл бұрын
Michelangeli aveva la mano di mozart
@RaineriHakkarainen2 жыл бұрын
Come on Daniele!! NOT TRUE! ABM played the Second-Rated concertos Like Mozart no 15! Haydn G major concerto! Liszt no 1! ABM never played the best concertos=JS Bach 1052! Chopin 1-2 Brahms 1-2 Prokofiev 1-3 Rachmaninov 1-3 Saint-Saens no 2! OK YES THE CYBORG HUMAN MACHINE KING ROBOT ABM i am going to Distroy Bash The Grieg Concerto with Brutal Accent After Brutal Accent! The best Mozart piano concertos players=Mozart 17 Dezo Ranki Mozart 18 Ashkenazy Mozart 19 Radu Lupu Mozart 20 Vladimir Ashkenazy Mozart 21 Radu Lupu( the others=(Rubinstein Perahia Pollini Stanislav Bunin Ashkenazy!) Mozart 22 Laura Mikkola Natalia Trull Jörg Demus Robert Casadesus Mozart 23 Solomon Cutner( the others=Kempff Sokolov Ashkenazy Horowitz Bunin Perahia!) Mozart 24 Sokolov Maria Grinberg Mozart 25 Murray Perahia Mozart 27 Alexei Lubimov( the others=Gilels Ashkenazy Bunin Perahia Natalia Trull)
@andreat.28094 жыл бұрын
It seems to me a little too fast
@ruggerodalpozzolo43637 жыл бұрын
idesof : considerato che non sei in grado di valutare il genio interpretativo di Michelangeli ti consiglio vivamente di andare a zappare le patate..... (in aggiunta al messaggio precedente) spero di non vedere i tuoi commenti ridicoli!!!!!!!!!!
@faustomariani78514 жыл бұрын
Tel
@troppapolvere Жыл бұрын
An oldish man plays how he wants and feels, possibly without desire and without spirit. The arietta is for a younger person. Not a question of want of prowess, maybe the contrary: feeling tired and empty, without anything more to learn and to do.
@italnsd11 ай бұрын
Wow, one interpretation not up to your taste and immediately the performer belongs to a retirement home rather than to a concert hall. Just a tad too harsh?
@filibertopierami68922 жыл бұрын
Inascoltabile!
@laltrapartedelmondo39652 жыл бұрын
Perchè?
@ezzovonachalm98155 ай бұрын
@filibertotopierami Chiami d'urgenza il Suo otologo ! In caso che abbia preso l' Otomassacrator subitaneus, un insetto che vive nella polvere delle sale da concerto che ha fatto un' illustre vittima: lo stesso Bethoven !
@idesof9 жыл бұрын
I don't understand why this man ever earned a reputation as a great pianist aside from his admirable technique. This interpretation exhibits zero sensitivity; the arietta, rather than an ascent to heaven, is a brutal onslaught of literal score reading. He totally butchers it. Awful, simply awful.
@idamahyp9 жыл бұрын
idesof you don't understand because you're idiot! What do you mean by sensitivity? Vomiting on the piano? It's so sad, any idiot can give his opinion on the greatest things in the world.
@idesof9 жыл бұрын
Mireille Jacob Are you feeling better now that you got that out of your system? Michelangeli is way out of his depth here. He would do better to stick to the shallows of French music because in the depths of Beethoven, all he does is drown.
@idamahyp9 жыл бұрын
shallows? you, moron! It's really sad that idiots can be let free to post anything everywhere.
@themusicalgerbil1929 жыл бұрын
idesof Mireille Jacob Children! Children! Can we not discuss differences of opinion like mature adults rather than crying "idiot!" and "moron!"? Personally, I don't think this interpretation is *that* insensitive (compared with, say, Backhaus), but I prefer Arrau's more romantic take above all others. And Michelangeli's reputation does rest more on technique rather than sensitivity, how he had almost flawless control of all aspects of the sound (I love how he plays the cadenza to Grieg's Piano Concerto); however, it is this perfection that many listeners take issue with. Although here, he seemed to be in his twilight years and losing some of his trademark flawlessness. Also, he was never a literalist and does do some odd things in this sonata, so I wouldn't call it a literal score reading.
@idamahyp9 жыл бұрын
when true music is involved, how can you acept such opinions that show a complete missunderstanding and a total lack of sensibility towards music. So: Idiot and moron till the end of the time!
@jean-francoislanneluc16432 жыл бұрын
Un sommet... Michelangeli n’a donné que cinq sonates de Beethoven en public. Dont la 32eme. Qu’il nous livre ici avec une aisance et une détermination qui conviennent parfaitement à ce morceau de bravoure. Avec rudesse, mais une rudesse que j’imagine conforme à l’esprit de l’auteur à ce moment de sa vie. Une merveille ! Peu consensuelle, comme l’illustrent quelques commentaires, mais engagée.
@andreagriseri76562 жыл бұрын
Bien différent de l'interpretation du 1964 vous avez raison Lanneluc. Mais deux formidables versions d'un pillier non seulement de la musique mais de la culture de l'occident.
@jean-francoislanneluc16432 жыл бұрын
Un sommet... Michelangeli n’a donné que cinq sonates de Beethoven en public. Dont la 32eme. Qu’il nous livre ici avec une aisance et une détermination qui conviennent parfaitement à ce morceau de bravoure. Avec rudesse, mais une rudesse que j’imagine conforme à l’esprit de l’auteur à ce moment de sa vie. Une merveille ! Peu consensuelle, comme l’illustrent quelques commentaires, mais engagée.