Same way R Kelly has a mic in every room. Same way Jeffrey Epstein had a mic in every room.

@@TRAVIESO_NA lmfao underrated comment

@@framethebroccoli i agree. Its also a factual comment

you trippin if you think the lyrics are from his head 💀

@@bex0slime251 then where they come from? Lol

Weird comment

Sounds like something drake would do lol 😂

😂😂

Right

Lol

But in think that he'll stay with his c800g

Thank you bro this mic rare as fuck to the Mainstream right now and way more affordable than the c800g

Any idea which mic he uses??

@@666DAZER probably an u47 or Sony C-800 There isn’t a good pic of it 😅

Thanks!

What makes you think it's a u67 how you know genius tell us,

@@paserpase2870WELL… one reason is because I have one. The other is the piece at the bottom of the mic connecting the xlr is for a vintage u67.

This is a mixing channel not an artist channel bruv

he was using a u87 that was modded to have tubes, into a BAE 1073, Cl1b, into a apollo interface. his engineer was Max Lord you can find interviews where he goes more in depth if ur interested

and i believe he had all this set up at one point just in an untreated open space in his house and at another point in his home theater

Tell me which song and i'll tell you what mic he uses

@@Jon8ight I don’t know bro, give me some examples, maybe all famous songs of him.

at 300$ cad, with some tools and workmanship, you can buy the material to make acoustic panels that will do a better job reducing reflections. If people can't put up anything on their walls, you can make them standalone by building stands too. It takes more space than a foam ball or filter but eliminates comb filtering and other issues that come from these devices.

i have the eyeball as well and it’s perfect for me. but also that has a lot to do with my vocal chain. to each their own but i’d stick w the eyeball and figure out exactly where to eq in order to cut out the boominess it might create :)

I don’t think you’re gonna hear much difference if you don’t have an acoustically treated room

It generally depends on the mic because large diaphragm condensers (which make up a large majority of the microphone types used in hip hop and rap) usually have a nice detailed high end if you look in the manuals you will see a spectral graph that shows the significant character of the mic and which bands are emphasized in that mic and often the high end on the expensive mics are so detailed that even with it being focused towards the artist the room can introduce comb filtering which bleeds into the recording but can be blocked by the shield which will focus the sound coming in from the artist and absorb a lot of the room tonality that can sneak in your recording.

Way too overyhped. I have a aston halo. Does fuck all, don’t buy the hype acoustic treatment is where its at (and not talking about “foam” which does very little under 600 hz) dense fiberglass

these things are useless don't buy them invest in a great mic and interface (with great converters) instead. use plugin spl De-verb to get rid of reverb. free game.

The part that actually captures the audio, the front. Has nothing in front of it and the rear of the mic that rejects the sound the foam is in front of. So does it do something, sure. Does it do a lot, not really. The Kaotica Eyeball does a lot more to reject the room, but has a tone of it's own so you have to weigh up the compromises.

ma 300

You can Google that, people just so slow nowadays smh,

@@paserpase2870 -_-

Sota

The clean version has the curse words removed

@@georgetmusic oh yh, duh. I'm overthinking lol

Yea I think he used that in a previous studio

When you that rich you can afford proper room treatment

Thanks

Fs

SOTA CF

nah man

could b 87, they used tuchel connectors on the old ones

Me??