A brilliant analysis, beautifully delivered, with much sympathy for the music. Glad to have discovered your channel - thank you.

This was great. Currently learning the piece. Some good insights. 👍

Absolutely wonderful analysis of this glorious Impromptu! Several years ago (in my 50's) I 'learned' and memorised this piece over a period of about 9 months! - a real labour of love, since it's way above my 'comfort level', apparently. Your incorporated tribute to Schubert has moved me so much and encouraged me to revisit this Impromptu, through new eyes - and fingers! Thank you so much, Clive - if only you were my teacher!

very very glad to have found this swansbourne channel--this video on the schubert gb impromptu a wonderful lecture-demo, so smoothly, conversationally presented--and he didn't disturb the swan disguised as a duck napping in his studio

i love the story telling at the beginning

This masterpiece is one of my favorite classic piano creation, when I play or hear it, it gives me an emotional feeling of life power, something divine which we cannot get it, sublime with a combination of harmonic arpeggios and dissonance (chromatic transitions), it feels both sadness and hopefulness like Schubert wanted to convey the soundtrack of his life in one piece...

having played and recorded this piece myself, it was very interesting to listen to you talking about Schubert and writing this gem of music. thank you!

Beautiful Clive thank you. And even if it is beyond ones technical ability to play, your tutorial is a wonderful aid to deriving more enjoyment and understanding of the piece for listening. It would have to be my favourite I think. And you play beautifully. Thank you so much. (Tania, Australia).

Not only do you give a fantastic insight into the piece and how to truly get the most out of it, but you also emphasise Schubert’s genius as a composer, how he was composing pieces of depth and maturity beyond his years. He’s probably my favourite composer alongside Wagner and Mozart and I’m glad you shed light on his true musical genius

That was fantastic. Thank you for sharing. Loved the explanations and analysis.

Oh, thank you so very much for this tutorial. I walked away from my beloved piano at an early age for fear of making mistakes in my first recital and never went back, though the love for it and natural talent remains. Now, in my "senior" years, I have time to study music history a bit and to follow some of the international competitions. I have had to immerse myself in the art of interpretation to better understand what these young competitors bring to these audiences and judges. This lesson, in particular, teaches us so much about that art, about dynamics, and about how to position the hands and use the fingers to bring about the desired effects that I can now watch and listen with a greater awareness than before. Thank you also for the history and for explaining how this still young man faced such grief and expressed that within his composition. You have made my Sunday morning a real blessing!

Always a pleasure to get some background information:D

I was absolutely spellbound by Clive's leisurely appreciation of the wonders of Schubert's creation. FOREVER one of my favorites, though I play it clumsily I still love playing it and melted at your playing of it, Clie Swansbourne. Thank you. (and I've encountered teachers who've found it boring-can you imagine!!!!

Wondrous music-way beyond words. Thank you for the insights. :-)

Thanks a lot; your interpretation made me play it much better !

A really fantastic lesson on this most glorious work.

Dear Clive. Thank you very much for this. Take care Geoff

Thank you very, very much for this! I really enjoyed it.

I can't even play piano neither can I read music and I am still loving this!

This was so helpful and inspiring. Thank you.

Thank you Clive for speaking so beautifully about Schubert, about the tragedy of his premature death and his heroic urge to compose until the end which he knew was coming : such an unfair fate and incalculable waist of talent. Thank you also for all your remarks and tips on how to play this piece to its best, all very wise and well inspired.

I love your interpretation. I’m actually playing this piece for my first diploma, and I find your advice extremely helpful. I can play the melody well but the ornament were very muffled. I understand to keep my fingers very close to the keys for the ornaments. I will go through all your advice, it’s like à piano master class on line. Thanks so much. I don’t think it’s hard to memorise though.

Beautiful and insightful commentary

Thank you for this wonderful insight on this piece. I'm trying to learn it right now.

Thank you so much for this. I don't play myself. I seem to remember hearing this when I was very young ,maybe it was a teacher practising in my junior school. Then a huge gap of years before I heard it several years ago. It's so beautiful. For me Horowitz playing it in Vienna was amazing, he hardly moved his fingers.

Thank you very much , I ve always been looking for a in-depth interpretation like what you did .

Thank you. Very helpful, especially your suggestions to stay peddle free in strong bass motifs toward the end. Lovely balance.

Thank you Clive for a very inspiring and informative tutorial. I really love your interpretation of this piece

SO helpful!! Thank you!

"Troubled territory!" I love it. Thank you!

You are a treasure. Thank you for sharing this with us.

Obrigada por nos passar esse conhecimento dessa peça tão maravilhosa !! Brilhante interpretação!!

It amazes me that as composers made a living from selling sheet music there must have been many people who could play this music. How many could afford a piano? Excellent analysis

I am practicing this piece right now . I will apply what I learned from you . Thank you so much for a very wonderful lesson . Great teacher

Wonderful Just wonderful The composition the analysis The playing The English approach

I very much enjoyed your thoughts on this most beautiful piece.

It is my most favourite pice too. I’ll never play it but I love to listen to it. Your video has been great. Thanks

Check out Horowitz's performance of this piece in Moscow back in the late 70's or early 80's I believe....

Brilliant video, very very helpful and also interesting to get some insight into the thoughts of Mr Schubert

Thank you so much for your very thoughtful Insights. I feel the same way about this piece. For me, it sits on a special pedestal next to Liszt's Consolation 3 and Chopin's Nocturne in D Flat major. Your interpretation and logic are enormously helpful. You've given me new inspiration to learn this very special piece. Many thanks!

My favourite piano piece too!!

I really love your explanations of how to interpret the music. It really brings the whole music to life. I am working on this piece for my DipABRSM. I never tire of it. It's a piece I fell in love with over 35 years ago.

Great interpretation. I agree with everything you said.

very, very helpful, thank you very much!!

Thanks for explaining some background details.

Thanks great phrasing tutorial.

great video, i've been playing piano by myself for less than a year and i'm learning this piece now, even tho I memorized half of it in a month i'm having a lot o trouble with the technical part, i do not have the necessary skill to play it yet but i'm working on it every day your video gave me new ideias on how to look at this piece, hope it will help with the challenge of giving life to it, thanks a lot

very nice as usual

Thank you. This is very helpful.

you are great! thank you very much!

Thank you !

Thank you for the tutorial! One question: will it suffice to use the sustain pedal instead of holding the legato on the top melody note (right hand)? Just asking because stretching my right hand is a bit difficult due to injury.

Thanks for sharing

Thank you.

Thank you! 🌹🌹🌹🌹👍👍👍👍

Beautiful lessons! I’ve listened to several. Some many times. I have been playing Schubert Impromptu 1 Op. 90 for quite awhile now and would love to hear your understanding of this very powerful piece that seems to be the arrival of death, and for me the inaccessibility of the event for everyone except the dying. Would you please teach on this piece? Thank you.

Could you please make the same analysis for Schubert's Impromptu op. 90-2, dear Clive? It's a lovely piece! I think it would be useful and much appreciated by many 🙏🏻🎼

Very interesting, even for the profane.

Beethoven felt his own lack of skill in counterpoint, and embarked on an intensive study of Bach and Handel in his last years. This shows in the last Symphony, the Missa Solemnis, the Diabelli Variations the last piano sonatas and the music for 'The Consecration of the House'. The syncopated passage in Op.111 is almost lifted from The Art of Fugue, second movement.

You did mention Brendel,who you played more like him.❤❤

Grazie, grazie, grazie.

I love the history & background you share. Syphilis was such a scourge. In the pre-antibiotic 20th century, some physicians called tertiary syphilis "general paralysis of the insane". What a charming end of life that evokes. Can you say something in a future video abput your acoustic device atop your piano? It looks like it's focusing & perhaps attenuating certain strings for recording purposes (?). Held down by a copy of Les Miserables. 😊

Wow amazing class!!!!!! Could please tell us something abou Chopins etude op10-3? I think it has the same important clue, to “highlight” the melodie and keep a pattern of notes on the same hand. It looks easy but for me is being so difficult.....Thank you so much! :)

Hello. Love this. Can you (or anyone) please clarify the different chord that Horowitz (and Jussen today) play in the 2nd half of bar 5? And why? 😊

In some editions, when the opening phrase is repeated, instead of going from G flat major to e flat minor, there is a B flat major chord in between, leading to the e flat minor. Do you know the history of this deviation of the original?

Thank you. These are a lot of words coming out of a lot of thoughts. I wonder if this is at all necessary. This is not programmatic music. What about playing this intuitively according to what the moment brings?

See: Yves Knockaert: Schubert. Polis, 335 blz., (in Dutch...)

Have you any comment on some pianists' way to play the bar 5 and the same bar later, like Kissin kzfaq.info/get/bejne/j8ihaaiSnJ_Simg.html , Horowitz kzfaq.info/get/bejne/fN6YlaR43Ku9d4U.html and Lipatti kzfaq.info/get/bejne/rNR3f7OpqtLdlGg.html ?

Is legato fingering necessary for this piece?

The most dificulty is make the acompanishment sounds clearly in the back of melody and play the melody smothly :(

Schubert a true musician the fifth greatest one after Bach Mozart Beethoven and Chopin

Dvořák lets go! 😂