ex.1 3:20~ on 1-2-3 弦 ex.2 3:42~ on 2-3-4 弦 ex.3 4:07~ on 3-4-5 弦 ex.4 4:30~ on 4-5-6 弦 ex.5 4:53~ up & down on 1-2-3 弦 vartical approach ex6 6:10~ I will be working on the horizontal approach, ex.1-4 this month. ex.5 in February ex.6〜 in spring

This is like opening a whole new door into a different world. Love it.

Just revisited this video - absolutely fantastic - this has unlocked a new world. Will purchase the download this time ... 🙂

This will help all musicians with their improvisation when practice these techniques

We need more guitar videos please

I finally bought this. Listening to the Mixolydian pair example, I’m 99% sure this is how Jerry Garcia was approaching life. It sounds so much better than just noodling on pentatonics over dominants.

By far the most comprehensive yet clearly explained video on triads with a detailed and methodically explained approach to learning, applying and practicing: vertical and horizontal fretboard approach. Very professional!

Damn exercise 6 was a mind bender, took me more than half an hour to execute properly. Learned a lot in this vid, thank you !

Your presentation is like hearing with the eyes and seeing with the ears.

Best improvisational tool.I would personally recommend your lesson to all guitarist of all genera of music.

This video is amazing. Please add more guitar videos for different varieties of paired triads. Thanks so much for this!

Nice video. There are thousands of guitar players out there who are hungry for theory the way you present it, and I think you have tapped into a good market with this video. I remember a triad pairs video you did a long time ago that was really cool but it was more for horn players and the whole thing was a bit inscrutable for guitarists who weren’t extremely autodidactic. Still, that previous video was enough to set me on the path to discovery and I am happy to say that I already figured out what your guitarist collaborator here is demonstrating. But it’s great. As a guitarist, the two most important things (mechanically) are realizing that you have to come to terms with playing triad pairs horizontally and vertically. Just find those fingerings and commit them to muscle memory both horizontally and vertically. This was a great demonstration of that. The theory issues are much broader. I appreciate that you always like to think in terms of affect (like what sounds brighter or what sounds mysterious, etc) and that’s cool. I’m more practical. I just want to know what intervals I’m getting and what the harmonic applications are for each triad pair from a purely academic standpoint. Like the fact that two major triads a whole step apart beginning on the minor 3rd of a minor chord will give me a blur of notes with a Dorian sound, for instance. One thing you did not address is how to approach using triad pairs on changes, and that’s a pretty big deal. It doesn’t take long to start using F and G triads over the D minor chord in So What, but bringing this concept into playing over changes is another story. I hear it happening all the time in the horn playing of badass modern saxophone players, so I know it is doable. So far I’ve had two breakthroughs: 1) it occurred to me that the same triad pair that works off the 3rd degree of a minor 7 chord will also work over that minor chord’s related dominant 7 chord. So you can play that F and G triad pair over Dmi7 and G7, thereby using it over the whole 2-5 part of a 2-5 in C major. 2) I’ve found a few tunes where it’s fairly easy to practice changing triad pairs with the changes. For example Summertime in A minor. Use a C triad and a D triad over the first 4 measures of A minor, then switch to the F and G triads when the song goes to its IVmi chord, D minor. This is just a baby step, but it gets one going in the right direction. I’d love to see you do a video where you address using triad pairs over changes, I’m sure I’d learn a lot. Also, It would be useful to me to have a little less reverb on the guitar and maybe a clean acoustic piano sound when you demonstrate these harmonies, since all the swimmy synth pads kind of start to get mushy and to my ear. And because I play with jazz combos that have acoustic pianos, which is the way I’m used to recognizing the chords you are demonstrating. Thanks for a really good video!

Thank you for this lesson! I’ve been into triad pairs a lot recently and this is encouraging to keep walking that line!

That's a really cool vid ! We can also " modally " explain why this works : In major scale harmony we can see the two adjacent ( one tone apart ) major triads as coming from mode IV ( Lydian ) and V ( Mixo ) so they would work on the other chords from that tonal major harmony. On the other hand on an altered chord we can see them as coming from Lydian b7 and Mixolydian b6 where altered is mode VII. In this way we can quickly find the major triads on any harmonic context. Crazy stuff if you use them to also harmonise chord changes !

Thanks for the focus on guitar. I love your instructional videos.

One of my favorite two chords to use for this are just two major triads a tritone apart. Ebmaj-Amaj, Cmaj-Gbmaj, etc...

Fantastic!! I finally understand what's going on with this idea! Using this immediately! Thank you!!

Thank you for this video. There's a lot of ideas available. I used to play a blond Fender Jazzmaster in 1960 through a Sears Silvertone 2x12 amp. Great tremolo.

Brilliant lesson. Love the sounds❤ I will be giving this a go and expand the concepts. Thank you🤘

Excellent study.

Ha, I've always liked the horizontal approach.

I've always heard/played these moods/colors, but this is very clearly explained and really, really useful. Thank you. 👏

Guitar! Most excellent! ♬♬♬ I like the Romanian Major Scale w/ major chord pairs #4 apart ( Lydian Dominant ♭2 ) ( E, A♯ ) ( i + ♯iv )

this is the most incredible and so far so good lesson. thanks soooo much!!!!

great lesson, you should get this guitar player more often for teaching jazz guitar, it will open up to a new crowd.thx 🍻

More guitar videos please!

My first time here and you got me subscribed at half way thru the video. Thanks for posting a great lesson.

Bien ahí (58")ese gaucho con el mate! Capo

Wonderful information

Very cool! Inspiring and best way to teach this. Thanks

Jazz Duets, I love you!

Lovely stuff! Thanks again for all the superb tutorials!

Very inspiration and helpful for developing improvisation and composing melody and harmony, thanks for share 🙏

I just happen to be working on triads for fretboard mapping, little by little seeing that invisible grid and your exercise at 3;23 I just seen the whole thing at once the drew it out in C and D. A shaped C E shaped C E shaped D D shaped C D shaped D and at this point I seen them on the High frets mapping them out and Ive always kind of struggled in that area but can see the continuing A shaped C and A shaped D 💡 💡 💡

Thank you for sharing. Easy understand.

A lesson well done! Congratulations

I’ve used that for many years. I call them hexatonic scales. There are also nonatonic scales, with three triads.

Beautiful stuff. Thanks so much. Need to start practicing!

Great video thank you

You need to make more fundamentals stuff for guitar - but of course make the audios / practice material 'swing' and fun to practice...

Muchas gracias por los consejos y también por el esfuerzo de hablar en español. Saludos de México.

revelador, excelente, muchisimas gracias

Great vid and your voice is so relaxing to listen to

This is so so great. Thanks!

thank you

Best vidéo. ... Très pédagogique merci beaucoup

Excellent lesson!

Nice start! You want to relate to more guitar players? Begin with the CAGE system. Relate the key, then the related triad pairs. That way you’ll give us a handle on the process. Major triad pairs first, then after thoroughly incorporating keys and associated major pairs, move to other combinations. That will sell.

Best video to understand triad pairs harmonically !! Great awesome job ! Your videos are so valuable for everyone of us out there. Thank you so much for your work, and your sharing philosophy.

Wow great lesson and great channel!

Excellent, thank you!

This is used by Jerry Garcia. I think his banjo training produced it. It's not hard at all. Since there aren't any repeated notes you might want to try that as well as snare drum and other folks rhythms

Great lesson - thanks.

Beatuifuuuul !!! You understand if I write in Spanish I think you should after the second mate in the morning

Esto me será bastante útil!. Saludos mr. Nick!.

Thank you!

Thank you so much.... Love this stuff

Thanks

Awesome Sir🙏🙏🙏

excelent , i will purchase , thanks a lot

What happened to early access to the YT video? BTW, checked out the sample and I’m very excited for this!

yee haw! there's gold in them thar chords.

mille merci maestro

How can we now whats chords works or whats chords are available for every triad pair?. is there some rule for the harmonic base ? Or every triad pair works over any chord, independent the tonality?. By the way, that´s very interesting, thanks for this videos. Sorry my english, saludos from chile.

This is really interesting, would like to apply it to more exotic base chords.

The Allman Brothers did this a lot for a nifty hexatonic soul feel

Second part PLEASE!

This is a great topic! I enjoyed the demonstration, but I wonder how do we find these pairs? is it just exploration and trial and error or do we have a general idea or compass like resorting to mediants or to certain degrees and modes? Thanks to anyone willing to help me digesting this concept!

Pls my question is why do they work so that i can expand on them

Fab!!

Great!

Second part please!

Yes

Diverse digitations ! Noice

Hi , does the book cover differnt combinations ? Minor, major, aug, dim? Relationships between différent chord progression ? Thx

Molt boooo, joan, Catalonia free👏👏💋

🔥🔥🔥

I know this must sound totally dumb-ass of me, but as a guitar player, playing the arpeggio from high to low is like some "OMG!" revelation, because obviously the habit is to play low to high strings due to the instrument layout.

🙏

cool! :D

Is this kinda like what Wes Montgomery does?

and here I thought you have jumped over to the dark side, guitar no sax. Hey it’s all good.

hay

👍🏾👍🏾👍🏾🇧🇷

3日後って、年明けですな。子年〜

💚❤💜💛💙🌻

9:09 LICK

Mate

Are you drinking mate? So I

A Jazzmaster playing jazz? Wtf!?

Plz dont do caged system lmao, so garbage.