I am a writer. But like Annie Dillard said, I hate writing, love having written. The allure of a program like an MFA is that you end with a book-length manuscript (at least in the programs I'm looking at) that has been critiqued by faculty and advisors. Having a solid draft to query is a big draw, but having the structure that requires me (via a deadline) to have the result I want is super helpful. External motivation is key for forcing me to accomplish my own goals. So I guess I disagree with your whole premise here, but not combatively, just that the need to write for me is less in the enjoyment of the emotionally taxing process and more in the satisfaction of having given form to something that was little more than an idea in my head. It's incredibly satisfying, so much so that I keep doing it. But a book-length manuscript eludes me as of yet, and I have notebooks full of outlines and ideas and character descriptions etc etc. I'm considering an MFA, but find that a funded program appeals to my economic sensibilities, but a low-res scenario with summer workshops appeals to my life logistics. Balancing family and location etc are all considerations. It's hard to think, especially after listening to your videos, that paying for one can be worth the investment outside of personal fulfillment. I wish MFAs had better-established funnels for navigating the publishing industry and better networks of publishing resources, agents, editors and collaborators than it seems I assumed they had but am realizing they don't. Still, I keep thinking I want to pursue one anyway. I want that external motivation to finish a manuscript baby!

I decided to apply to an MFA program for Creative Writing because I knew I needed the space and time to write and I knew that workshops weren't going to cut it. I also didn't want a low res program because I couldn't see myself on track with just 10 day intensives. I needed to be on a campus consistently. I just do better with that structure. I also chose my program because I would learn about publishing design as well. That's the added bonus of my program.

This is a really helpful video. I’ve been trying to decide if I want to go for an MFA for nearly 5 years, and the questions you posed are by far the most helpful. Thank you!

Great video. I'd add two things: 1. Money. I'd personally only recommend low residency/part time programs that allow you to work at the same time or full time MFA programs that you can get into on a full or almost full ride, either through a scholarship or assistantship. Unless you're very well off. Considering the likely financial payoff for a career as a creative writer, I wouldn't go into debt for an MFA. 2. What kind of writing do you do? If you're trying to be a commercial writer who's all about delighting readers with gripping novels that meet their expectations for the genre, most MFAs won't teach you how to do that. Sure, you can improve your writing, but there are far cheaper, faster ways to do that. I'd say most MFAs (especially those that are paid) are best for writers of literary or at least upmarket fiction (nowadays there are plenty of programs that welcome speculative fiction, YA, etc., so I wouldn't say MFA programs aren't for that kind of "genre" writer.).

Come through for the Bird by Bird reference! Very helpful. I'm finishing up my BA in Individualized Studies with a Creative Minor. I am a poet and I perform but I could really write all day. I think to the point I could one day teach it.

Great advice thank you.

I have a request, I would love your tips on how to improve your poetry. I have a bachelor's in literature and we briefly looked at poetry. I love to write it, but I am an amature.

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