I feel Albéniz sometimes has some unexpected yet so dramatic and beautiful harmony/texture changes(development) which open up a new world for me.
@bmois95783 жыл бұрын
I can somehow feel Albéniz’s character when left hand melody comes in?
@pegas2036 жыл бұрын
0:34 damn! jumping those octaves accurately is sooo difficult
@republiccooper6 жыл бұрын
[blank] just a little practice, my friend. 🙂😎
@ninjaassassin273 жыл бұрын
Another interesting thing is that unlike the score which calls for an octave jump after the chord figure, one can clearly hear Alicia playing an F# instead. I imagine she did this to facilitate an easier transfer for the hands, and a smoother sound. I think it's an appropriate adaptation, especially considering that this music was originally written for guitar and not piano.
@oyy78332 жыл бұрын
@@ninjaassassin27 no, this was actually originally written for piano but the guitar version got more popular.
@shashinayagam428 Жыл бұрын
Just started learning this and jumping around the cords so difficult
@therealrealludwigvanbeethoven4 ай бұрын
@@ninjaassassin27confidently incorrect
@FerranLopezCarrasquerPianist6 жыл бұрын
Mesmerizing playing, she was brilliant, unique, Alícia de Larrocha!!
@Miranda94354 жыл бұрын
Estic d'acord amb vostè. Com Alicia de Larrocha no hi haurà altra. Però lo que es cert es que el seu art brillara sempre
@johninman75458 жыл бұрын
I've never heard this collection.Thanks!Happy Birthday,Sr.Albinez,immortal one.
@Miranda94354 жыл бұрын
Ara ja la coneix, mister
@aprilschen5 жыл бұрын
me trying to finish an essay last minute
@johninman75458 жыл бұрын
Thanks Paco M. for all these collections.
@olgasaitua56702 жыл бұрын
Siempre bello y reconfortante.
@FerranLopezCarrasquerPianist7 жыл бұрын
Wonderful Alicia de Larrocha; thanks Paco for sharing it😉!
@meg-oj1lj6 жыл бұрын
Me gustó mucho la experiencia de esta pieza de música.
@ismaelmuckensturm21917 жыл бұрын
Amo esta pieza
@Miranda94354 жыл бұрын
Jo també
@MrGer22958 жыл бұрын
Beautiful! Thanks for sharing!
@raymundovergararoman24738 ай бұрын
I love the prelude, it's wonderful and plenty of fantasy and also not so easy to play. Also i love the seguidillas in some part it sounds as these songs that rocio durcal sung at once
@Mahlerweber Жыл бұрын
Excellent performance by AdL. Thanks for score with fingering.
@deolindapinhogarciabertolo7072 жыл бұрын
Maravilhoso!!!!👏👏👏👏👏👏👏👏👏👏
@valeriazafra96702 жыл бұрын
He tocado la de Seguidillas, y es la 0stia de bonito pero la 0stia de complicado🙃
@ultravenia5 жыл бұрын
This is really fun until it's reallly ridiculously impossible then it's really fun again
@gmsgdiazdiaz3534 жыл бұрын
No se entera usted de nada.
@Archiekunst8 жыл бұрын
Ah! The audio gets cut off too soon at the end. A final chord must always be allowed to resonate for dramatic purposes.
@pacom.88156 жыл бұрын
Sorry, there was some trouble with the audio and I couldn't make anything to fix it.
@grakelonio4 жыл бұрын
Hermosa grabación, gracias!!!
@davidash91707 жыл бұрын
Love it!
@damianrubido8 жыл бұрын
Thanks for sharing!
@pacom.88158 жыл бұрын
it's my pleasure! thanks for watching :)
@amaurythomazo25505 жыл бұрын
trop beau!!!!!
@inmar.51397 жыл бұрын
Hola Paco, gracias por todos tus vídeos de partituras, son de gran utilidad. ¿Podrías decirme, por favor, qué programa usas para crearlos.
@pacom.88157 жыл бұрын
Uso el Sony Vegas Pro 11.0 :)
@inmar.51397 жыл бұрын
Muchísimas gracias
@huppimmuppimard33056 жыл бұрын
Looks difficult or should I say very difficult, wish I could play this for my dad.
@pacom.88156 жыл бұрын
It's not that difficult! If you have a certain level you should really give it a try.
@kathng83544 жыл бұрын
Can’t go that fast no matter I tried. 😭
@ignaciohmon6 жыл бұрын
Which one was first? "Bajo la palmera" or "Cuba" (from Suite Espagnole)? Their resemblance is quite interesting...
@ignaciohmon6 жыл бұрын
Demonioshock 9:22 If you listen to this and then to "Cuba" from "Suit Espangole" (you can listen to it on KZfaq) you will notice they're quite similar. I wonder which one was composed first. But yes, Prelude and Asturias are the same. Cheers!
@pacom.88156 жыл бұрын
Hasta donde yo sé, Cuba se compuso antes (alrededor de 1883). Los Cantos de España con Bajo la palmera no aparecieron hasta 1894. A lo largo de su obra, Albéniz tomó bastantes referencias de la primera Suite Española para lo que compondría después (buen ejemplo es, como decían, Asturias y el Preludio). Sin embargo, es cierto que hay bastante caos en la clasificación de obras de Albéniz, así que no sabría decirte con certeza cuál fue antes. Espero haber sido de ayuda :)
@lindevanrenterghem94664 жыл бұрын
Ik moet dit spelen🤪♥️
@albertol.40484 жыл бұрын
21:39 Nino Rota, Le notti di Cabiria
@keraatkins78337 жыл бұрын
this is cool but í thought there was a 12 string guitar for the prelude.
@TommyLapointeBlondin6 жыл бұрын
The original is for the piano and it was later rearranged by other musicians for the guitar
@andreasvandieaarde2 жыл бұрын
Something isn't adding up. This prelude first piece is known as Asturias, which is part of a different suite entirely. This other suite was also made at an earlier date, about 12 years before this one, supposedly. Can someone explain this?
@pacom.88152 жыл бұрын
Although the first suite "Suite española n.º 1" dates back to 1883, it wasn't compiled as we know it today until 1911, after Albéniz's death. The original suite only contained Granada, Sevilla, Cataluña and Cuba, and editors decided to create Suite española n.º 1 with some Albéniz's previous and individual works, which were not even called the way they are now (Asturias, for example, was just called "Prelude" and its inspiration has nothing to do with Spanish region Asturias - Albéniz would've never called it that way). Same thing happened to Castilla (named "Seguidilla" and also present in Cantos de España), Cádiz (formerly called "Serenata española" Op. 181) and Aragón (Danza española n.º 1 from "Dos danzas españolas" Op. 164).
@lh2738 Жыл бұрын
14:12 This is the part SexuaLobster (nowadays GreasyTales) used for Pleasure Island lol
@SuperAsalvador9 жыл бұрын
J'aime à la folie *****
@domeskeetz8 жыл бұрын
he messed up at 4:16.......but hey I can't even play one measure of this tune yet lol so bravo
@domeskeetz8 жыл бұрын
4:15
@Yhiith7 жыл бұрын
she
@pacom.88157 жыл бұрын
As Beethoven (or whoever) said: to play a wrong note is insignificant; to play without passion is inexcusable!
@domeskeetz7 жыл бұрын
oh it's beautiful =D She*** did a wonderful job
@DamVibes7 жыл бұрын
It was Beethoven, yes
@Miranda94354 жыл бұрын
Quina pena que avui la gent prefereix rock o reggaeton a aquestes obres mestres.
@cybermarquesat Жыл бұрын
El rock és molt variat, aquí tens als Iron Maiden inspirant-se amb aquesta mateixa peça d'Albéniz a To Tame a Land: kzfaq.info/get/bejne/hdp3aMWJq5aoioE.html
@richardrijnvos7223 жыл бұрын
And here is a 2014 orchestration of the complete piano suite: kzfaq.info/get/bejne/j7xhd5ZhxreaaZc.html&ab_channel=RichardRijnvos
@sladeniz97664 жыл бұрын
MY FINGERS HURT
@denizcantulan40244 жыл бұрын
:(
@joaquinalopezduran9673 жыл бұрын
siempre pensando en ti
@user-rv4qw3xi3c5 жыл бұрын
スパニッシュギター曲を模した曲だよな これはピアノ曲でも
@rr13092 жыл бұрын
Slippery hands at 4:15 …
@olgasaitua56702 жыл бұрын
Y Alicia de la Rocha es la mejor de todos.
@user-rv4qw3xi3c5 жыл бұрын
ラヴェルはスカルボの手本にしてる
@awayvfx46924 жыл бұрын
5:15 compare the dynamic symbols on the sheet paper (sforzando = loud, expessive), and the way this nigga played this composition...
@TrinkBruder5 жыл бұрын
16:10 As impeccable a pianist Larrocha is some of the liberties she is taking defy reason. I understand Horowitz as a disillusioned performer when he deviated from the score, but this is nonsense
@zoenikolaidou1554 жыл бұрын
Are you talking about the accent on the downbeat on the A?
@foundershinenation83804 жыл бұрын
I am thinking this may have been a live performance, noticing some background sounds. The taking of the lower octave is a Romantic throwback, which some are critical of, eg, Leon Fleisher didn't like that kind of thing. It is done here and there with Chopin, Schumann... the latter eg at the end of the 2nd movement of the Fantasy, Op 17. De Larrocha studied with Frank Marshall who studied with Granados, and eventually Marshall replaced Granados at the conservatory. I wonder if the lower octave liberty was perhaps something Granados or Albeniz may have done, or been Ok with at least. In any event, De Larrocha is such an impeccable player of Bach and Mozart as well, and I'd bet she'd never take such liberties with those guys.
@henrigaziel20023 жыл бұрын
Nonsense? What a ridiculously silly reaction. It’s a performance tradition. Hardly a crime to deviate.