Islam Se Phale Arbon Ki Jahalat|Arab Apni Batioen K Sat Kya krteThe| Urdu Story | Pak Muslim Voice
Qasas ul Anbiya Stories of the Prophets is any of
various collections of stories adapted from the
Quran and other lslamic literature, closely related
to exegesis of the Qur'an. One of the best-known
is a work composed by the Persian author Abu
Ishaq lbraheem bin Mansoor bin Khalaf of
Neyshābūr (a city located in Khorasan, Northeast
Iran) the 12th century AD (AH 5th century); another was composed by Muhammad al-Kisai in the 8th century AD (AH 2nd century); others include the Arais al-Majalis by al-Thalabi (d. 1035, AH 427) and the Qasas al-Anbiya by lbn Kathir (d. 1372, AH 774). The narrations within the Qisas Al-Anbiya, are not about historical accuracy, but rather about wisdom and moral teachings.
Because the lives of biblical figures the Muslim
prophets or sl anbiya-were covered only
briefly in the Qur'an, scholars, poets, historians,
and storytellers felt free to elaborate, clothing
the bare bones with flesh and blood. Authors of
these texts dreW on many traditions available to
medieval Islamic civilization such as those of
Asia, Africa, China, and Europe. Many of these
scholars were also authors of commentaries on
the Quran; unlike Quran commentaries, however,
which follow the order and structure of the Qur'an
itself, the Qişaş told its stories of the prophets in
chronological order - which makes them similar
to the Jewish and Christian versions of the Bible.
The Qişaş thus usually begins with the creation
of the world and its various creatures including
angels, and culminating in Adam. Following the
stories of the Prophet Adam and his family come
the tales of ldris, Nuh, Shem, Hud, Salih, lbrahim,
Ismail and his mother Hajar, Lut, Ishaq, Yaqub
and Esau, Yousuf, Shuaib, Musa and his brother
Aaron, Khidr, Joshua, Josephus, Eleazar, Elijah,
Samuel, Saul, Dawud, Sulaiman, Yunus, Dhul-Kifl
and Dhul-Qarnayn all the way up to and including
Yahya and Isa son of Maryam. Sometimes the
author iincorporated related local folklore or oral
traditions, and many of the Qişaş al-Anbiyā"s tales
echo medieval Christian and Jewish stories.
During the mid-16th century, several gorgeously
illuminated versions of the Qişaş were created by
unnamed Ottoman Empire painters. According to
Milstein et al., "iconographical study [of the texts]
reveals ideological programs and cliché typical of
the Ottoman polemical discourse with its Shi'ite
rival in Iran, and its Christian neighbors in the
West.
Islam sa phele Arbon ki Jahalat kya Hoti thi
Islam sa phele Arbon ki Jahalat kya thi
Islam sa phele Arbon ki Jahalat
Islam sa Phale Arbon ki Jahalat
Islamic SE phele Arbon ki Jahalat
Islam sa phele Arbon ki Jahalat kia thi
Islam se phele Arab Apni Batioen k Sat Kya salok krte the
Islam sa phele Arab Apni Batioen k Sat Kya krte the
Islam sa phele Arab Apne Batioen k sat kia salok krte the
Islam sa Phale Arab Apni Batioen k Sat Kya salook krte the
Islam sa phele Arab Kya krte the
Islam sa phele Arbon ma kya hota tha
Islam sa Phale Arbon ma kya Jahalat thi
Islam sa pahle Arbon ma kya Jahalat ki jati thi
Islam sa phele Arbon ma kya Jahalat ki jati thi
Islam sa pahle Arbon ma Kon c Jahalat pai jati thi
Islam sa phele Arbon ma Kon c Jahalat ki jati thi
Islam sa phele Arbon la kya Hal hota tha
Islam sa phele Arbon ma larkion k Sat Kya kia jata tha
Islam sa phele Arbon k dore Jahalat ma kya kia jata tha
Islam sa phele Arbon ma kya jahatal bht zaida ki jati thi
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