A minute into the shoot and one of the best pieces of advice on sharpness I have heard. Check it against your hand . Thank you all for this. No back to the lesson

In the mid-2000s I was skint. I loved photography, so a cheap Nikon, handed down to me from my mother, became my camera and editing done with Picasa. I still love those shots!

Love the message of this video. Folks are to gear obsessed. Bravo bravo!

..for many people this setup is expensive gear...this setup is technically top..a batis...🙂...but you nailed the point about gear!..thank you , greets bm

when you dream of some day having a $10k medium format camera and then watch video of a guy using a $10k camera stand....

Great job Peter, and very true statement gear doesn’t matter a beautiful model doesn’t matter understanding lights and shadows and basic camera knowledge will get us ahead of many. And Bec, you’ve grown so much from the inter webs intros of the past. Great team work.

Burst mode in “Peter Lindbergh style” is giving very live emotional photos

It’s not about the gear...but you get what you pay for! And the shots prove it..

Peter, thank you for being YOU. I recently jumped back in to photography , a development in which you played a pretty large part. The philosophies and style you share is something that resonates with me. I just want to take good pictures, and not spend hours/days in post. Thanks to you, I'm a lot sharper in how approach things. And Bec ....your such a doll, God how I have missed the two of you these last few weeks. Cheers from Washington USA.

Hi Peter and Bek, That's exactly it, it is not the material that makes a beautiful photo, but the sensitivity of the model and the photographer, the eye of the photographer and the model. Natural light and an expressive model that plays with the camera + the eye of the photographer = has a magnificent photo. Thank you Peter for your very interesting vidéos :)

So that's how you set the diopter! Focus the text. I used to use the autofocus and then adjust the diopter to get the same focus in the viewfinder. LOL. Great video.

"Why do I have super expensive cameras? Because it makes me feel good." And I learnt this the hard way, after switching from a modest bridge camera to a Sony APSC and now to a Nikon Z. Realised that with the "right light" I could've achieved similar results on all three systems. Anyway, I love the Z5 that I currently own. I only wish I'd come across your channel before diving into the photography rabbit hole on KZfaq. Would've saved my quite a bit of money and many, many hours of my life that I wasted watching gear reviews and worrying about my gear.

I'd never thought of sharpening that way until you explained it against your hand. gave me a whole new perspective on it, thanks Peter!

Expensive equipment gives you: convenience, reliability, choice, and in very rare and specific instances depending on what field of photography you are in - better quality pictures technically. For amateurs, its just about vanity and laziness, for professionals its mainly about fear of not appearing to be professional by clients.

Many thanks for sharing this session

A masterclass ... Thank you very much sir for your kindness.

How to find a RaRa on a budget, though ? In all seriousness, working with a great model makes a _huge_ difference to the quality of images captured.

So it’s not about the gear but more about knowing your gear!

Hello Peter, I don't think you have to explain yourself to anyone about your gear. One thing I remember from your videos is that you mentioned you've been in business for 30+ years and it must be respected and appreciated. You've been feeding us with some great lessons and tutorials and everyone must follow and do so with whatever they have on hand. However, when doing some great models and commercial shoots, the better the materials, the better the results. Don't worry about the haters out there. They'll always exist and find a way to disapprove of your work. Keep doing what you do best and God bless you. I appreciate your work and learn what I can from you and do with I have.

as always a pleasure to see your work Peter! thank you Becca for the camera work and Rara for the excellent modeling

Thanks for the video. The take away really is to find what suits you. 👍

It's crazy, I never thought things flowed uphill, only down. This is what I mean. Those people who point their fingers, attempting to chop for having great equipment, are the same ones that point their fingers at me, accusing me of manipulation or stealing photos because I use the Canon SL1. There is no winning with those people. You have worked incredibly hard to get where you are at, to produce the photos you creat, just to get bashed on one end, and I get it from the other end. 😊 Thank You Sir For Your Content! Subscribed FromThe States: Iowa 😁

That stuff out of the RX100 is amazing.

good to see you back. love watching you work. always stuff to learn.

Loved it! Thanks for putting it out, especially since we are all "shut in"!

Hi Peter, so beautiful: We all wash with water, dear!!!

RsRa Is always a welcome diversion from any type of day I may be having. 😊

Thanks for letting me join you for another shoot. Always seem to learn something, such as watching that sharpening setting. Back to looking after the pool now... (one single rose appeared, begging for a shot ).

Knowing the light and shadows, Trumps the Gear....Thanks Peter, Bec ans Ra Ra....you peeps are the best...

I found out once again today that the location is super super important. The way the light acts especially if you are using some of bounces the light does makes a huge difference if you have a very high ceiling and you have a very big room. I found out that a low white ceiling is a nightmare to shoot under. And if the room is also small with white walls it will becomes even worse and that's not a gear thing that's a studio thing, but i consider a studio part of your "gear" So yes you can make some kind of shots with just a window light. But you definitely cannot make a lot of shots in a small white box of a room.

Some of the best photographs ever made were made with cameras that had to be carried on the backs of mules. So, yes, it is the photographer. Some great photos were made with Brownies, too.

More tips , thanks both of you

Awesome, thanks for sharing. My budget set up has never been an issue.

Thank you so much for still putting out Videos. Cheers!!!

Great video as always guys nice to see Rha Rha beautiful as always.

Great as always, thank you very much

You proved the point well!

Thank you Peter! I always enjoy your videos (well, sometimes the sound could be better...😉 ), even if I know certain things, like in this case, that good pics are not only realizable with expensive stuff...But it´s always a pleasure to see the way you work, and this special atmosphere in your studio! ...anyway, good to see that you and Bec are both fine...I hope that you are motivated to do more of these great videos

That's s setup is the size of my whole studio 😂

Hi Mr. Peter, greetings from Mexico. A pity that due to the covid-19 all projects about traveling are frozen. So I will have to wait to meet you and your team in person, however it is always a pleasure to watch your videos. Thank you for keep uploading tutorials, you are such a good teacher. Keep safe and good luck.

Thanks guys, you doing wonderful job, always interesting to watch you. And yes, I also found my RX100/6 too small, it is always with me and quality is fine , but it is a bit awkward to use.

Love you guys Great vid. Thanks.. Have good Weekend!

It's fair, It's nice, to show how it is possible to shoot without expensive cameras/lenses or massive gear ! Thanks for this. BTW...As Cartier Bresson said I think pictures are made 1st with eyes, head and heart, not with camera.

I use my Canon 50D for everything :) I dont think I need expensive new camera. Just one that works well.

The gear you use will dictate the nature of your photos, but not how good they are. Similar photos to the ones Peter took in this video could have been taken on an old bottom of the range DSLR with a slow 18-55 kit lens. The background with the smaller aperture of the kit lens wouldn't be so far out of focus, but it doesn't matter. What does matter is just doing it; don't put it off because you don't have some fast, exotic lens, take your photos with what you've got. You'll be glad you did.

True.. Just be familiar with your equipment and have a style..

Eat the meat and spit out the bones. That's what i have done with peters tips and advice. And i have produced nice photos. It was a game changer for me. I don't have peters gear and i have produced photos similar to his. I use a Canon R and L lenses and sigma lenses and godox lights. It's not the gear that makes good photos, it helps but it's not the main thing. It's mastering light and composition..

Hello from France, thank you a lot for putting new interesting videos online these days. I still don't get that people continue to say that the gear is doing everything. First of all I think they never had an Hasselbald in hands, because it is everything but easy to use, I might try to give mine to my model next time I shoot so she can figure out. The only phrase is that people can make great photos with the gear they know how to use, period. And when someone is as experienced as you are, maybe he or she can use whatever he or she wants and still make awesome photos. Thank you again for this video, I really like the ambiance in your studio, it made my day ^^ Greetings. Denis

So glad you're back. We're all just starting to book our face-to-face shoots again now and your work inspires :-) I didn't stop shooting because I've been shooting remotely and lots of photographers asking for ripped jeans because of your pics :-D

please pay close attention to the lenses of choice... those are absolutely ammmmmaaaazing glass. and will not break your bank account

LOL its not about the gear, yet here we are :)

I finally got around to watching this, while I agree about most quality lenses and cameras don't have to cost $5,000 for a quality kit and to get good captures. I don't agree when it comes to post production. You can't shortcut on quality displays, basic core color management hardware and software, ICC Compliant processes and a proper editing environment. Too many users creating images and (I suspect) not properly seeing what's really in the file. At least I like to think that as the alternatives are that it's really their art or that they're motivationaly challenged. Be it MAC or PC the requirements are Postscript, GDI (it's called something different on a MAC) and ICC compliance for technology and a properly lit color balanced work environment. Unfortunately, you will have to spend some money, U.S dollars, a minimum of $1,500+ for a display, a minimum of about $1,500 for a PC desktop or about $2,000 for a MAC, a minimum of about $250 for a display calibration device, about $6,000 for a color calibration system that does display and print if desired. My work environment was another $8,000, for paint, 5,000 Kelvin lighting and dense window treatments. Any software that meets the core technology compliance will work, Photoshop, GIMP, PaintShop Pro, Photo-PAINT, a host of RAW converters and other image editors as long as they are not web based. Preferably applications that allow a medium gray or slightly lighter workspace, about sRGB 125 across the board and has an easy to use color management process. With all that said printing to an 8 color archival quality ink jet that has a proper gray balanced media profile using archival gloss, matte or canvas, an Adobe RGB image will print to that device and remarkably look like your display, I've done it for a living for decades. Unfortunately a very huge amount of images (95% or more) fail. I constantly hear " that image on your display doesn't look like that on my display", I being of poor people skills, say of course not, I have an $8,000 calibrated work station, a light controlled work environment and $85,000 calibrated output device. You have an inexpensive non color calibrated (MAC or PC) and you work in a bat cave using a black work space in your application. Fortunately for me my clients are almost exclusively architectural firms bringing me images and they understand the quality problem of the images that they bring me. Also after more than 4 decades I can pick who I work for and at 67 years old I'm now semi-retired.

One of the first shoots I did was a mock wedding shoot and there were a lot of pro togs trying out their expensive gear and I only had my 7100 with the 40mm f2. 8 lens. But after I had edited the photos and posted them to the meetup group the pro togs were jealous as my photos turned out better than theirs, not bad for a blinky tog 😎😎😎

It is a little harder to work with a camera and software you are not used to ?

Do you have or can you make a video on how to use the graphs on the left side of your screen?

A video to show that it’s not about the gear, to show that it definitely helps.

Of course it’s not about the gear, it’s about the model! She should change that hair for sure, but she can keep the amusing photographer guy.

A good photographer like you will take great photos with any camera but if you don't know how to work with a certain photo editor it makes your job quite difficult.If I saw these photos on the Net I would never say they where yours,the editing is completely different,you would have to spend a lot of time on this editor to achieve the same look. Love you work,thanks for this video.

Rara, Bec and any location or gear... these 2 girls will make you look like a 2 million dollar photographer... they bring down the house all the time!!!

Hi, Peter, you should use de new version from Capture One 20. In the High Dynamic Range are new tools that will simplify your research for the look without struggling with curves ;-) I love your video, and of course your photos ! Kind regards from Switzerland.

Hello Peter, do I understand correctly that you use a grey card for determining settings (aperture/shutter/iso) vs AWB? I was thought that the grey card was used for AWB. I am aware that AV priority or Shutter priority will darken light background and lighten dark background. But using the grey card the way you do is novel to me. Best regards. Roger

Hello peter, greetings from Peru south america. Thanks for showing all your knowledge here in youtube. The expensive gear work for some specific shootings, mostly comercial no doubt. Over here i use a pro-10 pack sometimes and fells like driving a sport car, nice and efective every time. When use a DRSL camera I only work with monolights. I was wondering if you can do a second part of this video using flash to show how to handle the metering with different size sensors. Im just starting with medium format with and old hasselblad and a brand new fujifilm GFX 100 and your videos help me to understand how to handle the light and the lenses for achieving diferent looks. Your work made me through this 90 days of quarantine with inspiration and sanity. Thanks man.

its strange that capture one has the controls on the left side. i could not work that way.

Love CaptureOne Pro 20 For full tethering. There only 2 True tethering software applications CaptureOne and Phocus.

I recall you can not get capture 1 to give you your look, so when tethering your Sony, what software are you using to be able to have images pop up on the monitor and allow you to change exp, curves etc

So, yeah, I agree that photography is about seeing and capturing the light to make an image that gets the job done. BUT, what all these shows that say "it's not about the gear...." seem to miss is this: The gear your using MUST be capable of getting the capture that you're after. For example, the stuff I've shot of eagles at the Conowingo dam would never be able to be captured on an iPhone. Nor would the low key shots of bikes and cars that I do. Yeah, it's not really about the gear, but the gear is an undeniable part of the equation.

In this video, Peter was using Capture One. What editing program does he usually use?

Their idea of cheap is put of reach of the average person. Cheap is, a £250 camera with a kit lens.

My expensive gear makes my workflow faster and much more efficient but in no way makes my pictures better. You can use an axe or a chain saw to chop down a tree. End result is the same, one tool was more efficient depending the type of tree.

I also can't tether my Sony a9 to my PC. I don't think it's an osx problem

Thank you for the great video! What Camera has the best skin tone on your opinion?

Great video, had to laugh in the beginning, hehehe !! First thing I turned off in C1 and LR (where it is even worse) is sharpening. I don't understand why they do it by default. We can figure that out ourselves,. I even wonder whether it has more of a Marketing usage than Photographic usage, like (out of the box) look how sharp we make your image. BTW you should update your C1, that is a rather old version (in software age ;-) Interesting, I agree on the RGB filter slider and will again ask the C1 development team. Underlying message is, invest in good or at least, decent lenses, camera's are second. Thanks for sharing !!

Wow, just about caught this the second you guys uploaded it. Have been looking forward to this video for a while so cheers.

Hey Peter! Thank you for all these videos. Been great watching these during the pandemic. I know you shoot mainly Broncolor but a lot of your videos show your Profoto D2's. For most of your 1-, 2- and 3- light fashion portraiture and editorial setups, are you using the 500 ws or 1000 ws strobes? I'm waffling. Do a mix of studio and on-location work. Just curious.

Just came across your channel a short time ago and enjoy the content. It is informative and entertaining - a winning combination. Just coming back to photography after a 40 year break, so I am interested in the technology as I think about a good starter camera to move beyond a cell phone. Do you have opinion on mirrorless vs. dslr? The type of info presented here is very helpful - thanks!

It's not about the Zeiss either ;)

In other words it is about the gear. Lol

QUAND UN SOUS-TITRAGE EN FRANCAIS MERCI

It's not about the gear, but without good gear it kind of sucks..

What gimbal are you using Bec?

I watched this entire video and basically the model is making the image. Oh and 1000 or more for a lens I would not exactly call cheap. 1000 or more for a lens are really good already. Literally impossible to make a ugly image when someone has that good a skin/makeup. Oh and most people use a lens that costs 200-300 or less.

By the way, how come you're still on C1 12? Capture One 20.1 has been out since mid may. 😊😊

Hi Peter Your bedroom has no ceiling 🤣

As someone who has been a professional for 20+ years I’m over the idea that gear makes a huge difference. It can make your life easier and maybe give you more options. But (here’s my but) I think having a professional model in front of you all the time makes a huge difference. Not trying to bust your chops about that. But I see new photographers shooting with models thinking they’re awesome and they never learn how to direct or make average people look good. I encourage new shooters to shoot people they know who aren’t models. Personally I’ve shot portraits for years and just recently I’ve been shooting more models. It frees me to concentrate on other things not having to work with a non model. So I get it. For me, it would be more interesting to see you shoot a non model or a very new model who needs more help.

What?! No safety gear?!

But but you have that expensive studio stand, AND a studio ,AND an expensive tripod head, and a tethering cable, and Capture One Pro, AND a laptop, AND a Sony camera. Make the same image with a .1 MP camera in a dark closet.... :(

Not about the gear, it's about having a great model. Do you ever take any normal people images?

it's about the chicks. huuuh? amirite? high five.

He made the picures, but he didn't look comfortable.

Peter i think your girlfriend RAra is wearing your pants lol t-15.00 nice pictures

Funny tittle. Looks like it is an idea for shoot. With this tittle you would expect heavy talk on how gear doesn't matter but funniest part is that it is like mood board sentence for inspiration or a direction of shoot :D . And it means that cheap lighting - window. No expensive gear - reflectors, 50mm 1.8 lens. You made a joke from this time of videos by making mood with this idea: gear doesn't matter.