I have no music theory knowledge whatsoever, but I love when someone as talented as you are is able to articulate in details why these brilliant musicians make me feel they do. Thank you and thank heavens for Radiohead.

For me, the most satisfying, and forever rewarding aspect of Radiohead's music is the anticipation. This song is eternally rewarding

I really appreciate you. From NIN and Björk, to Radiohead and Aphex. You seem to tap into my idea of modern day "classic" musicians and make me appreciate songs I"ve adored for decades all over again. I love this channel so much.

Im so glad a person from your world discovered and fell in love with this band, this sort of breakdown is so much larger and detailed than i could of imagined. Your really special and your contribution to this scene is not taken for granted.

One of the best songs ever written. Top 3 in my opinion.

I've been waiting for the Exit Music breakdown since the OK Computer series began. It is absolutely top 3 on the album for sure!

This song has always felt more to me like a prayer than a song.

Radiohead gave me a plethora of emotions. I wanted to feel them all. Emotions that are hard to explain in words. A modern rock genius made with precision, knowledge and love

I love breakdowns of music like this because I’ve always wondered how music works and how it captivates an audience

The most epic track on OK Computer. Haunting.

I barely understand a thing you're talking about but I could still listen to you all day

It’s funny how someone before referenced you as “ someone from your world” but they are not wrong, you exist in a world of knowing theory, but having a great understanding and sharing capacity, I really am glad I stumbled upon you. And I love the way you teach music.

Awesome video. And I'm sure I detected tears coming through at 28:25. That is what makes this song so beautiful. The depth of emotion. I've always felt the "And you can laugh..." section was like a final ray of hope before it's finally extinguished and the lovers are both dead. The power of chord changes is amazing sometimes.

OMG the Chopin prelude is next on my piano learning. Yes.

That foray into A minor … 1) it has some similar melodic steps to the second section of “Paranoid Android” and 2) I have sung an additional line during the second “Breathe” where I sing C with Thom then up to a D and back down to C. I have relearned that the interesting chord sequences arise out of the melodies. The “you can laugh” section … you can call it a three-voice counterpoint and I think you can even call this a fugue.

There's a lot of Music out there that gives me goosebumps and makes the hair on my arms stand up. Sometimes certain changes even give me butterflies in my stomach like I'm on a rollercoaster. I don't know anyone else who is affected by Music this way.

Thank you so much, Ixi. Great analysis. I love that you take your time when explaining musical concepts.

If the first 4 OK Computer analyses are any indication, I really can't wait for Let Down, my favourite Radiohead song ever, and one of my faves of all time❤

Another masterpiece from an amazing album. The light-year jump they took from The Bends (a great album) to OK Computer was amazing. I always considered OK Computer to be not only the best Album of '97, but the best Album of the 90's. At this point, I consider it one of the greatest Concept Albums of all-time but also one of the greatest Rock Albums of all-time.

Excellent analysis! I learned so much. Tragic! The flat sixth! The secondary dominant resolve feels so like Beethoven. Brilliant.

"You can laugh A spineless laugh We hope your rules and wisdom choke you Now we are one in everlasting peace" lyrics to live by

Thank you for making these type of videos I learn so much from them

God, your enthusiasm and ability to communicate broadly is so damn irresistible! You have good taste in music, too. ;)

Probably my favorite song off of this album. Happy youre doing this one, this ones sick

So happy you mentioned the Floydiness of the drums (my ears always pick out that reference). It's in the latter half of the bass line too. It's like the whole rhythm section in the crescendo seems to be referencing parts from Saucerful Of Secrets / Echos / Live at Pompeii in this track. Two of my most favourite bands at their most magnificent best coming together. I love it.

The build up by the end is one of the most beautiful pieces of music ive ever heard

Best. Music. Teacher. Ever!

It's always extra fun when Ixi is "in a mood" 🖤

I loved how you went through the entire music, talking about every small detail. Amazing! Thank you!

God I love you

From a production standpoint, I need to know how Nigel Godrich got the vocals to be so massive and in your face.

It is INSANE how thom can have such a harsh yet soft voice, be piercing and quiet, be rough but somehow pretty(?) You wouldn’t think it at first but he might be one of the greatest vocalists in the industry

Love you ixi, keep up the great work!

15:47 This otherworldly sound is a recording of children played backwards. In live versions, Jonny slides a coin up and down his guitar, and uses a Roland Space Echo pedal

I've been waiting for this! Yaasss

You're so good! Thanks for making these videos!

Your breakdowns are the best! And this song is a knife to the heart

Thank you for breaking this down! I love learning from your videos. You cover my favorite bands and songs that I actually want to learn. Thank you for this

amazing breakdown! Thank you!! Just earned a fan!!

You are a true lover of music! Thanks for your heart felt analyses!

Love this series so much. Covered this album with some friends back in 2017 and watching this still shows me things I didn’t know!

It's so enjoyable to see SOMEONE ELSE geeking about about this chord progression. I'm usually the only one I know seriously geeking out about the structure of Radiohead's music.. and I especially geek out about this song. Another one I geek out about is Faust Arp. Which might seem kinda strange because it's a much smaller feeling song in a lot of ways but the chord progression is SO GOOD and SO CLEVER! Anyway... it's a joy to witness someone else geeking out about Exit Music. And in case no one has mentioned it yet, that sound design you're talking about that comes in during the 3rd verse, that's a loop made of Jonny scraping a guitar pick across his strings... Live he uses a delay pedal. I'm not sure if the studio version is something he made using a delay pedal which they then made a loop of in Pro Tools or what.. but it's definitely a loop made up of multiple layers of Jonny scraping a guitar pick across unfretted, muted guitar strings. Sounds like wind, which I'm pretty sure was the intent. ALSO.. it's not Jonny's tremolo.. it's Ed's tremolo! lol Jonny is playing the Melotron during the big section.

I first came across your channel searching for Avril 14th analysis and I'm so happy to rediscover it with a bunch of recent Radiohead videos! Keep up the great work!

"Romeo and Juliette". It's the exit music to Baz Luhrmann's adaptation of the play. And it's my favorite song on that album, which is a weird thing to catch myself saying, that album being one long series of awesome. Nice. You even said "bard". Brilliant! "We hope your rules and wisdom choke you and now, we are one, in everlasting peace, we hope that you choke, that you choke." Wow, frisson. I just love it so much. And playing and singing it is just the most satisfying experience available to the average musician who's ever had a bit of a rough time with romantic love. Or any musician for that matter. Amazing. Thank you for doing this. For reminding me.

Thank you for such detailed analysis, ixi 🙏

splendid... i love your explanation

On the 3rd verse, the weird background you hear that sounds like humans in trouble, I’m pretty sure that’s just Jonny rubbing his hands on his guitar strings. I think I saw it in a live performance once (I can’t remember which one 😞) Not sure if they did the exact same thing in the album version but that’s how they play that part live 🤯 freaking sweet👍🏻

Love all your videos!

Amazing analysis

Superb. Love your whole approach 😊

This is so good! I can't wait for Let Down!

Saw them live at Thunderbird stadium for ok computer 🖥️ tour. This is one of my faves. Tragic and heavy and classical. Nice work getting Chopin in there!

I wonder what Exit Music would sound like with a real choir. Must be surreal.

Wow! I had to just log in and tell you how great you are! Haha! I'm here drink vodka...and put "reation" in front of random songs i like....and i did THIS song...and you came up.... No shade at any other "music...or vocal teacher" on youtube..., you....actually break it down. and explain. and ong! i'm in class now...i'm writing notes...MhM yes Ms." I apprciate this so freaking much. *sub'd automatically

Fantastic breakdown. The 'chorus' section always sounded jarring to me with that sudden key change, but then again, it has a flat6 in it, so all is forgiven. Great song.

Great content as always. I feel like I have to say that it wasn't Johnny's tremolo but Ed's. Story goes, too, that he came up with the trem melody in like five minutes in the guitar booth just before recording it. It's one of the band's proudest moments 😊. There's mention of this in interviews during ok computer era. Johnny only plays mellotron here.

Thanks! Your Radiohead vids capture the wondrous nature of music, further my appreciation of the band's genius and help me breathe.

Nailed it again! Colin’s running bass lines you mentioned remind me of a baroque minor fugue.

One of my fave Radiohead songs, the classical feel, the cadence of "hope that you choke" and the mellotron choir are high points. In shuffle mode my ipod has back to backed "Exit Music(For a Film)" and Air's "Suicide Underground" from the Virgin Suicides Soundtrack. That was an interesting walk home from the Grocery Store! I don't play an instrument but I have a good ear (tonally) and appreciate your explanations even if I don't fully understand. "Long live the Flat Six"

I love your stuff. I played sax in high school, learned major scales, and played guitar for a while afterwards. An A major to A minor open chord on guitar is just an index finger change but I never really got it in theory. Thank you so much for teaching and making learning fun.

You absolutely have to smile when you play a Picardy third. Ne'er a truer word .... ☺️

The array of music that you’ve gravitated to here on your channel, leads me to believe that we were soulmates in another life.

i first heard the song during the closing credits of "romeo + juliet" from 1996 as i didn't think much about it but when "ok computer" album came out and heard the song again. i was just enthralled by it as the song also had these elements that was obviously influenced by pink floyd.

@ixi music I think I found my musical kindred spirit

You're amazing.

Genesis used to use that choral melotron sound and every time it made the hairs on the back of my neck stand on end - a few good examples of Trick of the Tail album.

Thank you for this, I am now intelligent Radiohead listener

Thanks Ixi, you had your own little sus at about 24 min about the bass line but it resolved. I loved this so much.😊

Thanks lizard brain, you have to smile. Hope you keep doing these.

It's always reminds of the spaghetti westerns quietest moments and Carlos Jobim's "How Insensitive". This band are separated from everyone else because they're influences & ears are so much bigger than everyone else.

I saw Thom and Jonny last Monday. I was standing in the second row. I've seen Thom in some form with and without Radiohead six times. Last Monday night I just stood there thinking how this one human has created such beautiful music. He's as good a musician as Lennon or Bach even. To be so fortunate to stand watching such a force was almost too much for me. I hope to do so again.

Maestra!!!!! Thank you very much

Thank you for your wonderful analysis of my current favorite Radiohead song to play. "Lucky" from the same album is fast catching - I would love to see your analysis of it in the future. I'm working on playing it on the acoustic guitar, and it is so simple but sort of wanders down a path where everything is right and wrong, you can just play the strings you feel fit, throw in a sus2 or sus4 here or there without damage, drop in a 7th, even do a bass waling in semitones for a beat or two and it still hangs together. So much room in the song, such brilliant fun.

The CD book brings back so many memories

Hi! Wow, this is a fantastic explanation to the chord structures in this song. This song has always fascinated me no end!….Ive been playing guitar for 30 years (never had a lesson) and I have my own compositions and you have made me realise that I am actually doing this stuff! I have a pianist involved to and plays like Jonny Greenwood, I’m sure we have something beautiful musically but have zero means to get recorded properly (seriously) at the moment anyway😢..we’re trying though….I’m trying to say that you have given me inspiration to carry on by indirectly reassuring me what my music is saying/doing…thank you 🙏

Love this song as I play average keyboard and guitar. Lovely and easy to play and sing on guitar. I loved hearing the music theory behind it😊

you cover all my top favorite bands and not by coincidence either

That human sound you allude to are children playing in a playground but the sound is so distorted , it does sound unsettling. To me it conjures up the sound of voices from the underworld.

I love the cover version of this used right at the end of Westworld Season 1's final episode. Check it out if you haven't heard it. Just look up "Exit Music - For A Film (Westworld Soundtrack)". It's out with just acoustic piano and i think a high solo cello or solo viola melody. You can also get a clearer idea of what's going on because it's much cleaner sounding. One caveat though, this is only true at the start, because then the Westworld theme gets worked into there beautifully as it builds so it's not an authentic cover anymore.

Thanks

Unbelievable, i covered this song, thought wow what clever chords. Ill Nashville chart it out and got so mixed up with fonts i thought maybe a youtube video would explain this to me. After secondary dominates i was lost. God i wish i had this education 20 years agao

It has a cowboy vibe to it. Enino marricone vibe. Plus johnny cash. With some harmonic minor classical thrown in. A brilliant track muse got their sound from this song

that part you talked about that was vaguely human and unsettling-it’s children playing at a playground, played backwards. always sounded a bit like otherworldly seagulls to me.

In the background towards the end, there’s a looped sample that’s quite hard to pick out. It sounds like kids playing, but (and this may be a conspiracy theory developed by me and some friends in school in 2001-hearing what we wanted to hear) on beat four it *really* sounds like they say “Kid A.” Edit now that I’ve listened back: you can really only hear it on the last “We hope that you choke” right before he sings “we hope”, and then again just after the last “choke”.

Jesus.. ive been in love with them since i heard ok computer in highschool, but ive never listened to a breakdown like this before.. its amazing to be able to fall in love with them all over sgain, with the addition of my puny brain lol🙏🙏🙏

'Orion' by These New Puritans is another track with great use of a creepy artificial choir

20:30 that C major in the context of Bm acts as a Neapolitan bII. Usually in classical music you'll find them in first inversion (see bar 4, I think, of Beethoven's Moonlight Sonata, you'll find a D/F# in the key of C#minor. It's almost always followed by a V chord, in the case of Moonlight, G#

The switch between C and F# is very dramatic but works quite well in that they have a similar pull back to the tonic - the C has two notes that can resolve back to Bmin in one diatonic move (plus one that's even closer to its destination) and the F# also shares this quality. I'm not too well-versed in tritone substitution, but it's a similar principle of taking what is already a very tense chord and replacing it with something a tritone away to create even more tension - that tension rises even more when you delay the resolution and play both the substitution and the actual dominant chord as in they do in this song!

“You have to”

I actually heard Exit Music for a Film from the Romeo + Juliet soundtrack before I heard it on OK Computer and it certainly fit the themes of that movie, ha.

I would love for you to start a deep dive into the early Coheed albums!

The transition from the C major to the F# major is similar to the tritone substitution, except that the chords don't have major sevenths. I think that's what I would go for in an analysis, although it's not clear-cut.

that new keyboard has some sick sounds 🤘🤘

i always saw this song as a sad music box song Like The Seatbelts' Memory.

I tend to focus on the bass line at the end when listening to this track that, although I have heard Johnny's tremolo part, I never listened to it closely to notice the notes he's playing. The D he plays towards the end of the final descent really hit me. I love this song even more now.

Great analysis, Ixi! For anyone else wondering - the quote in the beginning refers to the 1968 version of Romeo and Juliet - en.wikipedia.org/wiki/Romeo_and_Juliet_(1968_film)

Stabbing Westward "Shame" pleasee¡¡¡ for me, one of the best songs ever¡ great job¡¡

Chorus ‘never comes back?’ It does repeat. Great break down though, this and ‘Lucky’ are my stand outs on the album.

Yes!!!!!!!!!!!!!!!!!!

Great break down, as usual. Side note, I never noticed the esperanto text with the illustrations : (injektilo, dangêra, meaning needle, dangerous…)