J.S. Bach - Cantata BWV 42 "Am Abend aber desselbigen Sabbats" (J.S. Bach Foundation)

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From the protestant church Trogen in Switzerland
Choir and Orchestra of the J. S. Bach Foundation
Rudolf Lutz - conductor & harpsichord
Soloists
Ulrike Hofbauer - soprano
Irène Friedli - alto
Bernhard Berchtold - tenor
Markus Volpert - bass
Johann Sebastian Bach - Cantata BWV 42 "Am Abend aber desselbigen Sabbats" (On the evening, however, of the same Sabbath)
0:00 Concert on 17.04.2009
0:44 Sinfonia
6:50 Recitative (tenor): Am Abend aber desselbigen Sabbats
7:22 Aria (alto): Wo zwei und drei versammlet sind
18:57 Chorale (soprano and tenor): Verzage nicht, o Häuflein klein
21:30 Recitative (bass): Man kann hiervon ein schön Exempel sehen
22:20 Aria (bass): Jesus ist ein Schild der Seinen
25:56 Chorale: Verleih uns Frieden gnädiglich
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For further information on the Bach Foundation, go to: www.bachipedia.org
The complete cantata, introductory workshop and reflection lecture (in German) is available at: www.bachipedia.org/werke/bwv-...

Пікірлер: 77

@wuillymay8815 8 ай бұрын

I think this is the best Bach people on the internet

@Bachstiftung 4 ай бұрын

Thank you so much.

@JOSEANTONIOFLORESVERA 2 жыл бұрын

Excelente. Modesto entorno, pero una grabación magnífica en cuanto interpretación, sonido e imagen. Gracias por compartir.

@navrozelalkaka8457 3 жыл бұрын

As always........euphoric! Gorgeous! So quiet, so gentle, so soothing, so splendid! For the millionth time, thank you all from the bottom of my heart.

@daleevans45 4 жыл бұрын

I hope J S Bach foundation invites Irene Friedli for future performances. Such a lovely voice and played so well by the oboes!

@wuillymay8815 8 ай бұрын

Handsome how they play Bach. Yeah, you play Bach like that.

@tarakb7606 4 жыл бұрын

Fabulous! One of the best Bach Cantatas IMO.

@ronwalker4849 4 жыл бұрын

THIS CANTATA MUSIC JUST COULDN´T BE ANY BETTER. SIMPLY LOVELY- PERFECT WAY TO START MY DAY.

@johann-sebastianbach2839 4 жыл бұрын

Vielen herzlichen Dank an alle Interpreten, besonders an die Altistin und die beiden Oboen, auch an Sie, Herr Lutz und Herr Hummler! Diese Musik ist nicht von dieser Welt, sondern von der nächsten!

@wolsch3435 4 жыл бұрын

muß Ihnen leider widersprechen: diese wundervolle Musik ist ganz von dieser Welt ! Erdacht und dargebracht von wirklichen Menschen für Menschen.

@redbrian3655 4 жыл бұрын

The oboe duet was so wonderful in "Wo zwei und drei versammlet sind". I love Ms. Friedli's sumptuous alto voice...very pleasing to my ear.

@ulrikekanus4278 4 жыл бұрын

Seit ich die Kantaten u Workshops von R. Lutz u seinen Ensembles kenne bin ich hingerissen u immer begeistert, wenn ich sie höre. Sie tragen nicht nur durch die Coronakrise, sie inspirieren u machen jeden Tag zum Feiertag u zum Genuss. Die Hingabe u Qualität mit der R. Lutz arbeitet, musiziert u einführt in die tieferen theologischen Hintergründe mit dem Experten "Karl" ist überzeugend u sehr bereichernd. Ulrike Kanus Sulz a. N.

@joelle030944 3 жыл бұрын

@@ulrikekanus4278 Après Trogen, courez à Leipzig pour les Bachfesttage, dans l'atmosphère toute baroque qui baigne la ville (partie ancienne) ces jours-là; et puis allez à Erfurt, Eisenach, ou Wiessenfeld...

@carltonafghan 3 жыл бұрын

Bach is more than a genius.

@Laoxiao 3 жыл бұрын

This has always been one of my favorite cantatas. As much as I hate such beauty contests, I've just listed to this version against 3 others that I've held dear over many years and find it utterly irresistible - every vocal soloist, every instrumentalist and of course the overall direction under maestro Lutz - all of it is perfect. My favorite: "Verzage Nicht", such an odd, syncopated seemingly improvised dream ensemble. I am beside myself. Thank you!

@paacer 4 жыл бұрын

Those baroque oboes are absolutely beautiful sounding , especially when duetting with Irene .

@AJH.1957 Жыл бұрын

Another magnificent interpretation. Congratulations to all. Special for Irène Friedli, a beautiful and unusual voice. The capture by the microphones is absolutely accurate.

@cristinabergamini6475 2 жыл бұрын

esecuzione eccellente i due oboi e il fagotto che spiccano sul ripieno degli archi danno alla cantata una piacevole serenità soprattutto nell' aria con il contralto. tutti magnifici . grazie infinite .

@aneashumm203 3 жыл бұрын

Was für eine Wonne, solch einer Aufführung übers Internet beiwohnen zu können. Himmlisch.

@wolframheck2717 2 жыл бұрын

Kann dem nur zustimmen. Mir zerfloss bald mein Herz. Ich bin/war selbst international als Oratoriumssänger (Tenor) + als Sänger im Staatstheater Wiesbaden und Alten Oper in Frankfurt tätig. Wer bei solchen Klängen/Harmonien nicht ehrfurchtsvoll Gott, als seinen Schöpfer erkennt, ist nicht Wert, diese Musik zu gestalten !

@vel2677 Жыл бұрын

@@wolframheck2717 Oui! Sinon il est impossible de bien chanter et jouer cette musique divine.

@michelecapitoli3944 4 жыл бұрын

L'immenso mare delle cantate di Bach costituisce un "campo di gara" tra i migliori interpreti. Tra questi, senz'altro, primeggia la "Schola Seconda Practica". Stupenda esecuzione di questa meravigliosa cantata!

@andrewashdown3541 3 жыл бұрын

One of the most accomplished of all the Bach cantatas IMO - an unfolding, dramatic structure which never cease to inveigle

@karstensturm4198 4 жыл бұрын

Dieser Lutz und seine SängerInnen sind einfach klasse! Die Oboisten auch. Danke schön.

@powerliftingcentaur 4 жыл бұрын

Utter genius, on the page, and in performance.

@massimilianobelloni5613 4 жыл бұрын

Beauty and joy

@user-vu5tk3fp3d 4 жыл бұрын

Fantastic! 👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏

@Bakho.N 4 жыл бұрын

Magnifique ! Nous rêvons du temps où l'on pourra revenir à des concerts 🌹🌹🌹

@frenchimp 4 жыл бұрын

Bach, reviens !

@hanspouwwernekevhm 3 жыл бұрын

Hans Pouw Werneke Von Hammerlage: Wunderschön!!!

@vincejessel9609 3 жыл бұрын

What a fantastic performance. Conductor and all musicians were superb

@ursel7773 4 жыл бұрын

Mein Herz geht auf! ♥️

@thomasheignlechner6604 4 жыл бұрын

Wursel 77 a

@lydiaheil6065 Жыл бұрын

Vielen Dank! Wünsche Ihnen Gottes Segen.😊❤

@ulrikekanus4278 4 жыл бұрын

Ich habe keine bessere Aufführung dieser Kantate gehört. Qualität, Schwung u Hingabe begeistern unglaublich. Immer wieder inspirierend: Bach by Lutz. Ulrike Kanus Sulz a. N.

@javierperez6774 3 жыл бұрын

Esta cantata es maravillosa, otra faceta del gran Bach. Pero lo que me impresiona siempre en Bach es su inspiración divina, en el aria la fluidez el espíritu , la armonía con que todo la orquesta y la cantante tienen esta fuera de este mundo!!!!

@corradoperonelli5091 3 жыл бұрын

Semplicemente meravigliosi, e ovvio, meraviglioso Sebastian.

@AlexandreSantos-gu1qd 4 жыл бұрын

Maravilhosa!!!!!

@patriciarodriguezmartinez3233 4 жыл бұрын

Una maravilla. Gracias

@ursulawerren2683 2 жыл бұрын

Deliciosa presentación, sentida, claramente expresado cada uno de los mensajes. Gracias a cada uno/a de ustedes por su entrega, dedicación y expresividad. Bendiciones.

@annieblochjohansen7970 4 жыл бұрын

For mig er det altid en god dag, når jeg har hørt Bach

@bobh5087 4 жыл бұрын

Perfection. 👍 ❤️ 👏

@toniotonio4366 3 жыл бұрын

Irene Friedli possède une voix chaude dont l'émotion contenue est irrésistiblement communicative: du très très grand art dramaturgique. Je n'en connais pas d'autres que Cecilia Bartoli ou Julianne Baird ...

@rocketsroar1 2 жыл бұрын

Somewhat like running through a vast field of wild flowers.

@beatschlapfer1701 4 жыл бұрын

Grossartige Aufnahme !

@frogmouth 4 жыл бұрын

Excellent

@stephenritchings8135 4 жыл бұрын

Oh, Heaven. Herr Lutz really has it goin' on---as the kids say.

@thomasmrf.brunner 4 жыл бұрын

Welch eine Aufnahme - Danke ! J.S.BACH :"Wo zwei und drei versammlet sind" BWV42 (1725) kzfaq.info/sun/PLfdMKJMGPPtxd1N1wuFv73UqnsBveNNOb

@TheOneAndOnlyZeno1889 3 жыл бұрын

I prefer the Sinfonia taken at a slow and melancholy tone, but this performance is still good none the less.

@3andreinikolai 4 жыл бұрын

Неrzlichen dank

@javieramundarain7163 3 жыл бұрын

Bravissimi!

@mebsajerodepaz1 4 жыл бұрын

También a Nuestro Señor le gusta lo un poco menos solemne pero tocado con el corazón.

@prototropo 3 жыл бұрын

Performances of Bach, especially recently recorded and posted by Dutch snd Swiss ensembles, have reached true excellence, under learned command over works of a composer who single-handedly vindicates the notion of layered civilization, sublimity in art and poly-geared meanings for an emotionally literate, globally humanist audience. For many of us, a season subscription to a cosmopolitan orchestra, dance or opera company is heaven on earth, but economically unavailable all the same. So for a brief, undeserved hour, baroqueros from Santiago to Shanghai, Stuttgart to San Francisco, are given asylum in the Edenic ombra of an Arcadian arbor, between the Elysian Fields and slopes of Olympus. High Culture may have fallen with Atlantis and Illium, but Utopia has been rediscovered and excavated on KZfaq. Period woodwinds intact! All of these dreamy incarnations transport me to a reckoning of history--that the glory of tonal, lyrical, triadic polyphony between choir and chamber orchestra, honoring the architectural directives of diatonic counterpoint in the German Enlightenment, occupy the apex of pre-industrial history. For these riches to remain beyond the experience of school children is really a poverty of social intelligence in our time. If a love of Bach is lost over the next few generations, and with it a deep understanding of what Bach gave the world and how he made those gifts, we face our own shame i n absentia. And what we stand to lose in Music equals the loss of an Amazon, the Great Coral Reef, a Patagonia or Borneo Highlands. Citizens of the Future will revere Poggio and Mendelssohn for their preservationist heroics. But they will shame us for eternity, deservedly, if we degrade the power and glory of Johann Sebastian.

@sednahbellick2059 Жыл бұрын

Excellent!! Bach himself would approve. I'm sure he'd be confused about the abundance of female performers though.

@marcogiusti1358 4 жыл бұрын

Una altra cantata dove JSBach usa quasi sicuramente musica precedente, ora persa (forse meglio scrivere non ancora ritrovata) La sinfonia e' veramente tale quale un movimento di concerto e pure la aria per alto sembra il movimento lento di un concerto (lo stesso?) E' questa aria meravigliosa, certo la cantata e' come dire sbilanciata pero' questa aria la rende immortale

@giovannitarantino1955 4 жыл бұрын

The sinfonia makes me think that Bach could have uesd it as the first movement of a double, or even triple concerto (if we consider also the basoon). However, today we can't say nothing about this, because we don't have any manuscript or copy.

@marcogiusti1358 4 жыл бұрын

La sinfonia di apertura deriva da una perduta cantata profana intitolata Der Himmel dacht auf Anhalts Ruhm und Glück e catalogata come BWV 66a, composta nel 1718 per celebrare il 24esimo compleanno del principe Leopoldo di Anhalt-Köthen

@giovannitarantino1955 4 жыл бұрын

@@marcogiusti1358 Si, era questa una pratica assai consueta presso Bach, il collegamento profano-sacro era una soluzione molto efficace per produrre nuove cantate sacre a cadenza settimanale. Ciò che mi chiedo, è se Bach abbia utilizzato la sinfonia di questa cantata, similmente ad altre, per un ipotetico concerto doppio o anche triplo: pensi alle associazioni BWV35-BWV1059, BWV146-1052, BWV156-BWV1056, ecc...

@marcogiusti1358 4 жыл бұрын

@@giovannitarantino1955 possibile Basta vedere cosa ha fatto per gli oratori, per la messa in si minore Pescava qua e la' nella sua musica secolare di Weimar e Cothen, e chi puo' dire quanta altra di quella musica e' stata riversata nella sacra e dobbiamo ancora scoprirlo, tipo il preludio per violino che diventa incipit per organo nella 29 La ipotesi che fai e' realistica

@flemmingranch8777 4 жыл бұрын

Dejlig munter musik og en meget flot solistoptræden ......

@enriqueianez1996 4 жыл бұрын

Una soberbia cantata que tiene signos de proceder de reelaboración de un concierto previo. Magnífica interpretación, marca de la casa

@gervaisfrykman266 4 жыл бұрын

He won. He went at a faster rate than anybody else in the sumptuous sinfonia, and so he reached the line first. I count it an error, almost unknown in this excellent musician.

@rdbchase 3 жыл бұрын

You are correct.

@franciscoespinozagamboa6490 4 жыл бұрын

Estamos acostumbrados a escuchar la Sinfonía inicial, a un tiempo mas lento, lo que le imprime un carácter mucho mas solemne.

@jakobgrit4105 4 жыл бұрын

Weer een Bach kantante op z'n mooist👍

@rdbchase 3 жыл бұрын

Bachstiftung's cantata renditions are stellar, this one included, but I have to take exception to the tempo of the sinfonia; it's just too fast.

@Laoxiao 3 жыл бұрын

I agree when listening to other, slower, versions. Until I come back to this one which works so well.

@mach1chap 3 жыл бұрын

As far as I know, and some people think that's not much, Bach didn't put tempo markings on his scores. The tempo is established by the relationship of the piece to dance forms, by the ease with which the musicians can handle the notes, by the relationship of the chosen tempo to the speeds of the other numbers in the work, and so on. Our concept of the right tempo (as listeners) is often coloured by the speed the piece was taken the first time we heard it/enjoyed it. This cantata has been one of the most widely performed/recorded of the Bach cantatas, not withstanding its technical difficulty (phew!!). But for many years only the sinfonia was available on record, and that conducted by Anthony Bernard, on a shellac 78. The tempo was much slower and, for me (as a child), evoked the still of the evening. That memory is still with me, so I agree entirely with you about the speed, tho' not for any musicological reason.

@fernandosanz4539 3 жыл бұрын

La sinfonia de esta cantata por ejemplo no tiene por que ser tan rapida, el cabildo le puso al compositor unos tiempos ¡lento tambien vale¿habeis probado, historiadores?

@Karlinberlin1 3 жыл бұрын

Alto sounds a little like Janet Baker. Focused lower notes, good top.

@georgebreidenthal725 3 жыл бұрын

The alto is really good. Preferable to a countertenor. Countertenors are depriving women of work.

@jeighlynn7657 4 жыл бұрын

Check out the tenor bwv 97,. Listen to violinists, look at the members of the choir, observe how the movement moves them . As far as bwv 42 is concerned, it is just tolerable only.

@alexreik424 4 жыл бұрын

the girl fiddler with long hair, two braids.....got to have her love