◈ J.S. Bach : Cello Suite No.3 In C Major BWV 1009 1. Prélude 2. Allemande 3. Courante 4. Sarabande 5. Bourrée I/II 6. Gigue 무반주 첼로 6곡 중에서 가장 아름답고 웅장한 느낌을 가졌기에 애호가가 많은 작품이다. 각 무곡마다 아름다우나 그 중 제5곡의 부레는 유명하다.
Пікірлер: 55
@Grace-qd8wv4 жыл бұрын
0:00 Prelude 3:24 Allemande 9:26 Courante 12:45 Sarabande 16:42 Bourree I & II 20:02 Gigue
@thebeautifulabsurd6 жыл бұрын
15:56 yes, this instrument deserves a kiss
@rabies51795 жыл бұрын
Lmao
@alessandrogerlo3 жыл бұрын
*smooch*
@quinto348 жыл бұрын
Anner Bylsma on the Stradivarius Servais is the best Bach Suites recording I've heard by far.. Every time I hear it, I can not believe how good it is!
@dipitous96474 жыл бұрын
Normally I have to go into thumb position to play this piece but he doesn’t have to! That’s awesome.
@elizabethcsicsery-ronay16333 жыл бұрын
Me too.
@Js-pl2vi Жыл бұрын
Yes 😊
@siccovs21738 жыл бұрын
a great artist who is not able to play anymore :(. after 80 years he had to stop playing the cello! You will always be my greatest example and I am honoured to know to in person. You are a great human!
@siccovs21738 жыл бұрын
forgot to say I am from the Netherlands just as Anner bylsma is :) and I also play the cello now working on this piece myself!
@neponsetriver6 жыл бұрын
The tempo seemed to be all over the place.
@DavidKim-yn7bi4 жыл бұрын
Neponset River what is wrong with you?
@jamesji38693 жыл бұрын
@@neponsetriver it’s rubato
@elizabethcsicsery-ronay16333 жыл бұрын
@@neponsetriver Yes.
@ottoparts7892 жыл бұрын
His bow technique is beyond this realm. His control is amazing and his wrist is so fluid!
@affectus9427 жыл бұрын
This rather large cello made by Antonio Stradivarius was made in 1701. The former owner since 1840 was the Belgium celloist,composer François Servais. Halle,Brussels,Belgium. It stands now in the Washington Smithsonian Museum (USA). Occasionally it is lended out to other great celloist's such as the Dutch celloist Anner Bijlsma
@GiacomoBiagi7 жыл бұрын
are you pretty sure that this is not Bylsma's Goffriller?
@richie34083 жыл бұрын
when your hands are sooo big so that you don't even have to do a thumb position in the prelude.... dayum
@JobAur3 жыл бұрын
He does that swing at 19:51 he does it in the old recording too, I love that
@keithjohnson58744 жыл бұрын
I always loved his Bach recordings. I think of him as a great example of baroque performance practice.
@baroqueviolin825 жыл бұрын
RIP, Maestro !!! :( ♥
@ronaldthomas90577 жыл бұрын
Still very great here. But, feeling a freedom that has come with playing these works over a lifetime and the connection that is so very personal. No one should look at this a an approach to playing! Refer to the early recordings, which are full of harmonies awareness and sensitivity to the cello and the music as to easily forgive a note or two, both on purpose and not. And very courages to take all of this on at his virtuosic peak. The guy is a legend like Casals, Feuermann, Rose, Fournier, Gendron, etc. Look for his Souvenir de Spa right here You Tube. Just trying to contribute, thanks for your time! (I actually played a duo concert, years ago, with Bijlsma when Yo-Yo had go somewhere else!!! Life is weird....and Very interesting.....)
@pepperco1004 жыл бұрын
Oh, oh! -- does this cello SOUND awesome! Great performance! Salutes also to the recording engineer.
@3340steve5 жыл бұрын
Fantastic document of this beautiful music....Bylsma is a uniquely gifted artist....
@RussellKeatsRivas7 жыл бұрын
Thank you for communicating with us through your musical story!
@jean-marieboisbouvier66783 жыл бұрын
Le Maître Bylsma, sublime cette 3ème suite du génie JS Bach. Extraordinaire... Merci. :)
@isabellacorbolini72063 жыл бұрын
Che meraviglia! Ha una gamma infinita di sfumature, di sonorità. I ritornelli sempre diversi. Grazie per averci lasciato queste preziose registrazioni.
@UrszulaKrukowska-Byzdra7 жыл бұрын
Great interpretation
@dekenaatzottegem6 жыл бұрын
Great! An example of mastership!
@marcoantoniomarquesdasilva97395 жыл бұрын
Great interpretation with a great sound!
@mylesjordan997011 ай бұрын
Fabulous music-making❤!
@stepaushi4 жыл бұрын
I'm really tired of photographers who ruin the video by trying to make themselves the focus.
@elpidiofonseca8 жыл бұрын
Superb!
@joseluisgimenezperez9094 жыл бұрын
Demasiado Stradivarius.
@tjfamily92636 жыл бұрын
The greatest.
@nicolaslatorre89988 жыл бұрын
los humanos aún tenemos la esperanza de solucionar esto. gracias
@tngus99042 жыл бұрын
@joshuawesterman96848 жыл бұрын
Am I hallucinating or is he plucking the open strings with his left hand in the sarabande? Watch his left hand on the chords with an open C at the bottom.
@oberon068 жыл бұрын
+Joshua Westerman thats a trick that lower strings do so that the note will speak. because the string will already be moving from plucking it slightly the bow catches the spin of the string with ease. double basses do this all the time!
@joshuawesterman96848 жыл бұрын
I've never noticed that before! I've found myself doing this on viola on occasion but wasn't sure if there was any precedent for it
@saltag7 жыл бұрын
Lots of cellists do it, not sure about other string players though
@pablocaravacafernandez87624 жыл бұрын
0:00
@Str8Throwin8 жыл бұрын
What tuning is his A? Doesn't sound like 440
@rogermorse_8 жыл бұрын
+Juanito Ortega It's a baroque cello, tuning is usually 415Hz (which is about a half tone below 440Hz), but he is playing with a 430Hz tuning.
@Str8Throwin8 жыл бұрын
rogermorse thanks, mate!
@LukeABarnes3 жыл бұрын
Wonderful playing! Can someone explain his bow hold? He seems nowhere near the frog. Is this baroque style?
@juliaaraujoedlund44853 жыл бұрын
Yes, it is indeed! When playing baroque music you often use a certain kind of bow that was typical for the era, and therefore the hold is also different and higher up, just like his bow and hold. It gives the piece a more authentic sound/feel!
@bodyofmystery8 жыл бұрын
Wonderful! When was this performance given?
@albertkim78037 жыл бұрын
Maybe 2002 ..korea..
@trabouliste10379 ай бұрын
I like the interpretations from Bylsma, but it seems to me, that his over all used tempo rubato isn’t an adequate historic interpretation?
@paulinaleonardo65843 жыл бұрын
Like para el señor, hate para el maldito que puso anuncio a medio preludio. 🤬
@andenkondorzenzi70567 жыл бұрын
(sound) M I X ( = ) 1009 Roman/Arabic numeras
@elizabethcsicsery-ronay16333 жыл бұрын
I don't like this. It loses the contemplative aspect. It sounds rushed.