Gimbal VS Handheld - WHEN & WHY - Camera movement for CINEMATIC VIDEO

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Жыл бұрын

Gimbal VS Handheld - WHEN & WHY - Camera movement for CINEMATIC VIDEO
In this video I explain the WHEN & WHY behind gimbal and handheld filming so that you can make an intentional choice about using the right tool in the right scenario.
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How to choose between Gimbal VS Handheld, Camera movement for CINEMATIC VIDEO.
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Пікірлер: 508

@thomasbezuidenhout6201 Жыл бұрын

Met Jacques in real life, what an awesome humble guy . His passion is truly infectious and shines through even more when you meet him.

@lonnease6415 Жыл бұрын

Great overview! What this leaves out though is HOW shaky a lot of people's handheld footage is. The problem I see all the time in amateur filmmaking is overly shaky handheld footage. If you don't have solid handheld camera techniques or your camera has zero stabilization, for gods sake, please use a gimbal for ALL your footage including the "handheld" stuff. Then just be more smooth on the "gimbal" shots and your audience will see the difference and won't be throwing up or turning your film off...

@Ashishjohnson11 Жыл бұрын

This is amazing! When everyone talks about complicated gears or editing for film making, Jacques focuses on what is really important. Just by showing how much a simple handheld shot and a gimbal shot could show you two different emotions with the same place, lighting and with the same subject was incredible ❤️ This video is really informative and easy to follow for basically anyone 💯

@danielmcgeer7386 Жыл бұрын

Can I say Amen!? 😁🙌🏻

@Mrim86 Жыл бұрын

Not enough videos out there on psychology / purpose / WHY of camera choices. Great video. Jacques does it again!

@FinesseMediaPro Жыл бұрын

Curious to know how are you managing focus when on a gimbal? Are you set to infinity or are you using manual focus or auto focus? Thnx

@joyoffilming9500

Awesome Tipps!

@Qlimax_ZH Жыл бұрын

Whenever I search for a gimball, I never find the attributes you are holding in your hand @ 0.14 What are those called and where do you buy those? And can you attach them to every gimball on the market?

@astrayproductions

U nailed it

@uniworkhorse Жыл бұрын

I never really thought of handheld being able to convey emotion more clearly than gimbal footage, but this totally makes sense! I definitely have felt that over-stabilized footage feels much less authentic overall. But, as you said, being able to use stabilization to highlight the subject purely is super helpful.

@jlozano281 Жыл бұрын

You can tell Jacques is passionate about his work. Its the relentless attention to detail and the seemingly limitless energy.

@schwartzbrothersmedia Жыл бұрын

It's insane the amount of valuable information you fit into a 9 minute video, Jacques.

@AnthonyGugliotta Жыл бұрын

This video does an amazing job at verbalizing the things we as videographers and filmmakers do daily, but often don't think about. 100% will be sharing this video with others!

@gehrrman Жыл бұрын

The only filmmaker with heart and lots of love. Thank you.

@RhettandClaire Жыл бұрын

Awesome video Jacques, we just upgraded to the RS3 Mini. Totally agree that there is a time and a place for gimbal work! Also really love the handheld look!

@markthecre8tor Жыл бұрын

Moments always trump movement, another gem filled video from Jacques. I can't explain how much I learned from this very generous person. Now back to rewatching this again because there is a lot to unpack.

@chrisnigul Жыл бұрын

Jacques, in my personal opinion, this is probably the best tutorial you've ever posted. Ive been pretty good when it comes to choosing one over the other but never knew how to explain it to myself in my head lol.

@hugochichava Жыл бұрын

Jacques, you're a legend. The way you explain things is completely clear. Thank you. Been a fan of this channel for a while. Keep up the great work.

@WillN2Go1 Жыл бұрын

Good video. (No one covered anything like this when I studied film.) Your psychological/dramatic analysis is spot on. What I noticed about the handheld shots in your video is that my brain started to do what our brains do when we're walking around, smoothing the motion. This engages us making what's happening in the shot more real (enhancing the 'willing suspension of disbelief'). The extreme example is when a camera moves right to the edge of a building. (I've hung off mountain ridges, no rope - no problem. Approaching the edge of a building in a movie always scares the pants off me. ) So of course when handheld action became big in the 1990s they sometimes went overboard making it less engaging and just disruptive.