We grew up in better times, although it us grate to live in a time where you can find anything from your childhood online.

Whilst I agree with what you wrote, how you wrote it sounds like AI and I find it concerning... We already have a prototype Bishop running around?

Hello. I'm glad of such interest. However there's not much to say about it. Why I choose 1 music in particular? Various reasons. It depends of each. Sometimes I listen a soundtrack and see some potential to it and then it motivates me to do it. Sometimes I have it in mind for some time but didn't do it before because I felt there would have been a massive work time to it. Sometimes I wasn't much interested in the first place but then found out some interesting parts and trying to "enhance" it to make it more enjoyable. And then sometimes I love it and just want more of it (just like classics such Terminator, etc). As for the process, I listen to the whole soundtracks available (regular CD, deluxe, complete, recording sessions, etc) and pick up only the cues that interests me. Then, I sort of "compose" it in my head to see how all these pieces could work together. And I use the software Audacity to edit all of this. Then, Photoshop and Davinci Resolve for the video. I learned all of this by myself.

Réseau garde vous

Ready

oh yeah. A lot of Krystyof Penderecki-influenced themes in Aliens. Low, droning horns are a staple of both composers

But they mostly come at night… mostly

Game over, man....

Mostly

Same here~ Would love to have a Xenomorph modded in.

Not yet watched Cobra Kai Season 4 (mostly because someone here on the channel spoiled me with the name of the winner of the championship and loosing the surprise disgusted me to watch it for now).

Is it, for sure❤

It is, Horner didn't have time to finish the music in time for the movie to open so Cameron used this in spots. Horner was not happy about it and it, among other things, caused a big rift between them for a long time.

The 15:00 mark reminds me of Die Hard when Sgt Al Powell shoots the, “Not Dead After All” bad guy.

Your avatar is hot 🔥

Wow, that's A LOT...

Khachaturian always reminds me of Onedin line. The greatest tv show theme music of all time.

Indeed. I was going to write the same.

@@jkoblivion4175 kzfaq.info/get/bejne/jN5nhbqImJzblac.htmlsi=o2oFgbZQNnTL9hd- Haven't actually listened to this in an age.

Thx you for the link. You made my day :) @@davidthomas9190

As I've read somewhere, the director has put it in the final scene as a temporary production music. Then, he liked it so much that he kept it for the final product...

and in "patriot games"....... good music fits everywhere

I believe parts of it were in Kubrick's 2001?

@@John-cf5im The beginning of the film does sound a lot like the Gayane Ballet Suite from 2001, but not the same.

I'm not sure what you mean by "and Die Hard", but thank you.

15:01 that track of the soundtrack haven't been used in Aliens movie but It has been used in the finale scene of First Die Hard movie. Don't ask me the reason, but It was 😉

Weird. It's on every versions of the soundtrack. And James Horner is not the composer of Die Hard, it's Michael Kamen. But I have seen Aliens something like 30 years ago... can't remember.

@@GillesNuytens you told everything right but also read this: www.filmscoremonthly.com/fsmonline/free_article.cfm?ID=890 😉

​@@BasilicoIrish This quite intrigued me. So I searched and found this information: _The first part of the track "Resolution and Hyperspace" was not used in Aliens. However, the unsued section did appear in the finale of the 1988 action movie Die Hard (directed by John McTiernan), used when terrorist Karl emerges from the Nakatomi building after his apparent death and attempts to kill John McClane. The track was originally only placed in Die Hard as temporary source music until the film's composer, Michael Kamen, could write his own cue for the scene. However, director McTiernan liked it so much the track was retained in the finished film._ _McTiernan did not like a piece created for the final scene where Karl attempts to kill McClane, and decided to use a temporary track that was already in place: a piece of James Horner's unused score for Aliens (1986)._ Well. As much as I have seen both films, this particular cue makes me think of Aliens, not Die Hard, even if it was not used in Aliens but used in Die Hard. And, as it was composed for Aliens, it's still an Aliens cue 😄

As I said before, I don't have that soundtrack. And I didn't find it either online (except some youtube links).

What? 🤨