He is tho

Well, kiss already

Get a room you two

If you meet up, Zack should play to an OAA song to the best of his ability and you should play a jazz song to the best of your ability. Should be interesting and fun to watch! Keep up the good work both of you!

Gay

I DIED

@@jaspergillgannon4991 me too lol

I couldn't breathe for a hot min... 😂😂😂

You don’t sip on your cheeseburger? Smh 🤦‍♀️

😂😂😂😂😂😂😭😭😭😭😭😂😂😂😂😂😂😂😭😭😭😭😭😂😂😂😭😭😭😂😂😂😂😂😂😂😂😭😂!!

🤣

True words bro

SHUT UP PLEASE

Nah I've already claimed my here be for 50k ticket

Quite literally, because Chris is a robot

What is?

@@sigiriabeysekara8723 that’s what I’m wondering as well.

He said it’s illegal to play like that just joking around basically saying this is absolutely insane

PLEASE THAT WOULD BE EPIC

Make this happen please! Or Matt Halpern too

Oh god yes

This would be amazing

@Shigekishi wena panitaaa jajaja

Ayyyeee you the best

Joshua, you need to react to Anika Nilles - Greenfield kzfaq.info/get/bejne/rtWEoaypv8rXqp8.html

Bro I’m just tryna see all three of you guys at the same time, Group FaceTime would be hella nuts

Ya'll mind doing a collab? like the THREE OF YOU!!!! hahaha

I knew you’d be in the comments

As a metal drummer I can co confirm that at a certain speed you can’t put your whole power into each hit. First it’s waaaay to fast, second it’s way to exhausting. Just compare KIRMHs fastet double bass with ken bedenes or Kevin paradises. The last two one use trigger due to high speed. Well KIRMH does too, but his technique.. fffs you have to consider quite a few things. Speed, technique and effective power . If that makes any sense

@@diemunkelheit7477 Exactly, it all comes down to technique. I have seen quite a few drummers accomplish very high speeds with solid power, not using triggers. I don't use triggers and I manage a pretty good speed/power ratio. Of course there's those levels of speed where you're going to start losing power, but thats where your dynamics come in, knowing how to mic your kick correctly and the whole band having a good mix/dynamics. I'm sure you know all of this though. Either way, I don't knock triggers or drummers that use them. There's tons of logical reasons to use them. They're not really a crutch like a lot of people think, and I can't help but get a bit annoyed when you get those people that don't know anything about triggers, flat out say it's cheating to use them.

Triggers is for sound + articulation .... And tapping 😆

@@xenophagia I hope you don't think im saying they are cheating.

Second this

I'm a rock "drummer" but now I fall asleep to coffee shop jazz

A lot of metal music theory is heavily rooted in jazz music theory knowing this makes listening to and understanding jazz easier as a metal head.

You should check out a song called Grandfather by a band called The Number 12 Looks Like You. It’s a jazz song. It’s also a metal song. They’re doing a thingy it’s actually rly interesting

I’m sure he has hahaha

ok bet (NO)

Wooo

here before the 1, 900 views, 425 likes and before 500 subs. every f-ing time this dude uploads a vid, i just wanna procastinate all day just rewatching his vids.

bet

Aye

All time favorite this collab is a dream come true

Dude, I completely understand this feeling. I used to get that feeling all of the time, but as I grew more and more as a musician, and gained a deeper and deeper understanding of music both technically and emotionally, this feeling became less and less existent. I myself am a pianist trying to get into drums, and I'm assuming you're a drummer, but despite our different choice of instruments, I feel that this information will ring true to you as well. I've thought about this specific feeling a lot, and I think that it's a mixture of both the amazingness and pure awe that's gotten from listening to such amazing music, as well as the feeling of inadequacy to such amazing musicians. But as you learn to play for yourself and not care how good you are, it gets a lot easier to improve as a musician. But anyway dude, this is just my two-cenrs on your comment, because it striked my interest a lot! I hope you have a wonderful day Drakaus Dromgatti! Best wishes!

@@t.j.luther9970 In the simplest of terms it's a language. When you learn to speak you learn the letters. What letters make what words. How the words work together to form sentences then paragraphs. As time goes on you naturally start manipulating things into your own speech and slang. It's the same with music. You find YOUR sound and just go with that. Your body/hands are the tongue and your instrument are the mouth. You get to a point where you move from thinking about how to go about something. To thinking about what you want to have happen and just allow it to without any worry about this or that. Sometimes you might trip up a bit and maybe you'll accidentally say something you did mean to but it ultimately came out in a way you didn't think. If you slip up you just play it off like it was meant to happen. Otherwise, you'll fall out of the flow and once that happens and you try and try to force yourself back into it. The song will just seem to be un-catchable and like you're constantly a slight bit behind. You're basically trying to translate something in your head in a different way than what seems natural because you're using something that's an unnatural extension of your being. When you walk you don't watch your feet or think about how to move your leg. Same with when you want to start running. You just do it. Even when you're walking across rocks. You find and look for your footing using your feet and not so much your eyes. You get to a point where you don't really need to look at the instrument and just have a general idea as to where it is you want or need to go and just let your hands go there. The biggest thing about drums is that they're exactly like all other instruments. Their notes just happen to be a little different. That cymbal crash or that snare hit or whatever lands in that spot because that's where it was supposed to. Same with regular notes when held out or when there's a rest in between. I mean, you're basically painting with time instead of decorating space. Musicians in most cases are the only creators that constantly recreate their creations over and over again. The biggest thing. You HAVE to practice to a metronome being because you'll get used to the click so much that at some point the click will start to feel and seem slower. You also HAVE to practice things very slowly until you're able to play it to a near perfect extent. Then you can start speeding it up till you're able to play it well. Then when you learn the phrase you can start adding in the different little variations and things you want where you wish to flourish things or whatever to add that little something. So it's not like you're just speaking something all monotone. The biggest thing. You never see people's practice and fall. You see the result of such things so never compare yourself to another.

@@TheLemonKiller Hey dude, this is probably the smartest outlook on music I've ever seen, and I consider myself pretty good with my musical outlook, but I'm always looking to improve that, so if you ever wanna talk some more, feel free to add me on snap (@smethboi) or on discord (ttops#6107)

@@t.j.luther9970 agreed

Think he's good? Check out Jamie saint merat from Ulcerate. Dude is a surgeon on the drums

Lol

Thank you for checking it out! Chris is my doctor

@@ZackGrooves Bless

I wish^

get it baby,, rest of us are almost there with ya

NAh bro im doing my work up to 5min before deadline

just submitted mine, 11:59 pm