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It's been WAY too long since I made a tutorial video, so I apologize. This is something I had been thinking about with some of my private students - how to break down bebop lines into small pieces. In this exercise, I demonstrate just a few of the literally hundreds (if not thousands) of ways that you can weave melodies from one chord tone to another within a key.
It's methodical and organized (as much as a left-handed brained person can be). I just used a C major 7th chord as an example, but obviously you can expand this idea into whatever chord type you want.
I used to think that improvising in a bebop style was some sort of magic - that musicians just had this amazing ability to envision these long and complex lines that included hip chromaticism and rhythmic phrasing.. and while that is true to a point, it's also much less of a mystery now that I learned this "bebop chain" method. When I learned this, it completely changed the way I practiced. I started writing my own lines, using shapes that fit well on the vibraphone and in different keys. I started to form good 'habits' - little melodic lines that I play without thinking about it.
This is how you can develop your vocabulary as a jazz musician - by learning the intricacies of these small melodic fragments, and then being able to weave in and out of them at will. This is how you master the bebop language. I hope these exercises will inspire you to write your own bebop lines!
Thanks for watching - if you enjoy this type of stuff, please subscribe/comment/like etcetera.
-Tim
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This lesson can be found in my Killer Jazz Vibes Book!
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