4:00

One of a few videos that genuinely taught me something.

This guidance reveals amazingly deep information of jazz improvisation in a very compact package and in such a way that a hobbyist like myself can understand and utilize it very well, it is not too difficult, and what is very important it is comprehensive. It feel it almost kind of sets my whole jazz improvisation onto a right track. And I enjoy deeply of the sense of the true and deep jazz playing which can be heard even on this training video. I have been searching and using blues/jazz/gospel training videos (seen probably hundreds) on the internet for several years now and this is the most distinguishable video I have found so far. This is completely amazing training, thank you very much!

This is great! Thanks for covering the modal scales for this song, I have been only using C Minor scale when playing Blue Bossa.

Amazing video, simple and very clear but not lacking in any of the essentials.

Excellent performance and teaching! Playing jazz is really challenging for me (I am a classical pianist)!

Fantastic instruction and demos! Thank you!!

Very helpful and timely for me personally. Thanks.

Amazing. Great lesson. Thank you.

Your videos are so very helpful. Thank you.

You are absolutely fantastic.

Thank you very useful for getting some of your ideas to had in our style

this is the most useful and straightforward tutorial!

Thank you so much excellent tutorials and teaching

Thanks tony!! So useful. Love your style of teaching.

Without Tony Winston's solo demonstration I can't get inspired.Thank you very much.

Thank you! Very helpful tutorial!

Clear and crisp. Thanks for sharing.

Impecable !!!! muy buen video !!! Gracias !!!!

tony.....very very very thank.s best and best

Thank You, fantastic.

well done, thank you Tony

this is an eye opener, thank you sir

Dear Tony you are so precious!!! Your explanations are so effective and useful. Greetings from Italy. Claudio

extremely helpful. appreciate it!

wonderful 💚 You are a great teacher 💚thank you 💚

You play amazingly nice! Great video :)

Really useful! Thanks a lot.

Love it tony

Great video thanks!

Wonderful lesson 👌🎹🎶

Great work!

Amazing

Todo thank you they tutorial was amazing

Very Nice !!

definitely you are the best of the best

Very interesting !!

Muito obrigada!!!!!

Thanks!

Thank You

I'd liked the a dimished scale, + I try to combine and end it with the Amelodic minor scale...resolving to Dbmaj Ab-guide tone,

Hay tuyệt vời! Cảm ơn bác rất nhiều!

Thanks dude!

nice tutorial Tony, my only complaint and I mean this respectively, is the piano comes through quite clear but it's rather hard to hear you in the video

Hey Tony, this was really great! I'm intrigued how you are able to call out the scale you have selected as you are playing. I've always wondered what is going on in the mind of the player as he solos, and this demonstrated that you are aware of the scales you are selecting against the particular chord voicing/alteration the LH is playing. I have a long way to go mentally to be able to do this, but this video sets a very achievable goal, with a very straightforward approach which seems like it will transfer to other songs once we get proficient with this tune. Many thanks for taking the time to provide these instructive videos!

🙌🙌🙏🙏👏👏Bravo hermano gracias

8:27 I love how he's naming all the modes like they are Power Rangers😭

Good !!

hi Tony I've been watching you sometime thanks for the video question to get my fingers flexible doing various kind of types of scales right this video would help me I really do think you're a great musician thank you for sharing your gift

Here is Link to PDF of Tony's 3 chorus improv at 7:28 drive.google.com/file/d/1aO8LZhJQ0jgU732KW-6TO2vRHhi6NId7/view?usp=sharing

That dominant voicing still works great

great lesson tony, I've been practicing this song and thanks to this video and the other two videos you did on blue bossa, I've been able to understand what's going on thru the song, but about the Db 6/9, I've notice that you play the 5th and the 6th at the same time without playing the 7th, and actually I noticed because I was playing it wrong, well not wrong but I was playing the 3rd, 5th, 7th and 9th all along. I suppose that I should be playing chrods differently in order to make it interesting. anyway thanks for all your teaching work, I'll keep on practicing the altered scale!

Grüsse von Reinhard. Thank You...Great lesson

your voicings are so beautiful

Why can't other videos be so straight forward! kudos!

You can use a comoressor so your voice hears at the same level

Thanks

Great lessons!!! I wish you can algo talk about wich finges do you use in each scale

Saludos del Pianista Javier Donado desde Colombia

Please do Summer Samba!

Been playing Blue Bossa for years but this vid has shocked me with the possibilities...phenomenal

I need to practice my rootless voicings more.

All your lessons are outstanding. Many of them I can't hear what your saying.

One question: How do I know which modes to use for each chords? for the first three chords why are we modes from Eb major and not any other key?

many songs we do are full of the modes and we nver new it. .. somebody new to guitar will blindly make the g7 they dont call it a dominant yet. and sing just having a great time and want ever hit the f sharp but will stay on the notes from the the c scale thats mixolydian id sya jerry lee used on his nail scrapes on great balls of fire boogies ect.. im sure he knew about the mixolydian but he he just played what he wanted.. playing in c going to f i never go bb .. im happy to stay in in lydian mode and play that b natural. i realized i was doing wthis a wexaple happy birthday lydian .. dorian every time i use a dminor to a g dominant g7 i m there.i go to to an aaminor i play notes from the aolian normally.. I think the modes are just a way to catoagorize and codify what we are doing.. they have a certain sound like rock groups use dorian a lot. it is not generally notice because things were written in keys other than c..I could bewrong about most of this but i think there is a kernal of truth here.

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Thanks for showing this tutorial, can you please tell me what Tripod you used to get an overhead shot the the Piano Keys.

3:27 V chord scale

typical and identical sound in jazz !!!!

altered scale in its absolutely simplest forms is root and descend down and flat ever note o dpnt know which came first was it recognized as the half step above melodic scale or this farmboy way of seeing it.. But once its memorized this way it amost full proof.

Hello! What a model of metronome ?

Oh my. Need to ask Ms. C about these scales.

Do you use a different scale for each chord?

you have to improve the capitation of your voice, that in the audio you could not understand anything, it is very low !!!🇧🇷 Parabéns pelo vídeo!!

the volume of your vocals is very faint, fix it! -- just kidding

Can't hear a word you're saying

Can't hear a word you're saying. Pity!

Dude we can't hear you! Get a vocal mic.

Saludos del Pianista Javier Donado desde Colombia