Great video, very helpful. Thank u

Love the subtitles: my name is Chris and hemorrhoids. Nice vid btw.

Looks much more practical and pragmatic than the more academic approach. It would be great if you could do a tutorial on your approach to scales and arpeggios on the fiddle!

WOW!... thanks.... you helped me make some connections and look at things I already knew in a different way.

You can use bebop scale on any chord Maj7, Min7, min7b5 not just dom if you know which note to start it on!

I like this style of teaching. Many on you tube go to slow and I get bored waiting for them to say 2nd string 8th fret then first string 7th fret.

You are a huge help to my playing, thank u for the videos

Great lesson, thanks a lot Christiaan. Lots of frases, lots of possibilities. Abe Cherem

Its awesome for breaking out of boxes. Horizontal playing a la Django is the way!

i like the practical approach as well. and this "resolution" concept is intriguing. i'll have to learn more. thanks!

Heey Christiaan, Sinds een tijdje ben ik weer wat serieuzer bezig met gitaar studie. Maar wel de Gypsy Jazz. Zo ben ik ook op jouw KZfaq channel uitgekomen. Ik heb echt heel veel aan de videos die je maakt. Deze video ook weer. Goede, praktische tips. Ga er nu mee bezig! Hartelijk bedankt. Another great video form Chrstiaan! Keep going, keep inspiring.

Very interesting that this is the result of looking at Stochelo's fingering patterns! "Fingerings that work TM"

Goede tips, bedankt Christiaan!

Hell yeah, buddy! I like it!

HI Im your loyal fans and I have a very big problem to ask .How to avoid boring? when Im just randomly play some stuff follow my finger ,which I call it improvise... , monotonous, lack on paterns ,few modes，all over and over again. I just tired of that , both finger and ear ,especially my left hand's finger ,its a little bit over using .by the way how to avoid over using left hand ? muscle weak. ha ,and thank you for every thing you post.

Interesting concept. Would be great to know what position Stochelo would use on say a Cmajor. I assume the third (E) would be too high or too low on the neck to play his favourite lines. Maybe he has a second favourite .... the 6th?

What guitar is that? Also do you have gypsy strings?

Man, I would love that sb had told me years ago this. It was incredibly long to get the charts in my fingers.

3:45 can you explain to me your understanding of that? I don't understand how to play a scale in the middle of the fret board then highlight that scale in a position that is like 5 frets below?

Very good lesson! Would be even better with some accompanying tabs!

Chris , how does your comp pedal work? What is it ?

Wonderful lesson, than, you. At 9:00 you say that you are playing an F maj arpeggio going up - if you are in G, what is the theory behind playing a whole step below your key? Thanks in advance!

You make a lot of good points in these videos, however without figures to demonstrate stuff, and the lack of editing, i feel it lacks conciseness and becomes somewhat ramble prone. It's not incredibly clear what you're telling me. Gets vaguer and vaguer. Thanks. :)

Why play scales? Why not do what all the master players of jazz do--- follow the diatonic cycle and all the chord extensions, etc? It's a lot more interesting and sounds much better.

What guitar is this?