Jerry Bergonzi *Jazz Improvisation Tips* on Substitutions AGAINST the Chord JazzHeaven.com Excerpt

  Рет қаралды 32,852

JazzHeaven

JazzHeaven

13 жыл бұрын

Go to JazzHeaven.com/jerry2 for more FREE Jerry Bergonzi Videos! This was an excerpt from Jerry Bergonzi Jazz Improvisation Lesson/Masterclass video entitled "Creating a Jazz Vocabulary Vol. 2." Jam-packed Jazz Improvisation Lessons: 2h Lesson, 60-min Interview, Performances, Play-Along MP3s, PDFs and lots MORE.
A master jazz saxophonist AND master jazz improvisation teacher!
A rare combination, indeed.
Also feat. Brian Levy (sax/piano).
Click on JazzHeaven.com - other killer jazz improvisation instructional videos for all instruments with Kenny Werner, Jean-Michel Pilc, Walt Weiskopf, Vince Herring, Lee Konitz and MORE.
(Plus jazz instructional videos with MANY other great jazz artists like Oz Noy, Eric Harland, Ralph Peterson, Ari Hoenig, Lage Lund, Gilad Hekselman, Ingrid Jensen, Geoffrey Keezer, Enrico Pieranunzi & more.)
Go to JazzHeaven.com to check out the madness!
Tenor saxophonist, Jerry Bergonzi, is an internationally recognized jazz performer, composer, author and educator. His music is renowned for its innovation, mastery, and integrity. Relentless drive, inner fire, total command, awesome technique, elastic lyricism, rich resonance, world-class, a musical visionary, are among the rave reviews credited to his sound. Bergonzi's music has been applauded throughout the world at festivals, concert halls, and jazz venues and his dedication to jazz music has been well documented by an extensive discography. The Italian label, Red Records, was Bergonzi's greatest supporter. "Red Records was the first label that really believed in my music." says Jerry. They released four CD's with Bergonzi as the leader, including, Lineage, a live recording featuring Mulgrew Miller, Dave Santoro, and Adam Nussbaum. Jerry later played with the Red Record all-stars including Kenny Barron, and Bobby Watson, as well as on a number of other Red releases with Salvatore Tranchini, Fred Hersch, and Alex Riel. He has also performed and recorded with the George Gruntz Big Band, the Gil Evans Orchestra (Miles Davis in Montreaux), and 12 Jazz Visits in Copenhagan for Stunt Records. The Riel Deal, on Stunt, featured drummer Alex Riel, Kenny Werner and Jesper Lundgaard, and was awarded a Grammy in Denmark for best jazz recording in 1997. An association with Daniel Humair and the late J.F.Jenny Clark yielded a number of recordings for the French, Label Bleu. One of which was Bergonzi's CD, Global Summit, it featured Tiger Okoshi, Joachim Kuhn, Daniel Humair and Dave Santoro. This was the product of one of three National Endowments awarded Bergonzi. Another project with pianist Kuhn won the accolade Best Jazz Album in France 1992. Among the many other artists that Bergonzi has performed and recorded with are; John Abercrombie, Nando Michelin, Antonio Farao, Bill Evans (with the National Jazz Ensemble), Joe D'Orio, Eddie Gomez, Miroslaz Vitous, George Mraz, Billy Hart, Andy Laverne, Steve Swallow, Hal Galper, Roy Haynes, Charlie Mariano, Bob Cranshaw, Ray Drummond, Billy Drummond, Danny Richmond, Danny Gottlieb, Dave Holland, Jack DeJonette, Paul Desmond, Bennie Wallace, Gerry Mulligan, Hal Crook, Herb Pomeroy, Mike Manieri, Mark Johnson, Michel Portal, Marcel Solal, Pat Martino, Franco Ambrosetti, and many more. The Double-Time Records label has released most of Bergonzi's recent work. Just Within, Lost in the Shuffle, Wiggy, and A Different Look, were recorded by Bergonzi's burning organ trio, with Dan Wall and Adam Nussbaum. Also on Double-Time, The Dave Santoro Standard recordings feature Bergonzi's swinging tenor along with drummer Tom Melito and pianists Bruce Barth and Renato Chicco. As a band leader, Bergonzi has performed worldwide at the Red Sea, San Remo, Moomba, and North Sea Jazz festivals, to name a few. He has appeared at the World Saxophone Congress in Montreal, Canada and Valencia, Spain with fellow saxophonist Philippe Geiss. Bergonzi's performance at the Subway in Cologne has been featured on the German TV series, Round Midnight. His quartet performs at Duc de Lombarde in Paris, the Fasching in Stockholm, the Jazz House in Copenhagan, and the Bird's Eye in Basel, and many others. Today, Bergonzi makes his home in Boston area with his wife and two children. He continues to teach and perform worldwide. He endorses Selmer Saxophones, Rico Reeds and Zildjian Cymbals. "This guy is the real tower of power.....His bold penetrating tone and furiously paced streams of notes make for a commanding voice indeed. His passionate improvisations are marked by a consistency of strength in every register and a penchant for harmonic development." Bill Milkowski Downbeat Review
Hope you enjoyed this video with Jazz Improvisation Tips
• Jerry Bergonzi *Jazz I...

Пікірлер: 15
@jazzheavenofficial
@jazzheavenofficial 11 жыл бұрын
Thanks for watching our videos. We appreciate your comment, however, please keep in mind that this is only a short excerpt of a two hour video. We can assure you that watching the whole thing will answer all your questions. A lot of time, energy, and money went in to create these videos, so please understand that even though we would love to, we cannot give away all the information for free on youtube. All the best, the jazzheavencom team.
@keithpatel6584
@keithpatel6584 4 жыл бұрын
I enjoy Jerry more with every lesson .He is a phenomenal player and educator.
@PhilEmanS
@PhilEmanS 6 жыл бұрын
Bought that course a few days ago, its INCREDIBLE! WOOOW! Thanks so much jerry & jazzheaven!
@sorenfuhrer401
@sorenfuhrer401 9 жыл бұрын
When he says "I'm up a half" he isn't playing B-D-F with passing tones. His line is C#-B-C#-D-F#-A#-G# so there's plenty of notes up a half from Gm7. What he does later on is explained nicely and the sax player asks all the right questions imho. He plays a II-V (Gm11- C7) and then simply raises his lines (based on dorian/mixolydian) a half step, playing Ab dorian over Gm11 etc. His comparison to bigband chords explains a lot, doesn't it? Great lesson! Love the DVD!
@princezaahir
@princezaahir 10 жыл бұрын
This is like some quantum stuff. Endless Random possibilities that make sense in any situations. Playing against the changes just opens up another dimension of possibilities. I've always like playing up a half step against the changes but the way Bergonzi explains it here gives me a broader understanding_ I want to go even further now. What a great communicator...
@jazz1bro
@jazz1bro 10 жыл бұрын
Thanks for the sub tips. I had been doing some by ear and not really knowing why it works but you gave me something else to think about in the shed! Im sure thinking is not why I have fun..It's the ear thing!
@beachnut1043
@beachnut1043 12 жыл бұрын
This is a great tip! I always wondered what that "sound" was when I heard other players, now I can practice it myself!
@sireel
@sireel 11 жыл бұрын
Useful information, as always. Thanks, Jerry.
@nosmelc1001
@nosmelc1001 6 жыл бұрын
clear and concise, thanks
@jalowndes
@jalowndes 12 жыл бұрын
Great tip
@lrbol
@lrbol 11 жыл бұрын
In the piano example he plays two-note "shells" leaving the chord quality ambiguous & allowing "up a half" to sound consonant. It would sound dissonant against the full chord (e.g., Db min Maj7 over C at 1:05). In fact when he says "I'm up a half" on G7, he actually arpeggiates the chord (B-D-F with passing tone at 1:00) in the melody. Not sure how thats "up a half"? I'd agree that the last one (B7 lick over Bb7 down in parallel to an Eb lick over Eb 1:09) has a passing quality.
@777leviandades
@777leviandades 12 жыл бұрын
awesome!
@philipptenta
@philipptenta 9 жыл бұрын
Hard to listen to the end, already on the way to my piano!
@Izicanplay
@Izicanplay 12 жыл бұрын
I'm still uncertain on this topic. So your substituting chords leading up to the V chord. Got it, but now how do you know what quality to substitute it with? Is it always Dom.7th chords? In which case you always have approaching dom. 7th chords to the target V chord of the new established key? Also, is this technique applicable to all 2-5's? Thanks for the lesson.
@TromboneAl
@TromboneAl 12 жыл бұрын
Great tip, but I'm going to have to do a lot of work to figure out exactly what you're doing. In the future, instead of saying "If I play this tune and I go up a half," say something like: "I first play an Fm7, but then, instead of a Bb7, I will then play a B7, which is a half step above Bb7. I don't change the melody at all." Apparently that's not what you did. I will have to transcribe your left hand to figure out what you did. IOW, please give us more explicit info. Thanks.
Самый Молодой Актёр Без Оскара 😂
00:13
Глеб Рандалайнен
Рет қаралды 11 МЛН
Best Toilet Gadgets and #Hacks you must try!!💩💩
00:49
Poly Holy Yow
Рет қаралды 9 МЛН
УГАДАЙ ГДЕ ПРАВИЛЬНЫЙ ЦВЕТ?😱
00:14
МЯТНАЯ ФАНТА
Рет қаралды 4,1 МЛН
Clowns abuse children#Short #Officer Rabbit #angel
00:51
兔子警官
Рет қаралды 77 МЛН
2008 Tenor Madness Thurs Bergonzi Interactive1
16:15
banddirectorcom
Рет қаралды 204
Charli Persip How NOT To Play the Drums
3:43
jazzleadsheets.com
Рет қаралды 113 М.
Jerry Bergonzi - Improvising With Triad Pairs 1
2:25
MyMusicMasterclass
Рет қаралды 53 М.
Hal Galper's Master Class - The Illusion of An Instrument
9:14
Jazz Video Guy
Рет қаралды 169 М.
Night and Day
8:20
The Modern Jazz Trio - Topic
Рет қаралды 792
Lesson #5: Jerry Bergonzi Patterns
9:45
Tony Greaves
Рет қаралды 66 М.
Jakone, Kiliana - Асфальт (Mood Video)
2:51
GOLDEN SOUND
Рет қаралды 11 МЛН
지민 (Jimin) 'Who' Official MV
3:28
HYBE LABELS
Рет қаралды 24 МЛН
Stray Kids "Chk Chk Boom" M/V
3:26
JYP Entertainment
Рет қаралды 57 МЛН
Әбдіжаппар Әлқожа - Ұмыт деме
3:58
Әбдіжаппар Әлқожа
Рет қаралды 910 М.