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12 Tสษชสแดs Mแดsษชแด โป สส Mแดsษชแด Pแดสแด Isสแดแดส.
Non profit that promotes music and musicians from Israel.
traditional. original. sacred. secular.
12tribesmusic.org
email: 12tribesmusic@musicport.org.il
to listen on Spotify: open.spotify.c...
๐ข๐ฑ๐ฒ๐ต ๐น๐ฎ ๐ฒ๐น / ๐ฝ๐ฎ๐ ๐ฎ๐๐๐ฒ๐ป๐๐ถ๐ผ๐ป ๐๐ผ ๐๐ผ๐๐ฟ ๐ผ๐๐ป ๐๐ผ๐๐น
ืืืื ืืื / ืฉืืื ืื ืขื ืื ืฉืื
I thank God for Inquiring Heart in the Morning Stars Together
๐ ๐๐๐ก๐๐ก๐
The author of the poem inspires man to observe that the soul that animates him is of a higher divine origin, that came down to this world for a specific role. And therefore - one must be careful to "fulfill her needs" befitting her essence, and fulfill her destiny in her descent into the world.
He insists that every night the human soul ascends to the upper world to be judged for its actions on the passing day and therefore the person must pay attention to how it will be revealed - whether as a "disgraceful slave" soiled with iniquities, or as an "adorned bride" adorned with mitzvot.
๐ช๐๐๐ก ๐๐ฆ ๐๐จ๐ฆ๐ง๐ข๐ ๐๐ฅ๐ฌ ๐ง๐ข ๐ฆ๐๐ก๐ ๐ง๐๐ ๐๐๐๐ก๐ง?
The chant calls for awakening, and accordingly it is sung in some congregations during the midnight tikkun, and sometimes before morning prayer.
it is sung in some Hasidic communities as well as among the Jews of Islamic countries as part of the prayer song
๐ฃ๐๐ฅ๐๐ข๐ฅ๐ ๐๐ก๐๐
This powerful chant has been performed and composed by many musicians and artists modern and traditional through the history. it has numerous versions.
This fresh new composition by Maayan Tzafrir is inspired by Turkish Sufi music.
the vocal arrangement is inspired by Balkan polyphonic singing.
๐ข๐๐๐ ๐๐ ๐๐ | ืืืื ืืื
Lyrics: ๐ฅ๐ฎ๐ฏ๐ฏ๐ถ ๐ฆ๐ต๐บ๐ฎ'๐๐ฎ ๐๐ผ๐๐๐ผ๐ป 16th century
Music: ๐ ๐ฎ๐ฎ๐๐ฎ๐ป ๐ง๐๐ฎ๐ณ๐ฟ๐ถ๐ฟ
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- ๐ฌ๐ฒ๐ฎ๐ฟ๐ผ๐ ๐๐ป๐๐ฒ๐บ๐ฏ๐น๐ฒ - โช@YearotEnsembleโฌ
lead vocals: ๐ ๐ฎ๐ฎ๐๐ฎ๐ป ๐ง๐๐ฎ๐ณ๐ฟ๐ถ๐ฟ โช@Maayantzafrirโฌ
vocals: ๐๐๐ฎ ๐๐ฎ๐๐ฟ๐ถ๐ฒ๐น
vocals: ๐๐ฑ๐ฒ๐ป ๐๐ฒ๐ฟ๐บ๐ผ๐ป๐
vocals: ๐ฌ๐๐น๐ถ ๐ฆ๐ต๐ฎ๐ณ๐ฟ๐ถ๐ฟ๐ถ
ney and bagpipes: ๐ ๐ฒ๐ถ๐ฟ๐ฎ ๐ฆ๐ฒ๐ด๐ฎ๐น โช@meirasegalโฌ
frame drum, daf and riq: ๐ก๐๐ฟ ๐๐ฎ๐ฟ ๐๐ผ๐ฟ๐ฒ๐ป
- ๐บ๐๐๐ถ๐ฐ ๐ฝ๐ฟ๐ผ๐ฑ๐๐ฐ๐๐ถ๐ผ๐ป -
arrangement: ๐ ๐ฎ๐ฎ๐๐ฎ๐ป ๐ง๐๐ฎ๐ณ๐ฟ๐ถ๐ฟ
music production, recording & mix: ๐ฆ๐ต๐น๐ผ๐บ๐ถ ๐ ๐ผ๐ฟ
mastering: ๐ฅ๐ผ๐ป๐ฒ๐ป ๐ฅ๐ผ๐๐ต
Recorded @๐ฆ๐ต๐น๐ผ๐บ๐ถ ๐ ๐ผ๐ฟ'๐ ๐๐๐๐ฑ๐ถ๐ผ๐
- ๐๐ถ๐ฑ๐ฒ๐ผ ๐ฝ๐ฟ๐ผ๐ฑ๐๐ฐ๐๐ถ๐ผ๐ป -
video & editing: ๐๐๐ ๐๐ฎ๐ฟ๐๐ผ๐ โช@BartovGuyโฌ
styling: ๐ง๐๐ถ๐ฝ๐ผ๐ฟ๐ฎ ๐ฒ๐น ๐ฟ๐ฒ๐ถ
hair and makeup: ๐ก๐ฎ๐๐ฎ๐น๐ถ ๐๐ฎ๐๐ต๐๐ถ โช@natalidashtiโฌ
dresses: ๐ก๐ฎ๐๐ฎ๐น๐ ๐๐๐ถ๐ฟ designed for "Tarab" show
Jewelry: ๐๐ถ๐ฟ๐ผ๐ป ๐๐ผ๐๐ฒ ๐๐ฒ๐๐ฒ๐น๐ฟ๐
filming location: ๐๐ผ๐ฟ๐๐ฎ๐ ๐ ๐ฎ๐ฑ๐ฟ๐ฎ๐, ๐๐ผ๐น๐๐บ๐ฏ๐ฎ๐ฟ๐ถ๐๐บ ๐ฐ๐ฎ๐๐ฒ
content editor and 12Tribes music artistic director: ๐ง๐ฎ๐น๐๐ฎ ๐.๐ ๐ฆ๐ผ๐น๐ฎ๐ป
Thank you to ๐ ๐ฎ๐พ๐ฎ๐บ๐ฎ๐ ๐๐ฐ๐ต๐ผ๐ผ๐น ๐ผ๐ณ ๐๐ฎ๐๐๐ฒ๐ฟ๐ป ๐บ๐๐๐ถ๐ฐ for supporting this video release โช@MaqamatMusicSchoolโฌ
๐ ๐ฎ๐ฎ๐๐ฎ๐ป ๐ง๐๐ฎ๐ณ๐ฟ๐ถ๐ฟ is a Singer and musician who weaves Balkan and Middle-Eastern musical traditions with her Jewish roots. In her musical creation she combines ancient piyutim (chants) with folklore melodies.
Maayan's original compositions are inspired from Greek, Bulgarian, Georgian and Turkish traditions.
Maayan is the founder and voice leader of ๐ฌ๐ฒ๐ฎ๐ฟ๐ผ๐ ๐๐ป๐๐ฒ๐บ๐ฏ๐น๐ฒ, singer of the greek band Tavernikos, founder of The Balkan Witches Choir and conductor of various workshops, meetings and tours focusing on Balkan traditional singing with a Hebrew and feminine spirit
Her encounter with the ancient Jewish chant โ๐ข๐๐๐ ๐๐ ๐๐โ, influenced by her Jewish-Turkish roots, led her to write a composition inspired by Sufi music, intended to evoke an ecstatic connection with the creator. Her vocal composition was inspired by Polyphonic balkan singing, which connects the listeners to ancient tribal vibrations.
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ืืืื ืืื
ืืืืื: ืจ' ืฉืืขืื ืงืืกืื
ืืื: ืืขืืื ืฆืคืจืืจ
ืื ืกืืื ืืขืจืืช
ืฉืืจื: ืืขืืื ืฆืคืจืืจ, ืืืื ืฉืคืจืืจื, ืืื ืืืจืืื, ืขืื ืืจืืื ื
ืืื ืืงืฉื: ื ืืจ ืืจ ืืืจื
ื ืื ืืืืช ืืืืืื: ืืืืจื ืกืื
ืืคืงื ืืืืืงืืืช
ืขืืืื: ืืขืืื ืฆืคืจืืจ
ืืคืงื ืืืืืงืืืช, ืืงืืื ืืืืงืก: ืฉืืืื ืืืจ
ืืืกืืจ: ืจืื ื ืจืื
ืืืงืื ืืืืืคื ืฉื ืฉืืืื ืืืจ
ืืคืงืช ืืืืื
ืฆืืืื ืืขืจืืื: ืืื ืืจืืื
ืกืืืืืื ื: ืฆืืคืืจื ืื ืจืขื
ืืืคืืจ ืืกืืืืจ ืฉืืขืจ: ื ืืื ืืฉืชื
ืฉืืืืช: ื ืืื ืืืืจ
ืชืืฉืืืื: ืืืจืื ืชืืฉืืืื ืืืืื ืฆืจืืคื
ื ืืืื ืืืื ืืชื ืืขืจืืืช ืชืืื ืืขืจืืฅ: ืืืื ื. ืกืืืื
ืชืืื ืืืงืืืืช, ืืืืดืก. ืืืืืืงื ืื ืืืืจื ืขื ืืชืืืื ืืืืฆืื ืืืืจ ืฉื ืืืืืื ืื
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ืืขืืื ืฆืคืจืืจ ืืื ืืืจืช ืืืืืืงืืืช ืืืืืจืช ืืื ืืกืืจืืช ืืืืืงืืืืช ืืืืืงื ืืืืืจื ืืชืืืื ืืืื ืฉืืจืฉืื ืืืืืืืื. ืืืฆืืจื ืืืืืืงืืืช ืฉืื ืืื ืืืจืืช ืืืืื ืคืืืืื ืืืืืื ืืืืงืืจืืช ืขื ืืื ืื ืขืืืืื.
ืืืื ืื ืืืงืืจืืื ืฉื ืืขืืื ื ืืืจืช ืืฉืคืขื ืืืืื ืฉื ืืกืืจืืช ืืืืืงืืืืช ืขืชืืงืืช ืืืืืืจ ืืืืจื ืืชืืืื.
ืืืืกืืช ืืืจืื ืืืืงื ื "ืื ืกืืื ืืขืจืืช", ืืืจื ืืืจืื ืืืืื ื "ืืืจื ืืงืืก",
ืืืืกืืช "ืืงืืืช ืืืืฉืคืืช ืืืืงื ืืช", ืืื ืืช ืกืื ืืืช ืฉืืจื ืืกืืจืชืืช ืืกืืืจืื ืืื ืืืืืืื ืืจืื ืืฉืืจื ืืืืืืืงื ืืืืงื ืืช.
ืืืคืืฉ ืขื ืืืืืช ืืคืืื "ืืืื ืืื" ืืฉืืืื ืขื ืฉืืจืฉืื ืืืืืืืื-ืืืจืงืืื, ืืืืืื ืืืชืืืช ืืืื
ืืืฉืจืืช ืืืืืงื ืกืืคืืช. ืืื ืฉื ืืขื ืืขืืจืจ ืืืืื ืืงืกืืืืช ืฉื ืืืงืืช ืืืืืืจ ืืืืจื ืขืืื.
ืืขืืืื ืืืืงืืื ื ืืชื ืืืฉืจืืช ืฉืืจืช ื ืฉืื ืคืืืืคืื ืืช ืืืืืงื, ืืืืืจืช ืืช ืืืืืื ืื ืืืืืืืช ืงืืืืื ืืฉืืืืื ืื ืคืฉื.