Ottimo commento.

Absolutely!!

I fully agree. I first heard this version from a double CD "Live in Paris" bought in the 90's. I remember there was also another version of MFT played the next day, which was even longer. Here it is: kzfaq.info/get/bejne/pc-BoJRktreydaM.html

Yuryy Granovsky ....agree...this version...and the live at Newport 1963 version...with Roy Haynes...and sans Dolphy.....u know that one?...absolute cracking ...😀...one of my favorite favorite things...lol...

You have not listened to Village Vanguard '66 version then?

@@rumaniasa3859 Well post a link then Homeboy

I'm surprised there wasn't some kind of nuclear reaction when those two got together on one stage. ;)

Trane mentioned in an interview that eric was one of his favorites. Most Goats tend to give ups to a dead musician but Trane at his height said Eric was on the same level. We truly miss these musical spirits.

@@d0cn0tes yes eric dolphin was an incredible musician, I 've heard he used to go into a forest with his flute and talk to the birds with his flute...Its a shame he's not recognized as much as he should be..he was way ahead and above almost everyone..

bingochoice those who love the only American musical art form called jazz, like you and many others, know where Dolphy stood in the pantheon of greats like Miles, Trane, Parker, Blakey, Monk, Mingus, Ellington etc.

Yes Eric Dolphy knocks me out. He and John Coltrane are unsurpassed, absolute geniuses. And they were such admirably ethical people. They could be such terrific role models for so many of us .

I agree !

Heh, that's Eric Dolphy! ❤

Tee tee. Now, why not fix your bullshit profile and post your smart words with your real name and face??

@@BrianCarnevaleB26 ummm what?

Good taste love same three. Love a lot though monk, mingus, miles, Oscar Peterson. Magical times and music

Have you got wax in your ears? Marley in not in this league, get real.

Can I have it?

@@dan81685 if you don't ask...

Amen. Some of the sounds here are out of my comfort zone, but yet my soul thirsts for those sounds.

They don't get bigger than these two.

@@dinkinishoconnor417 They pushed their instruments to the limit...and then broke the limits! 'Trane talked about playing as part of his spirituality...it brought him closer to God, and was his way of expressing thanks. And by sharing his gift, he took all of us with him! Brilliant.

Just imagine what more he would have composed if not for such an early death from liver cancer at age 40

You are so right ...

Maybe the use of modes? Nice piece of writing Ronald. A man from the generation of real people, We are real people! nice to see you, Sir!

@@BrianCarnevaleB26lots of young people these days want to go back. I think they kinda hit a wall with algorithmic changes and efficiency of voice leading through them. Then fusion took it somewhere else

Cody Bennett When in the song do they play in unison?

@@juliussw9153 13:10 heard it when I read I read this, not sure of other spots at this moment.

Coltrane here is completely out of tune :) he often was on soprano on live releases, usually it doesn't matter because his focus wasn't on perfection. Must also be said that soprano saxophnoes of that era were at least poor in intonation... the piano is out of tune, too and the tape has got some problem :) and probabily this is the main problem with the whole intonation thing here

+George Prosser Who is McCoy Turner?

+Darrell Wells Should have read: "McCoy Tyner"

Tyner

i don't Think the theory holds water.. imo Impulse gave Coltrane a truly great amount of freedom, and just by appearing on the few Coltrane records released on Impulse at that time (Village Vanguard, Ole, Africa/Brass and Impressions) boosted Dolphy's status a lot. i Think what really hurt this Quartets evolution was the critics... Dolphy and Coltrane was torn apart by especially Down Beat at around the time of this Concert - go back and read Reviews for the Village Vanguard gigs and records and also read the article "Coltrane and Dolphy answers the critics" from a later DB issue if you haven't. personally i love the "Ballads", Hartman and Ellington albums and i'm glad we have them amongst all the great heavier LP:s on Impulse.. Tranes discography on that label is rivaled only by Miles on Columbia in my opinion

Actually, I agree with Aaron. The first issues of Coltrane from the Vanguard in 61 and 63, had limited Dolphy. What little they had was milder. It was only in the mid-1970s when people got to hear Dolphy's contributions.

alf23wlf

Aaron Alter Interesting Theory, Because Some Critics State And Pointed Out That Coltrane Was Playing Traditional Jazz Until He Met And Started To Play More " Avant Garde" Mr. Dolphy Was Consider In Every Day To Be A " Little Out There" He Wore A Big As_ Fur Coat Wherever He Went, He a Bohemian Style/ Like Individual , More Hippie And Beatnik Before It Before A " Fad"!!!!!!!🎷🌬👌🏾👍🏼😮

Dolphy was welcomed with open arms my Mingus who wasn't exactly a pushover. I think coltranes musical brain saw or more importantly heard the innovation that critics and non pleyers couldn't. Dolphy wasn't ornette you hear him on Oliver Nelson's blues and abstract truth and that album has qualities similar to date I say kind of blue. Dolphy could play and Trane recognized it and even mentioned he was only player he ever felt challenged by as an innovational equal

Quite a collection

Do you have both directions at once

2 years later and still crying.

@@saintepucelle6853 because it sounds beauityful :)

please share it!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Dude please share regardless of the quality!

Terrific question...

They loved JAZZ more than Americans.

Stupid!

it sounds like birds are bursting out in song, so: yes

To me, a bad child that plays the clacson of Stan Laurel & Oliver Hardy's car.

i also like the sound of that but there's no accounting for taste I suppose

Yes, it fits in context of the song and the nature of improv and experimentation. Thats jazz. I love it.

We love it Douche