Song : Kahaan ho tum zara awaz do..
Movie : Malhar (1951) ,
Singers : Lata Mangeshkar, Mukesh,
Lyricist : Kaif Irfani,
Music Director : Roshan Lal,
Cast : Arjun Bakshi,Shammi,Moti Sagar,Sonali Devi,Kanahiyalal,Sankatha
Director : Harish,
producer : Mukesh ,
Production : Darling Films ,
Lyrics :-
kahaan ho tum, zaraa aawaaz do,
ham yaad karte hain
kabhi bharte hain aahen aur kabhi fariyaad karte hain
kahaan ho tum, zaraa aawaaz do
judaa bulbul hai apne phool se
aur ro ke kahti hai
judaa bulbul hai apne phool se
aur ro ke kahti hai
bhari duniyaa diyaa wo zulm jo sayyaad karte hain
kahaan ho tum, zaraa aawaaz do
jahaan hain aur ab jis haal mein hain,
ham tumhaare hain
jahaan hain aur ab jis haal mein hain,
ham tumhaare hain
tumhi aabaad ho dil mein,
tumhi ko yaad karte hain
kahaan ho tum, zaraa aawaaz do
ham yaad karte hain
hamaari bebasi ye hai ke ham kuchh kah nahin sakte
hamaari bebasi ye hai ke ham kuchh kah nahin sakte
wafaa badnaam hoti hai agar fariyaad karte hain
kahaan ho tum, zaraa aawaaz do
tere kadmon mein rahne ki tamannaa dil mein rakhte hain
tere kadmon mein rahne ki tamannaa dil mein rakhte hain
judaa duniyaa ne hamko kar diyaa fariyaad karte hain
kahaan ho tum, zaraa aawaaz do
ham yad karte hain
kahaan ho tum...
Arjun Bakshi was introduced as the leading man opposite Shammi in Malhar (1951). Malhar was the only film produced by playback singer Mukesh under the banner of Darling Films. Arjun Bakshi also played the lead opposite Geeta Bali in Daku Ki Ladki (1954).
Jyoti Bakshi and her father Arjun Bakshi :-
Her name was Jyoti Bakshi. Jyoti Bakshi was introduced by Dev Anand's brother Vijay Anand in Bullet (1976).
2. She died a lonely death. Her semi decomposed body was found at her residence.
3. Her father's name was Arjun Bakshi. Arjun Bakshi was introduced as the leading man opposite Shammi in Malhar (1951). Malhar was the only film produced by playback singer Mukesh under the banner of Darling Films. Arjun Bakshi also played the lead opposite Geeta Bali in Daku Ki Ladki (1954).
Song- Bade armaanon se rakha hai balam (Malhaar) 1951) Singers-Lata, Mukesh, Lyrics- Shyamlal ( Indeewar), MD-Roshan
Storyline :-
In the large mansion of the Thakur Sahib, the stage was set for the enactment of a poignant triangle drama. Besides his renegade son, Anand, and his pretty daughter. Reshmi, there was another soul sheltering under the same roof. Son of a deceased friend of his young Rattan had been brought up by Thakur Sahib from a kid and given a place in his affections as consciopus and unchallengeable as that occupied by his own son and daughter. Handsome, bright-eyed, well-mannered Rattan soon carved for himself a well recognised niche in the home of his adoption. . It may have been mere calf-love at first but as the years rolled by and the three children grew bigger Reshmi and Rattan showed an unmistakble fondness for each other an attachment upon which aging Thakur smiled in silent benediction and his hot-tempered, wastefull son frowned malignantly. . The scheming Anand patiently bided his time. He knew he had not long to wait. His father kept indifferent health and, soon very soon, he woule be dead and then.. . So, as soon as the old Thakur was creamted. Anand promptly ignored his fathers bedside behest that the Reshmi-Rattan union should not only be encouraged but duly permitted to find a logical conclusion. Instead, progressively increasing his severity towards the young lover, he finally turned him out of the house-the big old house that had been he only home helpless Rattan had known ever since he could remember-and gave away his bitterly anguished, but uncomplaining, sister in marriage to a rich, happy-go-lucky college friend of his named Bihari. He considered the latter a fruitful source for the financing of his own prfligate pursiuts-a kind of a golden goose with capacity to lay indefinetly. . Rattan had inherited from his father an old family mansion. In their youthful, romantic fancy, Reshmi and he had built dreams around it, planned to make it their home in due course. "You, and you alone", he had vowed to her", shall be first to step into fate had willed he should choose the latter course. So, about the same time as Reshmi was going the seven steps with Bihari around the sacred fire, another larger fire-started by the disappointed lover-was consuming his own large house, to the accompaniment of the hooting of owls and the howling of an unkind wind. . Here the story enters its second phase, epicting the struggle of a beautiful, conscientous, well-bred girl, torn between a love imposed on her by custom and religion and antoher dictated by the heart. Reshmi gathered around her an apparently impregnable crust of fatalism. As a wife she had a duty to perform. She performed it with a fanatic fervour that held people spellbound. She obstinately refused to listen to the anguished cry of her heart.