This is from Kate's recital at Chopin and his Europe Festival in August this year (2021). This nocturne is so underrated and Kate's performance is so special that I wanted to post this video of her playing just this piece, to spread more awareness. Hope you enjoy it!

My god this is beautiful, I have never heard a better performance of this nocturne. Slower than most, but much nicer.

I was there, pure magic

She has an outstandingly beautiful touch and there's hardly any phrases I could imagine to be played more compelling. Her recording of the Op. 58 Sonata is my absolute favorite to this day 🙂

I like nearly all of Chopin's nocturnes, also this one, at least when so amazingly performed as here by young master Kate Liu 🙂

🌜 Kate Liu Plays Chopin 🌛 Frédéric Chopin (1810-1849) 0:16 Nocturne in G Major, Op. 37 No. 2 *(1839)* 8:27 _The End_ Kate Liu, piano✨ *The 17th Chopin and His Europe Festival* *Philharmonic Hall* *Warsaw, Poland 🇵🇱 August 23, 2021*

So sublime and dreamlike

Kate Liu is a person whom my life can't lack in !!!.

So special, this nocturne , not my favourite, but now I listen to it , so beautifull. Thanks Kate.

She is so much higher than any of prize winners of last Chopin competition!

Happy birthday Kate !!! may 23 (2024) we love you so much. !!! we will want Kate to play a lot of Chopin music from now on . I'm looking forward to it .

Goosebumps ...

Thank you for posting this!

Lovely Chopin , inimitable Katie Liu

❤️❤️❤️

It's best!!!

Feliz Cumpleaños 🎉😊

Bravo! C'est Manifique! Ecellente!!

❤️

Legato fingering in the first section is really hard for small hands. She plays it with much fluidity and expression.

👍❤️❤️❤️👍

profound

Każdy nokturn F.Chopina jest genialny!Ta interpretacja raczej bardziej wyraża osobowość K.Liu,niż F.Chopina.Jest to moje osobiste zdanie.

I perceive this as more passionate and less thoughtful. It also works in such a slow tempo. It may also depend on the mood of the moment, it would be interesting whether it would be different on another day. On the other hand, there are a lot of modulations in it (in fact going through all 24 keys!) and it needs some time to digest them all, so definitely there is something to be learned from this interpretation. At the same time, it is also a kind of mini-barcarole, and so maybe a tiny little bit more flowing motion would be even nicer (?).

0:16

Wonder how is she doing now?

Toutes ces attitudes et mimiques sont insupportables. Cela devient gênant. Mieux vaut couper l'image. Pour le son Rubinstein reste insurpassable à mon avis.