Been there 💥

@@jazz234 Wow ... das ist ja eine Ueberraschung ...

i dont mean to be so off topic but does any of you know of a method to get back into an instagram account..? I somehow lost my account password. I love any tricks you can give me

@Kristopher Zachariah Instablaster ;)

@Max Kase I really appreciate your reply. I found the site thru google and I'm waiting for the hacking stuff now. Takes a while so I will reply here later when my account password hopefully is recovered.

Riveting solo and a great band - and perhaps THE defining take of Human Nature as a jazz/funk piece. Must be heard in full - this is just the last third of the take.

Check out Michael brecker in Barcelona skunk funk, absolutely filthy solo

No comparison.

vu7

agreed

He was a survivor, he adapted to the times, he was and will be a genius. Kenny is a machine for making music and now he played hard rock, which is what was stretched at that time. big

Yeah, I don't care that much about the OTHER Kenny G! :)

Any chances of getting a copy of it? Or the name of the vhs... Please

@@filipposantini5305 It's long gone :-) But internet is a wonderful place... so far. Ask and you shall receive: kzfaq.info/get/bejne/mt6empep0aqmYJ8.html

Thanks...

That's beautiful..

What an amazing performance 👏

haha

ahahahah

Yes........indeed

hahahahahah

Lol, he can say Miles Davis used his mic ,, what PRESSURE,, BUT ,,That’s what’s cool about jazz,

But you’ve told me that you didn’t like Kenny :)

Awesome vibe Mic.stand bell to bell quality synchronized tone quality Kenny. JazzTCB

Who's the dude on trumpet holding the trumpet stand?? Do he have a solo out featuring him ? What's the jazz jam he's on .he looked jazz serious 're tone attention to specialized Mic stand tone quality

Rythm >>>>>>>>> harmony

Heavily indebted to Maceo and Woody Shaw!

Yes, beautiful layered keyboards too - and wonderful, dramatic drumming by Ricky Wellman that guides the rising tension on the track. The band is rock solid on this 1989 Paris show - like so many of Miles' bands.

Yeah!!!! I like this one too 0:21

@@mr.estebansax I totally agree

a stand*

An stand is actually correct

@@aidandoylepolitics How is it correct? Unless you categorize "s" as a vowel...

A vs. An Rules Use A if the next word starts with the sound of a consonant.

Oh yes, a magnificently realized piece - and it's improvised (they never did this one the same way twice, although the general curve with some sort of crescendo and a sax solo was fairly well established by 1988--89). This is a track of sculptural beauty and, in my eyes, THE defining version of Human Nature as a jazz/funk piece. I've watched and listened to it on the dvd scores of times.

I don't know which tone of the scale he uses, but one of the cool things I've heard in many Garrett solos is that when he goes to "step out" of the chord progression he'll pick a note, half step up, and then stick in that key. I learned that is a cool way to step out, just play a half step up chord, but it is cool how he transitions by just hanging on that initial note.

The breakout at 2:20-2:41 is a key moment of the entire track for me; when the key, tempo and rhythm change like that, it beautifully captures the sense of liberation: go, GO! The whole piece (this is just the second half) has a sculptural beauty that's quite riveting.

@@louise_rose very well said. Exactly, the "GO" moment is like a liberation. First time I heard this passage it was like going for a magical journey. Yes, the entire version is even more dramatic because of the microphone issue. Garrett almost gave up soloing after the first couple of mic failures, but Miles saying "it's your night". And indeed it was Garrett's night. Btw, I think you mean 3:20 as the liberation moment.

@@andradas9688 I didn't even notice the mike issue until it was pointed out (after I had watched the dvd a dozen times) but I think there's also a symbolic aspect to the way they are standing. Miles' trumpet (with the mic) is pointed straight at Kenny's belly, and he is standing still but in command while Kenny is pouring out this longing solo, a somewhat feminine solo. There is a discrete phallic/sexual symbolism to their postures and the trumpet (Miles was certainly aware of how his instrument could be seen as a symbol of masculinity). At the climax of the track, Kenny is bucking and his sax moaning like a woman cumming hard... 😸

@@andradas9688 No, I did mean the passage beginning around 2:20 (key and tempo change at 2:35) - but there are several "liberation moments" in this superb take, 3:20 is another one. Miles mentions Wagner in one of the interview bits on the dvd, and this entire solo has a kinship with Wagner's erotically pulsating music for Tristan and Isolde - the long love duet of the second act, especially.

I think there's also some erotic symbolism to it.Kenny's solo has a definite feminine tone and vibe, and Miles is standing with his trumpet pointed like a *** straight at Kenny's lower torso, looking intently at him... :) The ending of the track has, it always seemed to me, a double symbolism that ties in with this: climax or release, but also the birth of a child, with growing pressure from the bass and organ, a final cathartic push - and then finally the "first scream" at the very end, where Miles and Kenny join together. Which locks it back to the title: "Human nature"...

@@louise_rose sacrée analyse!!

@@romeoperrin7524 Merci! J'aime tant ce concert entier, et cette version magistrale de la tube!

@@louise_rose vous avez bien raison, le jazz c'est formidable surtout avec Miles, est-ce que vous en jouez aussi?

@@romeoperrin7524 Hélas non, je reste avec les audiences! :) - mais dans bien des genres différents. J'ai toujours aimé bien des bandes rock, aussi la musique classique et l'opéra. Quand on est depuis longtemps un fan de diverse bands du "rock progressif" des années 70 (Genesis, Yes, Camel, Pink Floyd, etc ) et aussi des gens tels que Herbie Hancock et Chick Corea, il devient presqu'impossible de ne pas découvrir Miles Davis et Keith Jarrett, qui étaient si centrales pour ce type des bands (Phil Collins, dans les années 70, était un grand fan de Miles Davis et de Weather Report). C'est par cette route que j'ai vraiment decouvert le jazz environ l'an 2000, et depuis ce point je me suis fouillé en maintes directions, vers les années 30-50 et vers le jazz contemporain. :)

Es muy bueno

Mine too! My stepmoms brother!

@@mindfulculturecreators Oh really? Who? What city are u in?

Yes, at first the drummer holds back carefully (this is just the last third of the entire track) and then he helps build up the volume and punch. Notice how he begins to use the crash cymbal with sharp, loud strikes to punctuate the funky beat, more and more frequent as the tension rises...

Yes, absolutely. he is amazing throughout this show (Miles in Paris, Nov 1989), and he and the rhythm section really shape the dynamics and pacing to frame Miles' and Kenny's solos. This is beautifully paced, as his drumming grows heavier, louder, faster and more determined.

I sometimes have those days were my reed feels awesome!! I go in when I feel like this

🤣🤣🤣

He's supposed to have said just that about Mike Stern when he called some friend on the phone, around 1980, and Mike was jamming with his guitar in the same room as the guy. in the background. "Who's that on guitar? I want to hear more of him!". Mike ended up in the comeback band.

Ohhh yes.

A week before the Berlin Wall came down - the link feels very appropriate to me, becuse this solo is, among other things, about a sense of LIBERATION!

Sin duda