Yeah, it’s very cool!

Thank you!

@@IsacDanielsson I could only dream of playing my 73 rick 4001 as you do and that song is one of my favorites, Elephant talk is very cool also.

I'm glad you appreciated it! It's hard work transcribing something that is so nuanced and has so much improvisation.

My pleasure!

Thank you so much! I’m glad you enjoyed it 😀

Thank you so much 🙏

Thank you so much!

Thanks ☺️ I try my best!

Thank you, and I agree!

That’s probably for the best 😉

Thank you! Yes, it’s very fun to play 🙂

Thank you! I'm very happy with it :)

Thanks!

Thank you!

Thanks!

Thanks, I'm very glad I could help :) If you look in the description of the video I have linked to the plugin I used for this tone. It's a copy of the Sansamp BDDI. It's a very good plugin, and it's free!

Thank you! Maybe, but I have a pretty substantial backlog of songs I wanna cover. Too many songs, too little time 🤷‍♂️

Thanks! Yeah, these are a D'Addario ProSteels, heavy gauge

Thank you so much! I think he's mostly just holding his hand in a way that makes it look like he's fretting a chord. I can't make out more than the occasional double stop in that version, though it's a bit hard to hear. He's probably doing what I (and he himself on the original recording) do here; letting the octaves ring out together even playing some of the more syncopated parts. In regards to your question about fuzz; no, I haven't really tried fuzz with this (or any other) bass for years. My ear doesn't tend to like the loss of clarity that comes with a fuzz, though it can be cool in the right context. I generally prefer the more grindy, overdriven amp tone you'll find in most of my videos with my P-basses. I did own a Big Muff at one point, though!

@@IsacDanielsson Thank you for your reply! About Wetton, could you, if you wanted to, check 4:55 of this video? kzfaq.info/get/bejne/ftRkYNKXqa7PYZ8.html To me, it really looks as if he's strumming a complete chord there, but I trust your judgement a lot more. I just want to verify. About Fuzz, I understand. It really isn't for everyone. it's just that Wetton himself used fuzz quite a lot in his time with King Crimson, so I thought it would, perhaps, give it a higher degree of fidelity. Either way, I need to say it again, fantastic cover!

@@MarceloKatayama Thanks again :) He's essentially doing what I described in my previous comment regarding double stops; letting the octaves (and possibly the fifth, though it doesn't sound like it) ring together. In that particular bar you're referencing it does indeed look like he's strumming briefly. It's just a way of fattening up the sound without adding extra harmonic content, so I wouldn't define it as a "chord" per se. Maybe some musicologist would disagree with me 🤷‍♂

@@IsacDanielsson thank you! It sounds really cool either way. Take care

I’m glad you liked it 😃