Yup, me too. this song to be my favorite song now

I will

How can I vote?

@@Jhan.1212star planet app

Yas

Belle did that whistle note live on another stage too.. now it did have a backtrack but it’s impressive

@@sliverhalo9286 real

@@sliverhalo9286 IT´S NOT WHISTLE NOTE

​@@jhaisuarezinfantes6060explain

Same!

Are you familiar with Lapillus? They appeared on this very show. Their maknae Haeun was only 13 when the group debuted. Go watch some of their music show performances of Hit Ya! and tell me she wasn't already a great performer. Talent is not dependent on age. And I didn't even mention the many members of very popular Big 4 groups who debuted at 14 or 15.

​@@MarkDeSade100 while talent or skills may not be dependent on age, it's still wrong to debut very young members in an industry that demands so much of a growing child, physically, emotionally, and mentally. They have not matured enough yet to be on camera or to deal with a huge amount of public attention and opinion. A more shallow examples would be Wonyoung having that winking phase that became too much therefore became cringe, Leeseo also undergoing the same. A more serious example would be Twice Tzuyu shying away from the spotlight when she couldn't handle the hype she got at 16 years old. You can't see that on Nayeon or Sana, because respectively both are 20 and 18 when they debuted. Not only that but I remember many instances where a young idol does something controversial and when it is called out, fans defend that "XY is only 14, give him/her a break", so despite being qualified for a debut skill-wise, companies should still wait until their trainees have grown at least 18.

@@jsnksmss5082 Your comment started out strong but then you had nothing to back it up. Kpop idols shouldn't debut at a young age because they might wink too much or become shy and quiet for a while? Those things are insignificant. All three of the girls you mentioned- Wonyoung, Leeseo and Tzuyu- are extremely popular and successful and they've living awesome lives. Not good examples of how debuting young is bad for them.

@@MarkDeSade100 for Tzuyu, I meant that it affected her psychologically (or mentally). She is successful because she is in Twice. Not to say she doesn't work hard in every comeback but her stage presence is notably weak now compared to when she first started because of the attention she received when she was young wherein she was also sexualized. For Leeseo and Wonyoung, I meant that these winking stages are part of the journey in their training to become an idol. In any craft, at the beginning of the middle, there's a cringe phase. Not only that but in any growth development of an individual, there's a cringe phase, usually during one's teen years. The cringe phase is essential in further enhancing your craft and one's growth as a person, respectively. If they were given a bit more time to mature, they could have been spared from negative judgements from the public that impacts them mentally and psychologically, playing also a significant role on shaping their identity. But perhaps as you say, I have brought up weak examples. That does not discredit my initial points on why a child should not be allowed to debut. I am not here to persuade you, just another perspective or to bring up other factors that are being overlooked on the topic. That if someone else reads this thread of comments, they are also reminded that idols are much more than the skills they demonstrate on the internet; they are also individuals whose physical, mental, emotional, and psychological health should be considered.

@@MarkDeSade100WonYoung is quite obviously suffering from an ED in front of our eyes as she shot to stardom, as well as an insane amount of hate that comes with being famous. Kids don’t know to let shit roll off your back like an adult was. That’s the point being made.