Big love thank you, I really take me time and I do sit on footage for a long time until I feel it has a place

I’m glad you dig it, thank you 🙏

Much appreciated!

🧡

Film is beautiful.

The cameras aren’t perfect, but when they perform they really do deliver!

💗

I really appreciate those words mate !, I've always got something I want to tackle next

thank you !

thanks Francis !

Thanks a ton!

ain't that the truth !

greatly appreciate that !

cheers ! I really love these cameras, they aren't perfect but they are a blast to shoot with

Thanks!!

thanks dude!

Big love 🧡

Greatly appreciate it !

cheers, and yeah I do much prefer this way of shooting, I did run a 16:9 k3 for a previous project, but decided to sell in favour of the simplicity the original cameras give

@@ssimple4190 You are not alone with that thinking. I been getting my film over-scanned so I can go either way 16:9 or 4x3. Best to you!

big love dan!

the face my partner pulls every time I whip out a new roll is scary, she's not a fan of the expense hahah. and thank you for that !

@@ssimple4190 results totally worth it though! And the footage will last forever.

This was with a few different stocks, I use all 4 negative stocks pretty often depending on the lighting situation, 50D looks great, but 500t is equally as nice, just depends on the situation ☺️

@@ssimple4190 thanks for your answer! I am a film student in Uruguay and yesterday we shot the intro of my short film on film!

Thank you 🙏 This was a mix of varying stocks from 50D to 500T and it was shot with the meteor lens

thanks jack, I used the stock meteor lens and used the built in stabilisation in fcpx as my camera has a little more gate jitter then id like

Shooting For these couple of videos I wanted to try and sit on a scene for a little longer then a normal cut, so I generally cranked and counted to 5-10 seconds depending on how much I liked the shot. Then in the edit I just trimmed off what I felt was too much. I’m not to over the top with taping, aside from the main door around the camera to access and open the inside, but I don’t cover eye pieces or lens between shots to prevent light, because I haven’t had any issues not doing this. Tripod for all of these videos was with a photo tripod and a really bad video head on top. Which was a pain. But I only just upgraded to and have been shooting recent rolls for future projects on a miller air, boy was that an upgrade I needed long ago especially with a bowl head for levelling haha

You’ve got a keen on because The gate jitter is pretty nasty on my body so I have had to use post stabilisation on most shots, and the abnormality you see was due to some dust, I’ve sonde given it a good clean and it has disappeared on rolls since. I’m glad you enjoyed it, you’re own work has been instrumental in my knowledge about these cameras, love your work ❤️

@@ssimple4190 Oh thank you. I'm honored.

for this it was both at 24 and 48 depending on what I was capturing

Big love 💗 I’m not 100% but it could be 250D but possibly 50D

Thank you, I do grade my footage but not a great deal. I generally want it to look as close as it did in person.

cheers, I believe I used 50D and 250D for this

I was confident the camera worked well enough that I could risk it and keep the gate dirty when I first started using this body, purely just for aesthetic reasons when pulling screen grabs. But since this I have cleaned and shot with the camera and the result’s turned out great, very clean ! Thanks for those kind words also ❤️

You're welcome. I'm glad you've managed to get even cleaner results, the original defects weren't enough to distract at all, but getting it as clean as possible obviously will mean you can get the best image to later do as you wish with. I've often thought footage from this particular camera would make for great stills....since 35mm is so much these days i'd be temped to get a K3 and see how far i could push it for still photography on a tripod...you think it would be doable? 16mm prices for 100ft are a lot better than 35mm, and for Ektachrome 100...well...i think with the K3's lens you'd get much better results with a camera like this for stills than a 16mm subminiature 110 camera?

Cheers bill ! Probably late to the party but aside from a good tape job I would stay away from the plastic daylight spools, I also load mine in almost pitch black even though they can be loaded In low light Hope that helps !

@@ssimple4190 Do you use laser measuring device to measure the focus? I love the color grade. Maybe a tutorial on color grade?

The 17-69 meteor 👍🏼

Single perf only 🤌🏻

@@ssimple4190Thank you!!!!

won't stop !

50D & 250D

Pretty wild right, they even do a 6.5k but I haven’t tried that as KZfaq only supports 4K. Looks so much cleaner on a computer without KZfaq compression!