Totally agree!

first one you've ever heard, I take it

É bom ver um BR aqui

The fact that someone can be considered professional doesn't mean they don't deserve feedback. Do they know everything? Do they do everything entirely correctly? Of course they don't, so amy piece of advice should be welcomed

@@kentakiman_gmd I don't think it was she herself who posted, so I doubt she'll ever see the comment. She's had quite a successful career, e.g., selected co-concertmaster of l'Orchestre National de France at age 21. Her technique looks unusual to me, but for her it works - I can't argue with the excellence of her performance.

Love..Love..Love......

lol no respect for elders

It's a famous French singer

That`s a Russian comedian Leonid Yarmolnick. No idea, how he ended up on a French TV show...

Her father may be?

Daniel Bevilacqua, a French singer and songwriter. The woman is Macha Méril, a French actress.

your rudeness though

your name tho

your name tho

Sanntik Non, je ne l'ai pas gardé.

classica59 ohh et dire que j'attends depuis cet été, dommage ^^

mate Nd the most famous (like the one who wrote this)composers lived in the 1600-1800 so no. I wish he was alive though

No her father may be?

Largely isn't there in the prelude but definitely is at 42 seconds in...

lol do you have any idea to who you're giving advice to ? This woman won a chair as solo violin in a prestigious orchestra at the age of 20

(Désolé, ce sera en langue française...) Quelques détails sur le violoniste : Sarah Nemtanu est nommée premier violon solo de l’Orchestre national de France à vingt-et-un ans à peine. C’est une des multiples facettes d’une reconnaissance internationale qui commence alors. En 2007, alors qu’elle n’a pas encore vingt-six ans, Sarah Nemtanu est nominée en tant que « révélation soliste instrumental de l’année » aux Victoires de la Musique classique. En 2009, elle est la vraie violoniste du film « Le Concert » de Radu Mihaileanu : elle double Mélanie Laurent et interprète le concerto de Tchaïkovski. Sarah Nemtanu est régulièrement l’invité des médias, pour qui elle fait partie des violonistes qui marquent l’univers musical actuel à l’international. La Fondation Zilber-Rampal lui prête un violon Giovanni Battista Guadagnini de 1784. Sarah Nemtanu commence le violon avec son père Vladimir Nemtanu, violon solo de l’Orchestre national de Bordeaux Aquitaine. Dès l’âge de seize ans, elle intègre la classe de Gérard Poulet au Conservatoire national de musique et de danse de Paris et y obtient des premiers prix mention très bien en violon et musique de chambre. Après ses succès en concours internationaux - premier prix Maurice Ravel à Saint-Jean-de-Luz en 1998 et lauréate du Concours international Stradivarius en 2001, Sarah Nemtanu est révélée au grand public lorsqu’elle joue le Double Concerto de Brahms avec Gautier Capuçon sous la direction d’Emmanuel Krivine. Ses prestations en soliste au sein de l’Orchestre national de France sont applaudies par le public. Ses rencontres avec des chefs renommés - tels que Sir Colin Davis, Bernard Haitink ou Ricardo Mutti… - l’ont conduite dans des salles prestigieuses à travers le monde : Théâtre des Champs-Elysées à Paris, Century Hall à Tokyo, Carnegie Hall à New York ou Musikverein à Vienne…

That small piece of advice you have generously offered (without even knowing whom it was addressed to !), usually leads to super tense, rigid sound that has almost no colors to it due to lower -positioned wrist crushing the overtones and preventing their natural "glow &flow" ...

wow- what a jerk.

IKR!!

bella2019 her bow is tightened so much too

AVALON 123 um. thats how the song is supposed to be like, if you actually listen to recordings. 🙃

I understand that it should be played with emphasis, and it is musical. It really is. I just think that maybe she could make it a bit more consistent on the quarter notes at the beginning and middle.

@bassguitarlover 93 They are allowed as long as what the do makes any sense. Overall I wouldn't say this interpretation is bad, however I wouldn't make pauses on asection of quarter notes that belongs to the same harmonic rythm as she does in the first half of the preludium. Also she could have reinforced the brigtness of the highest note by lengthening that ending of the section a bit more. Regarding the second time that entire section of quarter notes gets repeated, it is a good point that she changes its colour by playing it with a different dynamic and playing harmonics whenever she can, but playing it more slowly makes it feel rare.

@@chriskim3324 pieces that don't give much context are up to interpretation so she can interpret it however she wants ;)

I from Korea....... what's mean this........