The instrumental production of the Italian Seicento was still closely linked to vocal music. The score constituted during the 17th century a sketch of eternally unfinished work, as exemplified by the substitution of the original vocal parts by diminutions in which the improvised fantasy of the performer had the last word.
Tarquinio Merula (1594-1665)
00:00 Ballo detto Eccardo, from Canzoni overo sonate concertate Op. 12
Pier Francesco Cavalli (1602-1676)
02:51 Canzona à 3, from Musiche Sacre
Tarquinio Merula (1594-1665)
08:34 Ballo detto Gennaro, from Canzoni overo sonate concertate Op. 12
Biagio Marini (1594-1663)
10:25 Sinfonia Sesto Tuono, from Per ogni sorti di strumento musicale diversi generi di sonate Op. 22
Claudio Monteverdi (1567-1643)
11:37 Cor mio, non mori? E mori!
Tarquinio Merula (1594-1665)
16:35 Ballo detto Pollicio, from Canzoni overo sonate concertate Op. 12
Biagio Marini (1594-1663)
18:30 La Zorzi. Sinfonia grave a 3, from Affetti musicali Op. 1
Giovanni Battista Vitali (1632-1692)
21:57 Bergamasca, from Partite sopra diverse sonate
Giovanni Battista Fontana (1589-1630)
24:04 Sonata settima, from Sonate per il violino
Andrea Gabrieli (1510-1586)
30:35 Intonazione on Giovane donna sott'un verde lauro
32:05 Giovane donna sott'un verde lauro
Salomone Rossi (1570-1630)
36:43 Sinfonia nona, from Sinfonie e gagliarde, Book I
Andrea Falconieri (1585-1656)
39:24 Folia made for my lady doña Tarolilla de Carallenos, from Il primo libro di canzone, sinfonie, fantasie
Salomone Rossi (1570-1630)
43:14 Sinfonia ottava, from Sinfonie e gagliarde, Book I
La Vaghezza (Ignacio Ramal and Mayah Kadish, baroque violin. Anastasia Baraviera, baroque cello. Gianluca Geremia, theorbo. Marco Crosetto, harpsichord and organ)
Concert of the series Young Performers
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6 March 2022
Fundación Juan March, Madrid
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Concerts at Fundación Juan March: www.march.es/musica/
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