So true tho But i like it But is a bit too much color

Kellie Folley I’m pretty sure Amy Ross was the understudy for this tour!

​@@cathalbennettmusic8Rebecca Stenhouse

This is such a silly thing to nitpick at

@@BostonTessie LOL, I never said that it wasn't! Besides, it wasn't a criticism of any other production; it was merely an observation of how this version differs from others. Take care x

It’s Lucie Jones- she recently played Jenna in Waitress on the West End. She’s amazing!!

she’s amazing !! she’s just come off the uk tour of wicked as jenna and is going into wicked next week as elphaba

I agree, the intro just felt off, like the actual show kinda just like introduces us to her better, this show is more like “Oh my god guys, oh yeah here’s Elle.” Whilst the original is more like “We need to find Elle.” And mysteriously she rises and we see her and a great cheer comes from the crowd.

no

I think it's because they travel around and therefore can not take everything with them because there are too large parts so they redo them so it will be easier to travel with

Andreas Sandal Petersen all I know is that it’s the 2018 Uk tour

Lucie Jones was Elle

@@musamusix no, she was in the 1st UK tour and this is from 2nd UK Tour

@@andreassandalpetersen1325 no, this is definitely lucie jones

No sorry

This is a curve production its not a uk tour

@@axavierlopez1252 wrong, this is the UK Productions UK tour of 2018. I was on it lol

@@DaiG100 haha my mistake

Landon Clark i think it’s because the movie starts with a girl riding on a bike to deliver the letter to elle

Hannah Martinez-Crow Perhaps it's easier for the touring cast and crew to take bikes instead of large building set (a la Broadway version)

Hi, no this is the most recent UK Tour production, it wasn't produced by the same company as the west end/ previous UK tour productions that replicate the original version. This version was done by UK productions. Also the set, costumes and show was completely different in the curve production x .

@@alexbutler716 when shows are done in other countries, local production companies acquire the rights to the show. And in that will be an agreement that they need to use the same music arrangements, choreography, direction, lighting and set design. Sometimes the original creatives will invest money into the production and travel for the opening. After several years, the rights holders will tend to not care as much and allow these type of productions to change things such as the set design, it’s the same with what’s going on with Mamma Mia. There is currently a production in Australia that isn’t a “carbon copy” of the original show.