Lin-Manuel Miranda in conversation with Quiara Alegría Hudes & Jeremy McCarter at Live Talks LA

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LiveTalksLA

LiveTalksLA

Күн бұрын

Lin-Manuel Miranda in conversation with Quiara Alegría Hudes & Jeremy McCarter
discussing their book,“In the Heights: Finding Home”
The eagerly awaited follow-up to the New York Times bestseller Hamilton: The Revolution, Lin-Manuel Miranda’s new book gives readers an extraordinary inside look at In the Heights, his breakout Broadway debut, written with Quiara Alegría Hudes, now a Hollywood blockbuster.
Lin-Manuel Miranda is an award-winning composer, lyricist, and performer, as well as the recipient of a 2015 MacArthur Foundation Award. His most recent musical, Hamilton-book, music, and lyrics by Miranda; he also originated the title role-opened on Broadway in 2015. Hamilton was awarded the 2016 Pulitzer Prize for Drama and earned a record-breaking sixteen Tony Award nominations, winning eleven Tonys, including two for Miranda personally for Best Book and Best Score of a Musical. Miranda’s first Broadway musical, In the Heights, received four 2008 Tony Awards (including Best Orchestrations, Best Choreography, and Best Musical). Miranda contributed music, lyrics, and vocals to several songs in Disney’s feature film Moana, earning him an Oscar nomination and a Grammy Award for the original song “How Far I’ll Go.”
Quiara Alegría Hudes is the Pulitzer Prize-winning playwright of Water by the Spoonful and the author of a memoir, My Broken Language. She wrote the book for the Tony-winning Broadway musical In the Heights and later adapted it for the screen. Her notable essays include “High Tide of Heartbreak” in American Theatre magazine and “Corey Couldn’t Take It Anymore” in The Cut. As a prison reform activist, Hudes and her cousin founded Emancipated Stories, a platform where people behind bars can share one page of their life story with the world. She lives with her family in New York but frequently returns to her native Philly.
Jeremy McCarter is the author of Young Radicals and co-author, with Lin-Manuel Miranda, of the #1 New York Times bestseller Hamilton: The Revolution. He is the founder and executive producer of Make-Believe Association, a Chicago-based production company. He spent five years on the artistic staff of the Public Theater and has served on the jury of the Pulitzer Prize for Drama. He has written about culture and politics for New York magazine, The New York Times, The Wall Street Journal, and other publications. He lives in Chicago with his family.
“For 20 years In The Heights-a show about a community-somehow manages to create camaraderie and community every time it is performed. This book is a collective diary looking back and shining a spotlight on the people and moments that have nurtured the journey and evolution of this show with paciencia y fe for checks notes LITERALLY half of my life. Quiara and I are so grateful that the hundreds of stories and recuerdosthat make up In The Heightsare collected here.” - Lin-Manuel Miranda
In 2008, In the Heights, a new musical from up-and-coming young artists, electrified Broadway. The show’s vibrant mix of Latin music and hip-hop captured life in Washington Heights, the Latino neighborhood in upper Manhattan. It won four Tony Awards and became an international hit, delighting audiences around the world. For the film version, director Jon M. Chu (Crazy Rich Asians) brought the story home, filming its spectacular dance numbers on location in Washington Heights. That’s where Usnavi, Nina, and their neighbors chase their dreams and ask a universal question: Where do I belong?
In the Heights: Finding Home reunites Miranda with Jeremy McCarter, co-author of Hamilton: The Revolution, and Quiara Alegría Hudes, the Pulitzer Prize-winning librettist of the Broadway musical and screenwriter of the film. They do more than trace the making of an unlikely Broadway smash and a major motion picture: They give readers an intimate look at the decades-long creative life of In the Heights.
Like Hamilton: The Revolution, the book offers untold stories, perceptive essays, and the lyrics to Miranda’s songs-complete with his funny, heartfelt annotations. It also features newly commissioned portraits and never-before-seen photos from backstage, the movie set, and productions around the world.
This is the story of characters who search for a home-and the artists who created one.

Пікірлер: 4
@alyssaclark6691
@alyssaclark6691 2 жыл бұрын
I love how Lin looks like a homeless man in this video but is really the most brilliant musical creative genius alive 😂
@christopherstephenjenksbsg4944
@christopherstephenjenksbsg4944 2 жыл бұрын
Excellent interview and conversation! I grew up in Chelsea in the 1960s. At that time Chelsea was a working-class Irish and Puerto Rican neighborhood. It had a kind of "West Side Story" vibe, but it also had that sense of community that you capture so beautifully in "In the Heights", despite some very significant problems, particularly with gang conflict. (In that sense, "West Side Story" nails it.) When I think of "Home", the Chelsea of my youth is still what comes to mind. However, when I last visited my old block in 2017, it didn't feel like home any more. The block still looks pretty much the same, although there are now street trees, which weren't around when I was a kid. But, as I'm sure you know, Chelsea has been ultra-gentrified, several times over. Brownstones that sold for $35,000 in 1970 are now selling for $2 million. The street life that I knew is absent. Kids aren't playing in the street, with the old Irish landladies keeping an eye on everybody from their stoops. Neighbors don't seem to know one another any more; if anything, they seem frightened of one another -- at least to my mind. I am so glad Washington Heights is keeping its character, despite the encroachments of gentrification! KEEP IT UP!!!! btw, we had our own version of the Piragua Guy/Mr. Softee war, except in our case it was a war between the Piragua Guy and the Good Humor Man. The Good Humor Man used a pushcart with silver bells. His pushcart was gleaming white and he wore a white uniform with a cap. The Piragua Guy was pretty much as shown in the play and the movie. He was also *much* cheaper!
@dontpanic1812
@dontpanic1812 2 жыл бұрын
Very nice discussion about process, intent and the purpose of creativity. Home. It means something different for everybody and more and more it's become a polarizing political issue, but it really is about finding that balance between individuality and pluralism, belonging to a community that allows everyone free expression. "Protecting the Homeland" has become something rather dark of late, but I think if we recognize that home is a place where multiple cultures exist and thrive, we'll be in a better mental space where insularity and segregation aren't self-preservation reservations and where both dominant and minority cultures aren't threatening to each other, but complementary, making each of us richer, wiser and more resilient, stronger in our shared vagaries, beliefs and perspectives. Besides being more full of life and much less boring, each is necessary for prolonging existence, as each prevents the authoritarian rule of any single perspective, culture, nation, gender or party over ourselves or others-- this being the true enemy of both freedom and of home. Very nice discussion on art's responsibility, integrity and heart: social reflection.
@francesca8122
@francesca8122 2 жыл бұрын
Thank you for sharng it.
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