LUMATONE | Quick Answers | "What New Chords can be Played on Lumatone?"

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Күн бұрын

The myriad of new tunings playable on Lumatone open up a whole new world of brand new chords you can play. Dave quickly walks you through just a small sampling of the infinite possibilities. Exciting new sounds for your creative toolkit. 🌈
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Пікірлер: 17

@mariagotica8569 11 ай бұрын

SUPER AMAZING!!

@lumatone 11 ай бұрын

Glad you think so!

@bazookaman1353 11 ай бұрын

In 31 EDO alone there are more 3 note chords than there are of any number of notes in 12 EDO. Btw, I just found out 4EDF is underrated, anyone seeing should check it out. It's pretty beginner friendly like 5 EDO but much spicier.

@Trainwreck3000 11 ай бұрын

4ed3/2?

@bazookaman1353 11 ай бұрын

@@Trainwreck3000 Yes.

@epiphoney 11 ай бұрын

In Scala, you can do Analyse->Show chord presence... on the menu. For example, in "equal 31": Scale is equal tempered, only showing first degree. 0-7-18: 31-tone Subminor Triad C Eb; G 0-8-18: 31-tone Minor Triad C Eb G 0-9-18: 31-tone Neutral Triad C E; G 0-10-18: 31-tone Major Triad C E G 0-11-18: 31-tone Supermajor Triad C E| G 0-5-10-18-23: 31-tone Added Second & Sixth "2/6" C D E G A 0-8-18-23-36: 31-tone Minor Sixth Added Ninth "m6/9" C Eb G A D.1 0-10-18-23-36: 31-tone Added Sixth & Ninth "6/9" C E G A D.1 0-10-18-25: 31-tone Harmonic Dominant Seventh C E G Bb; 0-10-18-26: 31-tone Dominant Seventh C E G Bb 0-10-18-25-36: 31-tone Harmonic Dominant Ninth C E G Bb; D.1 0-10-18-25-36-45: 31-tone Harmonic Eleventh C E G Bb; D.1 F|.1 0-10-18-25-36-45-53: 31-tone Harmonic Thirteenth C E G Bb; D.1 F|.1 A;.1 0-10-20-31: 31-tone Marvel Augmented Triad C E G# C.1 Total of 14 with 14 unique

@lumatone 11 ай бұрын

This is a really great tip, thanks for sharing!

@dr.banane8038 11 ай бұрын

Ahh, so vA or A; or G## is the next overtone, I only found until the eleventh

@dr.banane8038 11 ай бұрын

A good harmonic chord is also subminor with major sixth, so C D# G A Or C Eb; G A

@dr.banane8038 11 ай бұрын

Or Major b6 with diminished octave C E G Ab B# C Or C E G Ab C; C

@TakenTook 5 ай бұрын

I'm not used to microtonal scales, but those first neutral chords sounded more minor to my ear, while many of the minor chords sounded more major

@theatheistpaladin 11 ай бұрын

Anything interesting you can do with 12 edo that you cannot do or do easily within a piano?

@nylonius 11 ай бұрын

Why is the highly discordant stack of ~6.5 minor thirds in 22edo called the "magical triad"? Called by whom?

@lumatone 11 ай бұрын

Juhani, that would be according to the Xenharmonic Wiki

@henrikljungstrand2036 10 ай бұрын

Perhaps it has something to do with "Magic" linear (rank 2) temperament, which 22edo equal (rank 1) temperament supports. Magic is a temperament where the comma 3125/3072 is regularly tempered to the unison 1/1, rather than tempering the comma 81/80 regularly to unison, as is done in Meantone. Like in Meantone, usually in Magic we temper also 225/224 (Marvel) to unison, if we extend from representing only the 5-limit to also representing the 7-limit. In this case we also temper 245/243 (Sensamagic) to unison in 7-limit Magic. As a curiosity, 19edo supports both Magic and Meantone simultaneously. But in this video it seems that 22edo is explored. 41edo is also a good Magic supporting equal temperament.

@henrikljungstrand2036 8 ай бұрын

Five 5/4 major thirds stacked become one 3/1 perfect twelfth in Magic temperament, such as 22edo. But i don't know what this has to do with two 6/5 minor thirds stacked. This however becomes a 10/7 in Starling temperament, where the Starling comma 126/125 is tempered. But 22edo is not a Starling temperament. However, this stacked chord of two 6/5 instead becomes a 22/15 in 22edo, because the 55/54 Telepathma is tempered in 22edo, this is thus a Telepathy temperament. I don't know if that is relevant though, but Telepathy IS an 11-limit extension of Septimal Magic.

@henrikljungstrand2036 8 ай бұрын

I suppose that this 15:18:22 chord should thus be properly called the telepathic triad. It is not essentially tempered, since we can merely consider it a 5:6 followed by a 9:11, even in Just Intonation. But in Telepathic temperaments like 22edo, this 22:15 is split in two exact halfs, and we can call it a 45:55:66 chord instead, being here the same as 45:54:66 = 15:18:22. It is somewhat similar to a Diminished triad, except those exist only in temperaments where four stacked 6:5 minor thirds make one 2:1 octave, this is called Dimipent, and if 6:5 and 7:6 are also conflated, it is called Diminished. It seems that these chords are called "diminished" even in Meantone, non-Dimipent temperaments like 19edo and 31edo though. Just like two stacked 5:4 are called an "augmented" chord in Meantone, even though it is really Augmented only if three stacked 5:4 major thirds make one 2:1 octave.