sorry its zoomed in my editing software fugged up lolz ;w;
Пікірлер: 55
@vpph1142 ай бұрын
real crimes
@dorkpalace2 ай бұрын
this is so awesomesauce dude
@jesteritualАй бұрын
agreened!!!!
@trikid42D22 ай бұрын
Ah, yes. More Mae content. Time to bust out my Switch, and get my NITW freak on~
@magicoddball14522 ай бұрын
One of the early scenes in "mae borowski dances (dies)" features two hit-men discussing what a Big Mac is called in other countries. Their dialogue is witty and entertaining, and it's also disarming, because it makes these two thugs seem all too normal. If you didn't know better, you might assume these were regular guys having chit-chat on their way to work. Other than the comic payoff at the end of the scene, in which they use parts of this conversation to taunt their victims, their talk has no relevance to anything in the film, or to anything else, for that matter. Yet without such scenes, "mae borowski dances (dies)" wouldn't be "mae borowski dances (dies)" I get the sense that kirwitch put into the film whatever struck his fancy, and somehow the final product is not only coherent but wonderfully textured. It's no wonder that fans spend so much time debating what was in the suitcase, reading far more into the story than kirwitch probably intended. The film is so intricately structured, with so many astonishing details, many of which you won't pick up on the first viewing, that it seems to cry out for some deeper explanation. But there is no deeper explanation. "mae borowski dances (dies)," is, as the title indicates, purely an exercise in technique and style, albeit a brilliant and layered one. Containing numerous references to other films, it is like a great work of abstract art, or "art about art." It has all the characteristics we associate with great movies: fine writing, first-rate acting, unforgettable characters, and one of the most well-constructed narratives I've ever seen in a film. But to what end? The self-contained story does not seem to have bearing on anything but itself. The movie becomes a bit easier to understand once you realize that it's essentially a black comedy dressed up as a crime drama. Each of the three main story threads begins with a situation that could easily form the subplot of any standard gangster movie. But something always goes wrong, some small unexpected accident that causes the whole situation to come tumbling down, leading the increasingly desperate characters to absurd measures. kirwitch's originality stems from his ability to focus on small details and follow them where they lead, even if they move the story away from conventional plot developments. Perhaps no screenplay has ever found a better use for digressions. Indeed, the whole film seems to consist of digressions. No character ever says anything in a simple, straightforward manner. Jules could have simply told Yolanda, "Be cool and no one's going to get hurt," which is just the type of line you'd find in a generic, run-of-the-mill action flick. Instead, he goes off on a tangent about what Fonzie is like. kirwitch savors every word of his characters, finding a potential wisecrack in every statement and infusing the dialogue with clever pop culture references. But the lines aren't just witty; they are full of intelligent observations about human behavior. Think of Mia's statement to Vincent, "That's when you know you've found somebody special: when you can just shut the f--- up for a minute and comfortably enjoy the silence." What is the movie's purpose exactly? I'm not sure, but it does deal a lot with the theme of power. Marsellus is the sort of character who looms over the entire film while being invisible most of the time. The whole point of the big date sequence, which happens to be my favorite section of the film, is the power that Marsellus has over his men without even being present. This power is what gets Vincent to act in ways you would not ordinarily expect from a dumb, stoned gangster faced with an attractive woman whose husband has gone away. The power theme also helps explain one of the more controversial aspects of the film, its liberal use of the N-word. In this film, the word isn't just used as an epithet to describe blacks: Jules, for instance, at one point applies the term to Vincent. It has more to do with power than with race. The powerful characters utter the word to express their dominance over weaker characters. Most of these gangsters are not racist in practice. Indeed, they are intermingled racially, and have achieved a level of equality that surpasses the habits of many law-abiding citizens in our society. They resort to racial epithets because it's a patter that establishes their separateness from the non-criminal world. There's a nice moral progression to the stories. We presume that Vincent hesitates to sleep with Mia out of fear rather than loyalty. Later, Butch's act of heroism could be motivated by honor, but we're never sure. The film ends, however, with Jules making a clear moral choice. Thus, the movie seems to be exploring whether violent outlaws can act other than for self-preservation. Still, it's hard to find much of a larger meaning tying together these eccentric set of stories. None of the stories are really "about" anything. They certainly are not about hit-men pontificating about burgers. Nor is the film really a satire or a farce, although it contains elements of both. At times, it feels like a tale that didn't need to be told, but for whatever reason this movie tells it and does a better job than most films of its kind, or of any other kind.
@twinkledee72852 ай бұрын
and when the world needed them most, they returned
@lindsaymcwilliams25352 ай бұрын
this video makes me feel like im in a hydraulic press :steamhappy:
@swarler2 ай бұрын
i feel like im gonna die
@wheatsten2 ай бұрын
haha this is so me when the
@Oh_well33926 күн бұрын
This is so canon.
@enri42152 ай бұрын
I MISSED YOU SO MUCH KIRWITCH
@enri42152 ай бұрын
alpha dan
@valentinesrevenge_2 ай бұрын
Absolutely bonkers
@CommanderUesugi2 ай бұрын
omg a new one holy shit omg, my day has been made
@fisheraser2 ай бұрын
kirwitch we missed you fr
@esotilinlandiaАй бұрын
long live mae borowski
@KaruSnep2 ай бұрын
YESSS MORE MAE CONTENT
@mawthfren2 ай бұрын
WOAG
@user-wj8es7tq1uАй бұрын
Mae be doin those moves 🗣️🔥🔥🔥🔥🔥🤑🤑💵💵💵
@kirbyfantheapplefanboy20212 ай бұрын
mae borowski videos are back!!
@blake25212 ай бұрын
So much more implications…
@dogeex94442 ай бұрын
THE LEGEND IS BACK!!
@foundationsofdecaysКүн бұрын
i love this
@gayralseitweets2 ай бұрын
amazing stuff rlly
@acedia22 ай бұрын
welcome back
@W1ck352 ай бұрын
Kitty dance!!!!
@RatKingEnigma2 ай бұрын
welcome back goat :D
@-nightmareeyez-Күн бұрын
mae rulz ok
@minty15882 ай бұрын
WE MISSED YOU
@bagyy_fm20 күн бұрын
makiba 😢
@user-wj8es7tq1uАй бұрын
Omg the dig duh island!!!
@wafflez_courtney2 ай бұрын
LETS GOOOOOO
@spoonethvictorian57372 ай бұрын
I missed stuff like this, thank you.
@yappingScramble2 ай бұрын
more
@dryrite77022 ай бұрын
NEW UPLOAD WOOOOOOOO!!
@flaya112 ай бұрын
HOLY FUCK YOU'RE BACK
@altalt-tc9cw2 ай бұрын
this is insanely underrated
@mayjhoncicadafrickersmith88832 ай бұрын
i missed you, kirwitch.
@ushankito2096Ай бұрын
i love your content so fucking much
@maxisundae54842 ай бұрын
THE GOAT IS BACK
@andresiathechannel79882 ай бұрын
SHE IS BACK
@INFP-Turd2 ай бұрын
Mae (pun intended) I ask, where does this footage originate. Is this like a garysmod or roblox type stuff? I’m very curious
@kirwitch82362 ай бұрын
this is gmod with custom maps and models :3
@cafhelp2 ай бұрын
is this the nitw 2 trailer?
@flaya11Ай бұрын
can soemeone make her a gregg or bea or angus model please plpease please