Wow I have learned so much from this series ! Really appreciate how you present and teach this material, great pedagogy! Thank you!

He hey. Glad you're back uploading content. Your first reaper videos kicked us off to live mixing in a daw and have been doing so with multiple iterations of janky setups with pretty good success overall. Love your videos and really appreciate the real world application you're showing. I'll be interested to see what playbooks and training guides you do for your volunteers to mix and troubleshoot issues.

Hello Brother in Christ. Many many thanks for this video and all the others as well. we have just purchased an SQ6 and i'm pretty new to the Live mixing with reaper. But this video just resolved some of my issues. Jesus Bless you

Amazing!! Thank you so much

Thanks. You’re the best.

Cool 😎 video too much help full because I am currently using reaper for or churches live mix

Hey hey! Thank you for doing this at all, then specifically for showing how to setup a Solo Bus even when you’re opting Not to use one. That’s above and beyond! I have a few questions, most I’ll save for the end of the series, but mostly related to latency, clocking, and timing. Here however, I want to ask: A) For the Solo Bus to work with the Group Busses, couldn’t you simply solo-defeat them the same way as you did the Broadcast Master. Then if you solo’d a channel, all the other channels would mute but the Busses would stay open. It shouldn’t matter if the other Busses stayed open because the channels feeding the other Busses would be muted, so you’d only hear the channel(s) that were actually solo’d. B) By turning off Solo in Place, does that make it a PFL or AFL or what exactly. And would you hear the solo Pre-Effects, or processed. Haven’t yet tried to set it up, I definitely Will. I can’t imagine turning the DAW into Broadcast Mixer and not having the ability to Solo and set an EQ or De-Esser, or cue a VT. But I do Love the idea so far! Thanks again.

God bless you brother!! Waiting for part 4, I’m just copy and paste all this knowledge in my church🙌🏻😌 thank you so much

Long before internet streaming was invented, our church had exactly the same type of set up you've described here. We took a copy of our multi-channel audio feed and created an independent mix. But instead of sending that stereo mix live to KZfaq, the mix was sent to "video" - that is, it formed the soundtrack for a video tape recording. After some post-production effort on the video side, an edited master tape was created and sent to various satellite TV channels for broadcast. Then Covid + Lockdown happened, so the stereo mix that previously went to "video" simply became the sound track for the live KZfaq feed. I would however question your assertion that solo is never needed once you've done your sound check... You're clearly working with singers who always remember the words, never sing out of tune, and you have musicians who never get confused between the chord sequence in the bridge and a pre-chorus - welcome to my reality... In our pre-KZfaq setup, I used a pair of Yamaha 02R96 mixers in a control room. These mixers have both a master stereo output and a control room output. The solo buss is routed to the control room output, so I've never had a problem with the solo buss affecting the master stereo feed. Over the last 18 or so years, I've got used to quickly hitting solo to check various things - particularly things like which singer has forgotten the words or whether they're getting a little pitchy. When we built our streaming setup, I got a pair of shiny new SSL UF8 control surfaces and connected them to my DAW of choice (Logic Pro) only to discover that solo was destructive to the master stereo output... 😞 I know it costs more money (and its pretty low on the user-friendliness scale), but the only DAW that allows me to create independent master stereo and control room outputs is ProTools. Hence we use this DAW so that our streaming operator does not have to remember to "not press solo" during the service. Other than that difference, out setup is very similar to the one you describe here

17:27 how to do a proper gain structure?

Hi thanks for your work. I have a request maybe here is not the best place to ask. For my church we broadcast Audio only on internet radio. We would like to extend our reach by broadcasting Audio only also on KZfaq, through OBS and just adding a few slides/images. We have been experimenting with this but the mix is inconsistent. The current broadcasting software we use is called BUTT. The audio comes from the front of house analog mixer into a smaller mixer then into the computer, sent out to the Radio server through BUTT and KZfaq via OBS. We plan to purchase the Behringer X3 going forward. The current sound is very inconsistent so your proposal of a separate mix sounds good. Is it possible for you to tell just which equipment/setup we should use. Is it the same as in your diagram? but we have no need of a camera. Do we need another computer or perhaps it should all be configured on one computer? Kind regards.

I have a question we use the presonus Studiolive 32 RM. I get all the channels through FireWire. What would be the proper routing to get the mix for my livestream? Could I use the mix from reaper for the live audience as well, to replace the regular mixing from the console?

Can you use fl studio And also do you put the sdi cable into the system/computer streaming the live

I am trying to pursue something similar to this video in my SQ7. I’m sending 32 channels via USB into reaper and L&R back to the SQ out of reaper. I am getting the audio in reaper based on the meters, and the audio is also making back to the mixer (although with a random popping), but I am unable to solo or monitor any channels at my PC. I have the channels armed and monitoring turned on. What do I have to do to be able to hear audio at the PC?

what if am not having dante and am using the mixer sound interface that is for beringer x32

Can I do that with the Allen & Heath SQ-5 without the Dante interface?

Can’t wait for the rest of this series. I’m trying to set up a DAW. Currently I’m using an iPad with M32 on it, studio headphones, and mixing it to “BUS No. 5”, which is fed into ATEM, all while setting in the sanctuary of the church. Ugh🥲 In OCT all livestreams video and audio is being move to a spare office. 🎉So I want to have my DAW in place.

Mano bom dia na paz do Senhor. Poderia nos explicar como corrigir as lantencias entre os canais,uma vez que aqui na minha igreja local usamos também o Reaper para mix, e a moiria do plugins principalmente os TRIGGER, GATE, LIMITER gera muita latência. Então uso plugin nativo TIME ADJUSTEME DELAY nas tracks para compensar essa latência, mesmo assim percebemos latência entre as faixas no AUDIO FINAL. Por favor HELP! MUITO OBRIGADO, ESTAMOS APRENDENDO MUITO COM SEUS VÍDEOS. DEUS ABENCOE

I have ableton 11. Should I buy reaper or try to use ableton?

That congregation looks like nobody is enjoying the great sound...they're all just...too unmoved

Thanks for the video! I'm wondering if I receive the signal from Wing console by USB, will Reaper be able to then send the sound via Dante to our streaming PC? Will these 2 types work like that?