Making of a Tiffany Studios Stained Glass Lamp WILD ROSES Part 1

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9 ай бұрын

Making of a museum-quality, authentic reproduction Tiffany Studios Stained Glass lamp shade, WILD ROSES. Shade mold and brass hardwares are by Odyssey and stained glass are by Youghiogheny.

Пікірлер: 33

@Gatsu6 7 ай бұрын

Compliments on your filming easy to watch and understand your process. Looking forward to seeing the shade progress 😊

@neloleon 7 ай бұрын

Thank you so much. Please subscribe so you follow the progress.

@AI0799 9 ай бұрын

Beautiful!

@neloleon 9 ай бұрын

it will be. =) Thank you.

@nickonicifor5638 8 ай бұрын

So beautiful!❤

@neloleon 8 ай бұрын

Thank you very much.

@lauranaughton7739 8 ай бұрын

Such attention to detail!!

@neloleon 8 ай бұрын

Appreciate the comment. Thank you Laura.

@dogvoter9973 9 ай бұрын

so talented!

@neloleon 9 ай бұрын

So kind. Thank you.

@kathiekarancz964 2 ай бұрын

It looks to me like the pattern is already drawn INTO the plastic mold. Am I right? That would make it a lot easier. Thank you for the video. I would love to see how you’re progressing! What is your next step? 😅Kathie 🐢

@neloleon 2 ай бұрын

Yes, It's an Odyssey. You get the mold with the pattern already 'grooved' to the FIBERGLASS (not plastic) mold. After completing all the glass pieces- copperfoiling. Thank you for watching.

@ludasokolova3977 6 ай бұрын

Hi. Where you got mold and patterns?

@neloleon 6 ай бұрын

At my local stained glass supplier. They have an online presence at sgw.net

@theresevarney4715 4 ай бұрын

I wish you would have told us what you were using and why?

@christopherlyons7613 8 ай бұрын

A couple questions. I'm doing the Wild Rose lamp myself at the moment. When you cut out your pattern it looked like you just used normal scissors and cut on the mid line of each pattern piece. Isn't that going to give you pieces that are too large? Seems like you're going to have to do additional grinding later to get everything fitting properly. I generally cut out the majority of the black line between the pieces, leaving just a small amount of black showing. On other lamps I've done, I find this gives me good spacing without having to do lots of grind to fit. Interested in thoughts on this. I also generally do all my work on a flat clear piece of plexiglass while working on a light box so I can see how the selected glass colors & textures look. This way I can make any adjustments needed before committing everything to the mold. Feel this goves me the ability to make changes as I progress if the transmitted look isn't what I want. One I have everything cut, ground and foiled I then stick the pieces on the mold and do my soldering. I actually useca rotational jig thst I designed which holds the mold and allows me to tilt the jig to keep my soldering flat and parallel. Will be interested to see how you solder your lamp. Exactly which Youghiogheny glass types & models are you using? Are you using just RG or are you mixing types? Would be interested to see the exact model #s you're using for the rose colors, leaves, bordercrows and background.

@neloleon 8 ай бұрын

Hi. Yes, I cut my pattern midline, but I cut on the inner side of the line on my glass, gives you the same result. Regarding the light table, I normally do what you do, but I feel like the design is simple enough and with my light table that takes so much space, it's not necessary to take it out. A small glass with tacky wax is all I need to see how the glasses look under the light. When I have all the pieces, I'll have a final look on the light table before foiling. Glass is not all Reproduction.

@theresevarney4715 4 ай бұрын

How long did it take to complete this lamp?

@neloleon 2 ай бұрын

@@theresevarney4715 It's not done. I only work on it whenever I feel like it on my spare time. If I want to, I can probably finish a shade in a about a month.

@theresevarney4715 2 ай бұрын

@@neloleon I understand, it's lovely so far! I'll just check back later! 😊